Style: Organic Beat Music, Tribal Ambient, Ritual Psych-Folk, Progressive Electronic
Vibe: Hallucinogenic, Exploratory, Mysterious, Meditative, Hypnotic
Musical Attributes: Electro-Acoustic, Beats, Percussive, Polyphonic, Loops
Sonic explorations and research from the outer groove
Style: Organic Beat Music, Tribal Ambient, Ritual Psych-Folk, Progressive Electronic
Vibe: Hallucinogenic, Exploratory, Mysterious, Meditative, Hypnotic
Musical Attributes: Electro-Acoustic, Beats, Percussive, Polyphonic, Loops
Style: Avant-Garde Jazz, Experimental Big Band
Vibe: Cosmic, Energetic, Passionate, Colorful
Musical Attributes: Complex, Dynamic, Progressive, Suite, Polyrhythmic, Spoken Word
Style: Psych / Prog / Experimental Rock
Vibe: Bombastic, Hallucinogenic, Chaotic, Energetic, Psychedelic
Musical Attributes: Progressive, Dense, Complex, Rhythmic, Riffs, Studio-as-an-Instrument, Technical, Odd Time Signatures
Style: Creative Music, Black Liberation Music, Avant-Garde Jazz
Vibe: Communal, Triumphant, Conscious, Earthy, Futuristic, Passionate, Political, Rebellious, Theatric
Musical Attributes: Improvisation, Spoken Word, Suite, Percussive, Progressive, Live, Group Vocals
Style: Abstract Groove, Jazz Fusion, Raga Jazz, Avant-Garde Jazz, Ambient Jazz
Vibe: Exploratory, Abstract, Mysterious, Chaotic, Hypnotic, Psychedelic, Suspenseful
Musical Attributes: Collective Improvisation, Polyrhythmic, Rhythmic, Dense, Complex, Polyphonic
Featuring Dave Holland, Ron Carter, Herbie Hancock, Wayne Shorter, Bennie Maupin, Jack DeJohnette, Chick Corea, Joe Zawinul, Airto Moreira and others
Composer and upright bassist Spencer Zahn crafts a peaceful album of impressionistic and pastoral jazz that recalls Talk Talk, ECM Records, In a Silent Way, and Bill Frisell. The atmospheres are open and washy thanks to sweeping piano gestures and Dave Harrington’s guitar loopery, while the slow, rolling rhythms of drummer Kenny Wollesen and percussionist Mauro Refosco keep the results grounded.
Style: Singer/Songwriter, Jazz-Folk
Vibe: Passionate, Sensual, Exploratory, Loner, Primal
Musical Attributes: Improvisation, Live, Lyrical
Instrumentation: Acoustic Guitar, Congas, Vibraphone, Electric Bass, Drums
Style: Experimental Singer-Songwriter, Soul Blues, Psychedelic Soul
Vibe: Imaginative, Bluesy, Cathartic, Conscious, Cosmic, Spiritual, Heartfelt, Passionate, Psychedelic, Rootsy, Bittersweet, Poetic
Lyrical Themes: Existential, Afro-Futurism, History, Racism, Reflective
Musical Attributes: Atmospheric, Lyrical, Improvisation, Raw, Studio-as-an-Instrument
Instrumentation: Vocals, Piano, Synthesizers, Keyboards, Saxophone, Trombone, Percussion
The free-form psychedelia and tribal “group therapy” of Sunburned Hand of the Man are in great hands with producer Kieran Hebden (Four Tet)—his dubs and cuts transform their usually lo-fi, meandering jams into something much more immediate, without losing any of their exploratory and spontaneous energy. Recommended for fans of polyrhythmic Afro-inspired percussion, dubbed out production, communal sound rituals, and dense psychedelia.
Originally released in 1971 on CjR Recorded December, 1970 Superior Viaduct Reissue (2019) Style: Free Funk, Free Jazz, Abstract Groove … More
Style: Soul, Jazz-Funk, Singer-Songwriter
Vibe: Conscious, Groovy, Lush, Lyrical, Passionate, Philosophical, Political, Sunny, Triumphant, Uplifting, Urban, Accessible, Bittersweet, Catchy, Confident
“There is a heightened and sustained sense of intuition running through this recording whose sonic palette is so wide it captures – through soundscaping, invocation, lament, impressionistic vocal weaving – not only the transient and hybridised nature of life in Johannesburg, but also the heaviness of the air at the time of its recording. More ambient, controlled swirl of rhythm and experimental mixing than incessant groove, the album is an outpouring of a range of expressions that exist between the supposed binaries of indigenous forms of music and the electronic experimentation Johannesburg is known globally for.” (from Bandcamp)
Originally released in 1972 on CBS Records 2019 Superior Viaduct Reissue Format: LP Style: Free Improvisation, Ambient Jazz, Drone Vibe: Ritualistic, … More
Style: Spiritual Jazz, Free Jazz
Vibe: Communal, Earthy, Energetic, Hypnotic, Intense, Loose, Mystical, Passionate, Spiritual, Tribal, Uplifting, Warm, Dance
Musical Attributes: Acoustic, Complex, Collective Improvisation, Percussive, Dense, Thematic, Suite
An obscure release from the great creative label ESP-Disk, containing exploratory, mysterious and playful improvisations from The Sea Ensemble—the husband/wife duo of Zusaan Fasteau and Donald Rafael Garrett. While they are both trained musicians and multi-instrumentalists, an uninhibited childish spirit permeates this release, as can be seen in Donald’s crude but visionary cover drawing; Yet the recording also feels imbued with ancient wisdom, as heard in their primal and instinctive vocalizations throughout the album
Style: Free Folk, Chamber Music, Progressive Folk
Vibe: Ritualistic, Hypnotic, Earthy, Tribal, Nature, Meditative, Medieval, Exploratory
Musical Attributes: Acoustic, Improvisation, Instrumental, Minimalistic
Instrumentation: Oboe, Violin, Viola, Recorder, Percussion (Tabla, Drums, Chimes), Cello
Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.
Style: Poly-Free Improvisation, Modern Classical, Avant-Garde Big Band
Vibe: Complex, Hypnotic, Intense, Suspenseful, Cerebral
Musical Attributes: Polyrhythmic, Polyphonic, Odd Time Signatures, Acoustic, Poly-Free Improvisation, Repetitive
Instrumentation: Orchestral, Mallet Percussion (Marimba, Vibraphone, etc) Violin, Cello, Piano, Trombone, Drums, Flute, Bass Clarinet
Released in 1970 on Flying Dutchman Records Recorded November 24-25, 1969 Format: LP
Released in 2019 on Leaving Records Format: LP
Released in 1972 on Curtom/Buddha Records Format: LP
Originally released in 1972 on EMI 1974 US pressing on Editions Makossa Format: LP
Released in 1982 on Mango Records Format: LP
Released in 1971 on Impulse Records Recorded November 25, 1970 and January 12, 1971 Format: LP
Released in 1970 on Impulse Records Recorded October 20th, 1969, at Plaza Sound Studios, New York City Format: LP
Released in 1971 on Impulse Records Format: LP
Released in 1970 on Curtom Records (distributed by Buddha Records) Format: LP
Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.