Bass clarinet, pedal steel guitar, and synthesizer swirling together into a highly immersive and emotive combination of voices. Truly beautiful soundscapes that melt the worry away, with moments of quiet catharsis that I don’t experience very often in ambient music.
Style: Modern Soul, Art Pop
Vibe: Reflective, Lush, Mellow, Confident, Groovy, Introspective, Summer, Warm
Musical Attributes: Melodic, Soft, Suite, Vignettes, Polished, Studio-as-an-Instrument, Beats
Style: Loner Folk, Singer Songwriter, Psych Folk
Vibe: Lethargic, Loner, Peaceful, Soothing, Airy, Mellow, Contemplative, Dreamy, Droney, Hypnotic, Intimate, Introspective
Musical Attributes: Acoustic, Droney, Slow, Sparse, Soft
Style: Soul, Art Pop
Vibe: Confident, Heartfelt, Introspective, Colorful, Triumphant, Uplifting, Urban, Loner
Lyrical Themes: Conscious, Poetic, Political, Personal, Black Pride, Love, Feminist
Musical Attributes: Groovy, Lush, Headphone Album, Polished, Catchy, Technical
Style: Chamber Folk–Pop, Americana, Singer/Songwriter
Vibe: Warm, Lush, Deadpan, Uplifting, Soothing, Humorous, Soft
Musical Attributes: Lyrical, Melodic, Polished
Released in 1968 on ESP-Disk Format: LP Style: Chamber Folk, Psych Folk Vibe: Peaceful, Mellow, Psychedelic Themes: War, Nature, Love … More
Released in 2018 on Friends of Friends Records Format: LP, Clear Vinyl
Released in 2011 on Jagjaguwar Format: LP
Released in 2019 on Fat Possum Records Format: LP
Released in 2013 on Matador Records Format: LP + 7″ The bonus 7″ features covers of Todd Rundgren’s “I Saw … More
Released in 1978 on ECM Records Recorded December 1977 Format: LP
Released in 2000 on Matador Records Format: LPx2
An ethereal and somewhat haunting ambient-folk collaboration between guitarist/singer Meg Baird (Espers, Heron Oblivion), and harpist Mary Lattimore, who’s recorded with Fursaxa, Steve Gunn, and others in addition to her hypnotic solo work.
Highly Recommended for fans of Natural Snow Buildings, Laraaji, and 60’s British & Scottish Folk music
Eric Chenaux’s gentle falsetto is the most constant, tangible element on an album characterized by a permanent state of flux. The guitars are warbly and unsteady with their fluctuating tones, volume, and pitch. Yet, despite their experimental nature, they never sound abrasive and, together with some mellow Wurlitzer, create a soft, pillowy environment for Chenaux’s romantic crooning about the nature of love, the moon, and warm nights.