Style: Electro-Jazz, Free Jazz
Vibe: Afrofuturism, Abstract, Atonal, Cosmic, Futuristic, Noisy, Spacey
Style: Electro-Jazz, Free Jazz
Vibe: Afrofuturism, Abstract, Atonal, Cosmic, Futuristic, Noisy, Spacey
Style: Soul, Jazz-Funk, Singer-Songwriter
Vibe: Conscious, Groovy, Lush, Lyrical, Passionate, Philosophical, Political, Sunny, Triumphant, Uplifting, Urban, Accessible, Bittersweet, Catchy, Confident
“There is a heightened and sustained sense of intuition running through this recording whose sonic palette is so wide it captures – through soundscaping, invocation, lament, impressionistic vocal weaving – not only the transient and hybridised nature of life in Johannesburg, but also the heaviness of the air at the time of its recording. More ambient, controlled swirl of rhythm and experimental mixing than incessant groove, the album is an outpouring of a range of expressions that exist between the supposed binaries of indigenous forms of music and the electronic experimentation Johannesburg is known globally for.” (from Bandcamp)
Style: Progressive Pop, Space Age Pop
Influences: Kosmische Musik, Bossa Nova, French Pop, Lounge
Vibe: Spacey, Lush, Retro-Futuristic, Catchy, Groovy, Motorik, Nocturnal, Uplifting
Musical Attributes: Melodic, Headphone Album, Odd Time Signatures, Studio-as-an-Instrument, Progressive, Lyrical
Lyrics: Philosophical, Political, Communist, Bi-Lingual (English and French)
Instrumentation: Synthesizers, Vibraphone, Drums, Electric Bass, Electric Guitar, Vocals, Brass, Strings, Keys (Organ, Clavinet, Harpsichord, Wurlitzer)
Style: Abstract Funk, Jazz Fusion, Spiritual Jazz
Lineup: Eddie Henderson, Herbie Hancock, Bennie Maupin, Lenny White, Billy Hart, Buster Williams, Pat Gleeson
Vibe: Cosmic, Exploratory, Groovy, Atmospheric, Spacey, Spiritual
Musical Attributes: Collective Improvisation, Polyrhythmic, Odd Time Signatures, Studio-as-an-Instrument
Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz
Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic
Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic
These communal sound rituals express a digital-era longing to reconnect to the Earth. The grooves here are circular and ceremonial, not rooted to any specific musical traditions but borrowing from many, including cosmic jazz, kosmische musik and undoubtedly inspired by Holden’s collaboration with legendary Gnawa musician Maleem Mahmoud Ghania. Drums and percussion ground the proceedings while muscular sequencer and fiery saxophone arpeggiations hypnotically intertwine. The sounds of fluttering recorder and modular synthesizer swirl through the air like offerings to the cosmos.
Recommended for fans of The Comet is Coming, Tonto’s Exploding Head Band, Maleem Mahmoud Ghania & Pharoah Sander’s Trance of Seven Colors, Natural Information Society, Colin Stetson
Released in 2015 on Constellation Records Recorded June 3-5, 2014 Format: LP
Released in 2020 on International Anthem and Nonesuch Records Format: LP
Style: Drone-Rock, Experimental Rock
Influences: Dark Ambient, Psych Rock, Kosmische, Noise, Drone-Metal
Vibe: Shadowy, Ominous, Brooding, Dark, Driving, Haunting, Hypnotic, Mysterious, Exploratory, Nocturnal, Hallucinogenic
Musical Attributes: Studio-as-an-instrument, Dissonant, Droney
Fontanelle’s Vitamin F feels heavily indebted to the dense, psychedelic grooves of Bitches Brew and the Mwandishi albums, and while it doesn’t quite reach the majestic heights of those legendary records, it’s definitely a worthwhile slab of wax for fans of polyrhythmic funk, winding improvisations, and spacey keyboard atmospheres.
The second Radio Gnome transmission finds Zero the Hero astral projecting to PlanetGong where he meets with Selene the Moon Goddess and the Octave Doctors to learn the infinite powers of their lovewisdom vibrations. This psychedelic journey brings together fantastical imagery of pothead pixies and flying teapots (and a dose of hippy hedonism) with heady spiritual concepts delivered in a quite fun and silly way, but even before digging into the concept I was immediately grabbed by their unique style spacey jazz-rock with its propulsive bass lines, immersive synthesizer atmospheres and serpentine soprano sax soloing.
Released in 2015 on Ninja Tune Format: LP
Released in 2012 on Sargent House Format: LP, White Vinyl Style: Trip-Hop, Downtempo, Synth Pop Instrumentation: Fretless Bass, Vocals, Drum … More
Originally released in 1972 on Brain Records 2007 Lilith Reissue Format: LP, CD
Released in 2019 on Impulse! Records Format: LP
Released in 2016 on Domino Records Format: LPx2, includes poster and lyric Booklet
Released in 2014 on Ghostly International Format: LPx2, hand-dipped vinyl Limited to 800
Released in 2014 on RVNG International Format: LP
Originally released in 2005 on Warp Records 2013 Reissue Format: LPx2
Released in 2008 on Anticon Records Format: LP
Released in 2012 on Rad Cult/FrenchKiss Format: LP, Orange Vinyl
Released in 2014 on Warp Records Format: LPx3
Released in 2019 on Constellation Records Format: 12″ EP
Released in 1982 on Mango Records Format: LP
Released in 1976 on Virgin Records Format: LP
Released in 2015 on True Panther Sounds Format: LPx2 Recommended Tracks A1 – Ten Days of Falling (Brooding, Dancey, Dramatic) … More
Released in 1971 on Warner Bros. Format: LP, white label promo
Released in 201 on Young Turks Format: LP, die cut cover Recommended Tracks A2 – Red Lights (Spacey, Funky, Energetic … More
Releases in 1972 on Warner Bros. Records Format: LP
Released in 2015 on Brainfeeder Records Format: 12″ EP, Red Vinyl
Released in 2016 by Thrill Jockey Records Format: LP
Originally released in 1974 on Brain Records 2015 Grönland Pressing Format: LP, 180g
Originally Released in 2003 on Sound-Ink 2019 15th Anniversary Edition Format: LPx2, Silver Vinyl, Mirrored Jacket
Originally released in 2009 on Relapse Records 2013 Pressing Format: LPx2
Released in 2013 on Matador Records Format: LPx2, 45rpm
Released in 2014 on Southern Lord Recordings Format: LP
Released in 1990 on Mantra Recorded live in 1973 2019 RSD Pressing
Released in 2016 on Thrill Jockey Records Format: LP
Released in 1971 on Harvest Records Format: LP
Released in 2009 on Thrill Jockey Records Format: LP
Released in 2013 on Warp Records Format: LPx2
Released in 1974 on Virgin Records Format: LP
Originally released in 1972 on Brain Records 2010 Grönland Pressing Format: LP, White Vinyl
Released in 2012 on Invada Records Format: LPx2, orange vinyl Limited to 500 copies
Originally released in 1993 on Duophonic Records This pressing was released in 2012 on 1972 Records Format: LPx2
Released in 2009 on Graveface Records Format: LPx2, Stoughton Foil Sleeve Includes 24″x24″ poster RSD 2010 Pressing
Released in 1996 on Happy Go Lucky Format: 12″ EP
A far cry from the sparse folk usually recorded by Will Oldham, “Epic Jammers and Fortunate Little Ditties” finds his intimate voice and warbly acoustic guitar enveloped by the cosmic drones, blooming synths, airy flutes, and hypnotic tape loops of Chicago new age trio, Bitchin Bajas. The lyrics are essentially fortune cookie mantras and, while there’s a chance they’re tongue-in-cheek, it’s difficult not to smile and feel a brightening of the spirit when hearing uplifting phrases like “Your hard work is about to pay off, keep on keepin’ on” or “you and your whole family are well” get repeated over and over. This collaboration is a soothing, heartwarming listen and a refreshing change-of-pace from Oldham’s tendency towards melancholy and solemn lyrical content.
While the music on Zeit feels motionlessly suspended in the empty vastness of space, the music on Phaedra seem to discover a swampy alien planet, Pulsing sequencers, dramatic mellotrons, airy flutes, and sweeping synthesizers are drenched in strange echoes and reverbs to create suspenseful alien soundscapes.
There is a fathomless void within each of us. And while many choose to run from it, clinging to anything to keep from falling in, Deradoorian dove right in on her meditative release, Eternal Reccurrence. Here she provides somewhat of a sonic roadmap for diving deep within yourself, guided by the blooming drones of harmonium, Juno synthesizers, and flutes. Arising from the ether, layers of otherworldly voices sing mantras of facing our Shadow (“Mirrorman”), finding the love that resides in the core of our being, and bringing it back with us into this material dimension.
On Automaginary, the Gnawa-inspired cosmic jazz of Natural Information Society is augmented by the flowing textures of Chicago new age trio Bitchin Bajas to create an album of enveloping drones and trance-inducing rhythms. (Follow link for full Review)
Released in 1975 on Casablanca Records Format: LP
On this mournful offering, Cave’s poetic reflections on loss, longing, and loneliness slowly float down a river of gloomy synth drones, somber strings, and sparse piano. While not exactly uplifting, the album has a sense of peace and beauty that continues up through the repeating final refrain, “and it’s alright now”.
Originally released in 1989 on Fiction Records 2010 pressing, Digitally Remastered by Robert Smith Format: LPx2
Released in 2012 by Numero Group Recorded in 1976 Format: LP Overview Originally recorded in 1976, this psychedelic latin-jazz masterpiece … More
I highly recommend this album to fans of the innovative and exploratory period of jazz fusion of the early 70’s, where electric instrumentation, funk rhythms, experimental production techniques, and spacey synthesizers met the improvisation, freedom, and uplifting soul of the spiritual jazz of the 60’s. Herbie Hancock’s Mwandishi trilogy, Miles Davis’ Bitches Brew, Weather Report’s first LP are good touchstones, but this album truly offers something unique.
A psychedelic synth odyssey created with only an expanded Series III Moog by Robert Margouleff and synth-guru Malcolm Cecil (who programmer synths on legendary albums by Stevie Wonder and Gil-Scott Heron in addition to his ambient solo work). The intricately layered results here feel like a synthetic wilderness, with a wide variety of colors and textures that sound warm, organic, and natural despite their electronic origins.
The brooding, atmospheric synth-pop of Poliça’s third LP finds Channy Leaneagh’s passionate vocals once again supported by prominent bass grooves, driving dual drummers, and occasional string and horn arrangements, all mapped into intricate, quantized webs of programmed beats and synthesizers by co-leader/producer Ryan Olsen. Lyrically, the album centers around themes of isolation, fading love, and as well as more political topics such as police violence.
For fans of Portishead, The Knife
Information: Released in 2002 on Constellation Records
Album Information Originally released in 1981 This pressing was released in 2013 on Grönland Records Format: LP Features parallel groove … More
This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.
Released in 2014 on Merge Records Format: LP
Released in 2012 on Editions Mego Format: LP
Released in 1973 on CBS/Columbia Format: LP
Abstract fusion grooves, driving hard bop, and spacious modal jazz with horn overdubs and spacey synthesizers.
Brian Eno and German kosmiche duo Cluster collaborate on a spacey synthesizer album with diverse moods, including peaceful ambient swells, sinister sequencers, industrial drum machine grooves, and suspenseful piano motifs. The release is mostly instrumental but Eno songs sparingly on a couple tracks. The last track features Can’s Holger Czukay playing some pulsing, harmonic bass grooves
Jazz Fusion-inflected Folk Rock with poetic lyricism, ethereal atmospheres, spacey synths, and a lot of fretless bass.
organic washes of piano and zither, analog synthesizers, wood flutes, saxophone, and the occasional free jazz drums recorded, looped, and manipulated through cassette and reel tape recorders and then masterfully woven into a cosmic tapestry of blissful, meditative drones