John Carter – Fields

Style: Avant-Garde Jazz, Country-Jazz, Jazz Theater

Vibe: Rural, Historical, Sombre, Resolute, Intertwined, Passionate, Storytelling, Determined, Resolute, Heartfelt, Complex, Theatric, Conceptual

Musical Qualities: Suite, Acoustic, Progressive, Collective Improvisation, Polyphonic, Dynamic, Technical

Sun Ra – Lanquidity [Definitive Edition]

Style: Cosmic Jazz Fusion, Avant-Garde Big Band

Vibe: Mysterious, Elegant, Hypnotic, Nocturnal, Cosmic, Futuristic, Spacey, Ethereal, Groovy, Mellow, Flowing

Musical Qualities: Rhythmic, Atmospheric, Collective Improvisation, Thematic, Polyphonic, Odd Time Signatures, Melodic, Progressive

Instrumentation: Fender Rhodes, Synthesizers (Arp, Minimoog, Crumar Electronic Keyboard), Organ, Piano, Bells, electric Guitar, Drums, Percussion, Group Vocals, Trumpet, Saxophone, Flute, Oboe, Bassoon, Congo, Baritone Sax, Bass Clarinet, Upright Bass

Leonard Cohen – New Skin for the Old Ceremony

Style: Singer/Songwriter, Chamber Folk

Vibe: Poetic, Bittersweet, Conversational, Sexual, Dry Humor, Brooding, Melancholy, Longing, Tender, Introspective, Breakup

Musical Qualities: Lush, Lyrical, Groovy, Dynamic

Instrumentation: Electric Bass, Piano, Acoustic Guitar, Backup Vocalists, Trombone, Jaw Harp, Woodwinds, Strings, Banjo, Mandolin, Trumpet, Drums, Percussion, Keyboards

Bonnie ‘Prince’ Billy – Beware

Style: Singer/Songwriter, Americana, Loner Folk, Slowcore-Country

Vibes: Contemplative, Bittersweet, Warm, Loner, Mellow, Uplifting, Love, Break-up, Intimate, Heartfelt, Playful, Soothing, Intertwined

Musical Qualities: Acoustic, Lush, Lyrical, Vocal Harmonies

Brigitte Fontaine / Areski / Art Ensemble of Chicago – Comme á la Radio

Style: Chanson, Chamber Jazz, Avant-Folk

Vibe: Serpentine, Nocturnal, Mysterious, Ominous, Storytelling, Suspenseful, Open, Beguiling

Musical Qualities: Spoken Word, Collective Improvisation, Thematic, Percussive

Instrumentation: Duet Vocals, Muted Trumpet, Acoustic Guitar, Bouzouki, Shenai, Oboe, Flute, Percussion, Drums, Upright Bass, Lute

Spellling – The Turning Wheel

Style: Progressive Pop, Baroque Pop

Vibe: Epic, Surreal, Haunting, Ethereal, Passionate, Dramatic, Dreamy, Romantic (LP1), Triumphant, Fantasy, Uplifting (LP1), Grandiose, Theatric, Brooding (LP2), Spacey (LP2)

Musical Qualities: Dense, Orchestral, Progressive, Polyphonic, Polished, Melodic, Rhythmic

Bitter Funeral Beer Band – Live in Frankfurt 1982

Style: Avant-Garde Jazz, Afro-Jazz, Experimental Big Band

Influences: Ghanaian Music & other West African Music, Hindustani & Carnatic Music, Spiritual Jazz

Vibe: Ritualistic, Communal, Hypnotic, Intertwined, Spiritual

Musical Qualities: Polyrhythmic, Improvisation, Repetitive, Percussive, Polyphonic, Acoustic

Horace Tapscott & the Pan-Afrikan Peoples Arkestra – The Call

Style: Avant-Garde Big Band, Spiritual Jazz, Vocal Jazz (A2)

Vibe: Spiritual, Communal, Epic, Passionate, Active Listening, Energetic, Religious, Triumphant

Musical Qualities: Polyphonic, Complex, Dense, Acoustic, Thematic, Improvisation, Melodic, Technical, Orchestral

Fire! – Defeat

Style: Avant-Garde Jazz, Progressive Fusion

Vibe: Nocturnal, Groovy, Primal, Surreal, Alien, Propulsive, Powerful, Seductive, Suspenseful, Moody, Monochromatic

Musical Qualities: Rhythmic, Polyphonic, Complex, Dissonant, Extended Technique, Thematic Improvisation, Repetition, Experimental Vocals

Wadada Leo Smith – Spirit Catcher

Style: Avant-Garde Jazz, Chamber Jazz, Modern Creative Music

Vibe: Intertwined, Open, Patient, Flowing, Noir, Suspenseful, Spiritual, Communal, Abstract

Musical Qualities: Poly-Free Improvisation, Polyphonic, Acoustic, Complex, Instrumental, Dynamic

Instrumentation: Trumpet (muted), Harp, Vibraphone, Upright Bass, Clarinet, Trombone, Wooden Flute, Drums, Saxophone, Flugelhorn

Mark Hollis – Mark Hollis

Style: Singer/Songwriter, Ambient Chamber Jazz, Post-Rock

Vibe: Peaceful, Intimate, Introspective, Spiritual, Reflective, Meditative, Melancholy, Mellow, Sentimental, Ethereal, Autumnal

Musical Qualities: Soft, Sparse, Acoustic, Atmospheric

Instrumentation: Voice, Bassoon, Clarinet, Piano, Upright Bass, Flute, Trumpet, Guitar

Anna & Elizabeth – The Invisible Comes to Us

The Invisible Comes to Us is a haunting, modern take on Appalachian and Irish folk songs. Beautiful close-harmonies, banjos and acoustic guitars are juxtaposed with droning atmospheres of woodwinds, Moog bass, pump organ, and euphonium. Guest musicians include Jim White on drums and Susan Alcorn on slide guitar.