Music Library

Exhaust – Exhaust

Style: Post-Rock, Avant-Dub, Experimental

Moods: Deconstructed, Urban, Motorik, Mechanical, Dystopian, Political, Moody, Raw

Musical Qualities: Loops, Noisy, Sampling, Repetitive, Atmospheric, Dub, Instrumental, Dynamic

Instrumentation: Drums, Electric Bass, Bass Clarinet, Sampler, Field Recordings, Tapes

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Dengue Dengue Dengue – Zenit & Nadir

Styles: Digital Cumbia, Organic Beat Music, Psychedelic Electronic

Moods: Brooding, Earthy, Intertwined, Shadowy, Dancing, Determined, Tribal, Complex, Mystical, Hypnotic, Mechanical, Ominous, Rootsy, Haunting, Dark, Knotted, Mysterious, Ritualistic, Futuristic

Musical Qualities: Polyrhythmic, Percussive, Loops, Progressive, SpokenWord, Electro-Acoustic, Sampling

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Spires that in the Sunset Rise

Style: Free Folk, Ritual-Psych

Moods: Eerie, Forest, Nocturnal, Ritualistic, Witchy, Disturbing, Haunting, Communal, Pagan, Cryptic, Anxious, Surreal, Dark, Chaotic, Mysterious

Musical Qualities: Dissonant, Acoustic, Improvisation, Lo-Fi

Instrumentation: Cello, Violin, Acoustic Guitar, Autoharp, Melodica, Harmonium, Little Harp, Percussion, Mbira, Piano

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Horace Tapscott with the Pan-Afrikan Peoples Arkestra – Live at I.U.C.C.

Style: Spiritual Jazz, Avant-Garde Big Band

Moods: Triumphant, Communal, Spiritual, Uplifting, Epic, Warm

Musical Qualities: Polyphonic, Progressive, Uncommon Time Signatures, Live, Dense, Acoustic, Complex, Rhythmic, Thematic, Collective Improvisation, Orchestral

Instrumentation: Piano, Horns, Drums, Percussion, Upright Bass, Drums, Woodwinds, Cello

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Arthur Blythe – Illusions

Style: Free Jazz, Abstract Groove, Avant Jazz-Funk

Moods: Funky, Playful, Angular, Driving, Passionate, Intertwined, Eccentric, Triumphant, Uplifting, Knotty, Exploratory, Kinetic, Spiritual, Energetic

Musical Qualities: Thematic, Rhythmic, Uncommon Time Signatures, Progressive, Dense, Collective Improvisation, Technical

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Eddie Henderson – Inside Out

Style: Jazz Fission, Abstract Groove, Cosmic Jazz, Free-Fusion

Moods: Cosmic, Propulsive, Exploratory, Adventurous, Spiritual, abstract groove, communal, cosmic, driving, epic, exploratory, improvisation, instrumental, mysterious, rhythmic, thematic, psychedelic,

Musical Qualities: Collective Improvisation, Rhythmic, Ostinato, Dub Fx, Thematic

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The Soft Machine

Style: Canterbury Scene, Psych Pop, Progressive Pop, Jazz-Influenced

Moods: Surreal, Whimsical, Dadaist, Playful, Joyful, Uplifting

Musical Qualities: Suite, Catchy, Complex, Uncommon Time Signatures, Loose

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J.J. Cale – Okie

Style: Americana, Country Rock, Roots Rock, Singer/Songwriter

Moods: Road Trip, Carefree, Confident, Sunny, Romantic, Summer, Reflective, Warm, Breezy, Rural, Mellow

Musical Qualities: Groovy, Lush, Bluesy, Smooth, Rhythmic

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The Art Ensemble of Chicago – Bap-Tizum

Style: Avant-Garde Jazz, Modern Creative, Spiritual Jazz, Free Jazz

Moods: Ritualistic, Passionate, Cathartic, Open, Colorful, Visceral, Warm, Communal, Free, Abstract, Chaotic, Exploratory, Responsive, Tribal, Spiritual

Musical Qualities: Collective Improvisation, Percussive, Suite, Live, Dynamic, Polyphonic, Group Vocals

Instrumentation: Trumpet, Flugelhorn, Kelphorn, Bass Drum, Percussion, Saxophones (Alto, Soprano, Sopranino, Tenor, & Bass), Clarinet, Drums, Alto Flute, Conga, Vibraphone, Upright Bass, Electric Bass, Log Drum, Gong, Whistle, Bass Marimba

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Ka Baird – Respires

Style: EAI, Post-Minimalism, Psychedelic Experimental

Moods: Earthy, Visceral, Hallucinogenic, Tangled, Hypnotic, Surreal, Knotty, Intertwined

Musical Qualities: Electro-Acoustic, Pulse, Experimental Vocalizations, Improvisation, Repetitive

Instrumentation: Flute, Vocals & Keyboards, all processed through stereo delay effects

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The No-Neck Blues Band – Qvaris

Style: Free Rock, Ritual Psych, Experimental

Moods: Primordial, Free, Exploratory, Mysterious, Suspenseful, Ritualistic, Shadowy, Meandering, Deconstructed, Abstract, Communal, Deconstructed, Nihilistic, Murky, Stoned, Raw, Haunting, Surreal, Nocturnal

Musical Qualities: Collective Improvisation, Dissonant, Repetitive, Loose, Droney

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Helena Espvall & Masaki Batoh – Overloaded Ark

Style: Progressive Folk, Acid Folk, Psychedelic Chamber Music

Moods: Mysterious, Exploratory, Medieval, Mystical, Ancient, Brooding, Forest, Haunting, Serpentine, Ritualistic, Cinematic

Musical Qualities: Complex, Dense, Acoustic, Progressive, Percussive, Noisy, Improvisation

Instrumentation: Cello, Acoustic & Electric Guitars, Organ, Sho, Banjo, Renaissance Harp, Rauschpfeife, Crumhorn, Cornamuse, Hurdy Gurdy, Electronics, Darbuka, Riq, Frame Drum, Percussion, Recorder, Piano, Vocal Harmonies

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Steve Gunn – Ancient Jules

Style: Singer/Songwriter, Folk-Rock, Heartland Rock

Moods: Breezy, Warm, Road Trip, Carefree, Sunny, Uplifting, Peaceful, Anthemic

Personnel:
Steve Gunn – Guitar, Vocals; Jim Elkington – Guitar, Dobro; John Truscinksi – Drums; Nathan Bowles – Percussion, Pian; Justin Tripp – Electric Bass; Jason Meagher – Electric Bass; Hans Chew – Wurlitzer

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Natural Information Society Community Ensemble – Since Time is Gravity

Style: Organic Music, Psychedelic Jazz, Ecstatic Minimalism, Gnawa

Moods: Ritualistic, Communal, Contemplative, Meditative, Earthy, Transcendent, Psychedelic, Colorful, Soothing, Spiritual, Peaceful

Featuring Ari Brown, Hamid Drake, Ben Lamar Gay, Mai Sugimoto, Jason Stein, Mikel Patrick Avery, Lisa Albarado, Kara Bershad, Josh Berman, and Nick Mazzarella

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James Newton – James Newton

Style: Chamber-Jazz

Moods: Elegant, Peaceful, Airy, Flowing, Mellow

Musical Qualities: Polyphonic, Improvisation, Technical, Melodic, Soft

Personnel

James Newton – Flute; John Blake – Violin; Anthony Davis – Piano; Slide Hampton – Trombone; Billy Hart – Drums; Jay Haggard – Vibraphone; Cecil McBee – Upright Bass

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Pelt – Brown Cyclopaedia

Style: Free Rock, Ritual-Psych, Noise Rock, Experimental, Drone Rock

Mood: Raw, Ritualistic, Primordial, Suspenseful, Cathartic, Eerie, Hypnotic, Meandering, Meditative, Murky

Musical Qualities: Collective Improvisation, Dynamic, Noisy, Dissonant, Droney, Fuzzy, Lo-fi, Heavy, Repetitive, Spoken Word, Feedback

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Fred Frith – Gravity

Style: Zolo, Experimental Rock, Avant-Prog, Rock in Opposition, European-Folk Influenced

Vibe: Angular, Playful, Eccentric, Surreal, Disorienting

Musical Qualities: Dissonant, Uncommon Time Signatures, Progressive, Rhythmic, Technical

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Brand New – Daisy

Style: Post-Hardcore, Art Rock, Noise Rock, Emo

Moods: Angsty, Self-Loathing, Misanthropic, Nihilistic, Depressive, Dark, Menacing, Aggressive, Existential, Shadow, Raw, Sombre, Alienation

Musical Qualities: Noisy, Lyrical, Dynamic, Riffs, Dense, Heavy

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Joshua Burkett – Gold Cosmos

featuring PG Six, Chris Corsano, Ben Chasny, Dredd Foole, Matt Moran, Matt Valentine, etc

Style: Loner Folk, Free Folk, Lo-Fi Psych

Moods: Introspective, Surreal, Shadowy, Nocturnal, Intimate, Haunting, Whispery, Eerie, Imaginative, Loner, Psychedelic

Musical Qualities: Suite, Home Recording, Lo-Fi, Raw, Droney, Electro-Acoustic, Atmospheric, Dissonant

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Eberhard Weber – Yellow Fields

Style: ECM Jazz, Atmospheric Jazz Fusion

Vibe: Ethereal, Adventurous, Autumnal, Pastoral, Misty, Impressionistic, Complex, Intricate

Musical Qualities: Thematic Improvisation, Reverbed Production, Chorus FX, Melodic, Uncommon Time Signatures

Instrumentation: Upright Bass (w/ heavy chorus), Soprano Saxophone, Keyboards, Drums

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Jackie-O Motherfucker – Bloom

“I am not me” the chorus sings repeatedly, a spell to dissolve the ego and deconstruct the myth of American individualism, leaving fertile ground for a collective vision of abundance to bloom. The open-door band of multi-instrumentalists shakily weave through a suite of haunting drone seances, raggedly tender folk sing-a-longs, liberated group improvisations and triumphant post-rock discord. Once again Jackie-O Motherfucker continues their forward march to a beautiful anarchic world without losing touch with its roots in the weird American underground.

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Don Cherry – Where is Brooklyn

Personnel:
Don Cherry – Cornet, Pharaoh Sanders – Tenor Sax, Piccolo; Henry Grimes – Upright Bass; Ed Blackwell – Drums

Style: Free Jazz

Moods: Driving, Energetic, Urban, Communal, Passionate, Playful, Chaotic

Musical Qualities: Polyphonic, Improvisation, Complex, Acoustic, Rhythmic, Dissonant, Extended Technique

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Dewey Redman – Coincide

Style: Spiritual Jazz, Avant-Garde Jazz

Moods: Ecstatic, Intense, Energetic, Kinetic, Passionate, Mysterious, Triumphant, Chaotic, Spiritual

Musical Qualities: Dynamic, Dissonant, Complex, Acoustic, Collective Improvisation, Instrumental

Personnel:

Dewey Redman – Tenor Saxophone, Clarinet, Zither; Sirone – Upright Bass; Eddie Moore – Drums, Tympani, Idiophone (Bowed & Struck); Leroy Jenkins – Violin; Ted Daniel – Trumpet

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Heldon – Stand By

Style: Space Rock, Progressive Electronic, Avant-Prog

Moods: Mechanical, Ominous, Futuristic, Martial, Dystopian, Heavy, Cinematic, Cold, Driving, Spacey

Musical Qualities: Repetitive, Dynamic, Progressive, Pulse, Suite, Rhythmic, Instrumental, Odd Time Signatures, Riffs

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Bitchin Bajas – Bajas Fresh

Features Masaki Batoh, Ben Lamar Gay, Jim Becker,

Style: Space Ambient, Progressive Electronic, Kosmische, New Age

Moods: Meditative, Cosmic, Peaceful, Warm, Intertwined, Hypnotic, Psychedelic

Musical Qualities: Pulse, Instrumental, Progressive, Atmospheric, Washy, Droney

Instrumentation: Analogue Synthesizers, Organ, Bass Clarinet, Flute, Electric Guitar, Percussion, Cornet

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The Antlers – Familiars

Style: Chamber Pop, Ambient Pop

Moods: Sentimental, Bittersweet, Mellow, Reflective, Ethereal, Flowing, Dreamy, Passionate, Sad

Musical Qualities: Soft, Slow, Lush, Lyrical, Polished, Dynamic

Instrumentation: Synthesizers, Electric Guitar, Drums, Trumpet, Upright Bass, Fender Rhodes, Organ, Cello, Trombone, Euphonium, Tuba, Baritone Saxophone, Tenor Saxophone

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Jack Rose – Raag Manifestos

Style: Free Folk, Appalachian Raga, Piedmont Blues

Feelings: Searching, Tangled, Spiritual, Sombre, Intense, Thorny, Introspective, Cathartic, Meditative, Nature, Ominous, Mysterious, Focused, Complex, Hallucinogenic, Forest, Epic, Visceral, Jagged

Musical Qualities: Raga, Acoustic, Polyphonic, Modal, Droney, Technical, Dissonance

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Angel Bat David – The Oracle

Style: Organic Beat Music, Bedroom Gospel, Spiritual Jazz

Moods: Heartfelt, Raw, Sombre, Spiritual, Flowing, Passionate, Mournful, Mysterious, Haunting, Cathartic, Eclectic

Musical Qualities: Home Recording, Collage, Beats, Improvisation, Solo, Loose, Studio-as-an-Instrument, Lo-fi

Instrumentation: Clarinet, Vocals, Keyboards, Percussion, Drums

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Big Thief – UFOF

Style: Folk Pop, Dream-Folk, Progressive Pop, Slowcore

Vibe: Spring, Warm, Intertwined, Ethereal, Introspective, Cryptic, Poetic, Misty, Gentle, Soothing, Bittersweet

Musical Qualities: Lush, Polished, Melodic, Progressive

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Dwight Trible & The Life Force Trio – Love is the Answer

Produced by Carlos Niño & Dexter Story; featuring production from Ras G, Sa-ra, Madlib, J Dilla, Daedelus, Georgia Anne Muldrow, etc…

Styles: Acid Jazz, Organic Beat Music, Jazz-Funk, Spiritual Jazz, Trip-Hop, Vocal Jazz

Moods: Devotional, Uplifting, Spiritual, Communal, Sunny, Warm, Passionate, Groovy, Triumphant, Conscious

Musical Qualities: Beats, Collage, Rhythmic, Eclectic

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The Futuristic Folk of The Tower Recordings [Vol. 1 & 2]

These ceremonial meanderings are the interrupted transmissions of campfire songs picked up by intergalactic satellites. Past and future collapse as old-timey banjo melodies fade into squiggly synthesizers and lo-fi electronics. Distant harmonicas sink behind thick fogs of ghostly whirring, while warped slide guitar, drone fiddle and echo percussion bubble through the folky primordial soup

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Pearls Before Swine – One Nation Underground

Style: Acid Folk, Singer/Songwriter, Chamber-Folk

Moods: Surreal, Philosophical, Pacifist, Eclectic, Medieval, Cryptic, Melancholy, Spring, Morning, Conscious, Moody, Whimsical, Protest, Political, Psychedelic, Acerbic

Instrumentation: Acoustic Guitar, Harpsichord, Organ, Autoharp, Banjo, Mandolin, Vibraphone, Audio Oscillator, Electric Bass, English Horn, Clavioline, Sarangi, Finger Cymbals, Swinehorn

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Seven Rivers of Fire – Way of the Pilgrim

“Way of the Pilgrim” unfolds as a 4-movement suite of dark acoustic summoning rituals, spiritually connected to a mystical lineage of wyrd-folk practitioners through the ages. That strangely familiar feeling of being lost in the woods, of venturing into the archetypal unknown, pervades the atmosphere right from the opening… [Click for full review]

Recommended if you dig Six Organs of Admittance, Fursaxa, Robbie Basho, Third Ear Band

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Horse Lords – Comradely Objects

Style: Experimental Rock, Totalism, Math Rock

Influences: Tishoumaren, Krautrock, Free Jazz

Moods: Triumphant, De-Hypnotizing, Propulsive, Knotty, Angular, Kinetic, Energetic, Dancey, Embodied, Tangled, Communist, Chaotic

Musical Qualities: Polyrhythmic, Complex, Dense, Just Intonation, Instrumental, Uncommon Time Signatures, Microtonal, Dissonant, Polyphonic, Technical, Repetitive, Drones

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Feu Thérèse

LP, Constellation Records, 2006 Style: Experimental Rock, Noise Rock, Post-Rock Moods: Motorik, Visceral, Sureal, Playful, Energetic, Driving, Angular Musical Qualities: Rhythmic, Repetitive, Noisy, Dissonant, Dense, Fuzzy Feu Thérèse by Feu Thérèse Reviews: https://www.tinymixtapes.com/music-review/feu-therese-feu-therese https://www.allmusic.com/album/feu-therese-mw0000409509

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