1970s

Tangerine Dream – Phaedra

While some of their earlier music explored the empty vastness of space, the music on Phaedra seem to discover a swampy alien planet, Pulsing sequencers, dramatic mellotrons, airy flutes, and sweeping synthesizers are drenched in strange echoes and reverbs to create suspenseful alien soundscapes.

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Collin Walcott/Don Cherry/Nana Vasconcelos – Codona

Spacious, Raga-inflected improvisations from Collin Walcott, Don Cherry, and Brazilian percussionist Nana Vasconcelos. Walcott has studied sitar directly under Ravi Shankar, and tabla under Alla Rakha, while trumpeter and flutist Don Cherry, after playing regularly with Ornette Coleman, has proceeded to travel around the world to study various musical traditions. Their wide influences come together organically to create meditative and exploratory music. A melodic and atmospheric fusion of airy flutes, watery sitar, hypnotic hammered dulcimer arpeggiations, driving webs of percussion, and bassy throat singing.

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Alfonso Lovo – La Gigantona

Released in 2012 by Numero Group Recorded in 1976 Format: LP Overview Originally recorded in 1976, this psychedelic latin-jazz masterpiece never got a proper release due to both a lack of interest from record labels and Lovo’s family having to flee from Nicaragua in fear of the mass executions committed by the Sandinista government. Thanks

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Julian Priester Pepo Mtoto – Love, Love

I highly recommend this album to fans of the innovative and exploratory period of jazz fusion of the early 70’s, where electric instrumentation, funk rhythms, experimental production techniques, and spacey synthesizers met the improvisation, freedom, and uplifting soul of the spiritual jazz of the 60’s. Herbie Hancock’s Mwandishi trilogy, Miles Davis’ Bitches Brew, Weather Report’s first LP are good touchstones, but this album truly offers something unique.

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Tonto’s Expanding Head Band – Zero Time [Alternate Cover]

A psychedelic synth odyssey created with only an expanded Series III Moog by Robert Margouleff and synth-guru Malcolm Cecil (who programmer synths on legendary albums by Stevie Wonder and Gil-Scott Heron in addition to his ambient solo work). The intricately layered results here feel like a synthetic wilderness, with a wide variety of colors and textures that sound warm, organic, and natural despite their electronic origins.

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Joan Baez – Come From the Shadows

“What I’m asking you to do is take some risks. Stop paying war taxes, refuse the armed forces, organize against the air war, support the strikes and boycotts of farmers, workers and poor people, analyze the flag salute, give up the nation state, share your money, refuse to hate, be willing to work…in short, sisters and brothers, arm up with love and come from the shadows”

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John Martyn – Solid Air

British singer-songwriter John Martyn fuses folk, jazz, and psychedelic experimentation to create an album that is both eclectic and cohesive, tied together by his flowing voice and virtuosic acoustic guitar fingerpicking.
FFO Van Morrison, Joni Mitchell, Ryley Walker

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Tangerine Dream – Zeit

This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.

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Eno, Roedelius, Moebius – After the Heat

Brian Eno and German kosmiche duo Cluster collaborate on a spacey synthesizer album with diverse moods, including peaceful ambient swells, sinister sequencers, industrial drum machine grooves, and suspenseful piano motifs. The release is mostly instrumental but Eno songs sparingly on a couple tracks. The last track features Can’s Holger Czukay playing some pulsing, harmonic bass grooves

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Miroslav Vitous – Magical Shepherd

Czech bassist Miroslav crafts some flashy jazz funk with Herbie Hancock, percussionist Airto Moreira, vocalists Cheryl Grainger & Onike, and rotating drummers James Gadson and Jack DeJohnette (Gadson for the funkier/disco oriented tracks and DeJohnette on the fewer more psychedelic cuts). Thanks to generous synth overdubbing by Miroslav and Herbie, each track is incredibly spacey and great for a headphone listen.

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Shakti – Natural Elements

In this energizing exploration of Hindustani classical music from a jazz perspective, John McLaughlin joins a virtuosic trio of Indian musicians who inspire some of the most impassioned and impressive playing of his career. His acoustic guitar shredding veers close to the bendy sounds of the sitar and fits nicely with the dense web of percussion created by Vikku Vinayakram and Zakir Hussain. Violinist Lakshiminarayana Shankar’s emotive themes and fiery solos make him a perfect foil to McLaughlin.

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J.J. Cale – Naturally

The debut LP from this unpretentious songwriters’ songwriter offers a quality collection of warm & uplifting songwriting with economic guitar genius and top-notch rootsy arrangements, featuring the heavenly, dreamy reflections of “Magnolia”.

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