Noisy

Moor Mother – Circuit City

Style: Future Jazz, Free Jazz Theater, Jazz Poetry

Vibe: cathartic, cerebral, dystopian, energetic, futuristic, bombastic, intense, noisy, passionate, poetic, political, powerful, rebellious, urban, heavy, AfroFuturist

Musical Attributes: Complex, Conceptual, Dense, Dissonant, Spoken Word, Theatric, Progressive, Polyphonic, Improvisation

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Senyawa – Alkisah

Style: Avant-Folk, Tribal Drone-Doom, Southeast Asian Folk Music

Vibe: Ceremonial, Apocalyptic, Aggressive, Hypnotic, Murky, Shadowy, Dark, Tribal

Musical Qualities: Percussive, Acoustic, Fuzzy, Heavy, Loops, Noisy, Repetitive, Droney, Extended Technique, Electroacoustic

Instrumentation: Homemade Bamboo Instruments, Electroacoustic Treatments, Percussion, Throat Singing, Chants

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Zs – Xe

Style: Experimental Rock, Brutal Prog, Free Minimalism, Math Rock, Noise

Vibe: Hypnotic, Cold, Ritualistic, Dystopian, Mysterious, Chaotic, Surreal, Loose

Musical Qualities: Dissonant, Improvisation, Minimalistic, Noisy, Complex, Instrumental, Pulse, Uncommon Time Signatures

Instrumentation: Saxophone, Electric Guitar, Loops, Percussion

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Jackie-O Motherfucker – Fig 5.

Style: Mystical Americana, Free Folk, Post-Rock, Drone

Vibe: Haunting, Meandering, Rootsy, Rustic, Nocturnal, Mysterious, Deconstructed, Ragged, Communal, Murky, Abstract, Lethargic, Hallucinogenic, Raw

Musical Qualities: Collective Improvisation, Instrumental (except B1,C1), Loose, Lo-fi, Dynamic, Droney, Noisy, Group Vocals (B1), Harmonies (B1, C1)

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Holden – The Inheritors

Style: Progressive Electronic, IDM, Microhouse

Vibe: Ancient, Tribal, Ritualistic, Pagan, Brooding, Mythic, Cold, Visceral, Mechanical, Hypnotic, Driving, Epic, Focused, Mysterious, Mystical, Patient, Powerful, Suspenseful, Earthy

Musical Qualities: Repetitive, Distorted, Heavy, Rhythmic, Percussive, Loops, Dissonant, Dense, Instrumental, Pulse, Noisy, Progressive, Field Recordings, Sampling

Instrumentation: Bodhrán (Irish Frame Drum), Synthesizers, Drum Machine, Saxophone, Organ, Chanting, Melodeon (Pump Organ), Electric Guitar, Electric Bass, Xylophone, Live Electronics

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Sumac – Love in Shadow

Style: Free Sludge, Post-Metal

Vibe: Heavy, Cathartic, Murky, Aggressive, Surreal, Complex, Epic, Primal, Abstract, Powerful

Musical Qualities: Dissonant, Noisy, Collective Improvisation, Growling Vocals, Progressive Structures, Odd Time Signatures, Fuzzy Riffs, Dynamic, Reductionism

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Bardo Pond – Vol. II

Style: Drone Rock, Free-Psych, Space Rock

Vibe: Hazy, Exploratory, Lethargic, Meandering, Cathartic, Dreamy, Loose, Hypnotic, Murky, Communal

Musical Qualities: Collective Improvisation, Noisy, Dynamic, Lo-fi, Climactic, Riffs, Jams

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Horse Lords – Interventions

Style: Experimental Rock, Totalism, Math Rock, Tishoumaren-Influenced

Vibe: Anxious, Complex, Energetic, Exploratory, Hypnotic, Disorienting

Musical Qualities: Instrumental, Microtonal, Odd Time Signatures, Percussive, Polyrhythmic, Repetitive, Minimalistic, Technical, Drones, Glitchy, Dissonant

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Gogoj – Oviparity

Style: Experimental, Electro-Acoustic, Noise, Drone
Vibe: Eerie, Noisy, Suspenseful
Musical Attributes: Atmospheric, Electro-acoustic, Improvisation (Solo), Dynamic, Atonal, Loops
Instrumentation: Electric Cello with Effects

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The Microphones – The Glow Pt. 2

Style: Lo-Fi, Experimental Singer/Songwriter, Loner Folk
Vibe: Heartfelt, Imaginative, Introspective, Nature, Intimate, Loner, Bittersweet, Depressive, Psychedelic, Raw, Lonely
Lyrical Themes: Existential, Alienation, Breakup, Philosophical, Poetic, Personal, Death
Musical Attributes: Acoustic, Noisy, Studio-as-an-Instrument, Analogue Recording, lo-fi, Distorted

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Keiji Haino & Sumac

The sludge oozing out of this record is so toxic that all traces of metal have nearly disintegrated, and the fumes cause nightmarish hallucinations to any who inhale.

Style: Free-Sludge, Avant-Metal, Free Improvisation

Vibe: Primal, Murky, Aggressive, Hallucinogenic, Cathartic, Complex

Musical Attributes: Collective Improvisation, Dissonant, Noisy, Progressive

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Senyawa – Sujud

Style: Doom-Folk, Indonesian Folk Music, Avant-Folk

Moods: Apocalyptic, Spiritual, Earthy, Dark, Ominous, Nocturnal, Ritualistic, Tribal, Hypnotic

Musical Qualities: Throat Singing, Homemade Instruments, Droney, Noisy, Electro-Acoustic, Repetitive, Dense, Heavy

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Fly Pan Am – N’Ecoutez Pas

Released in 2004 on Constellation Records Format: LP Style: Experimental Rock, Post-Rock, Noise Rock Influences: Kosmische Musik, Shoegaze, Post-Punk Vibe: Chaotic, Noisy, Anxious, Messy, Spacey, Exploratory, Abstract Musical Attributes: Repetitive, Dense, Rhythmic, Studio-as-an-instrument, Sound Collage

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Arca – Arca

Released in 2017 on XL Recordings Format: LP Overview By introducing heartfelt vocals into her (often) harsh environments of contorted glitch-pop, Venezuelan producer Arca reaches near-claustrophobic levels of intimacy.

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Ought – Sun Coming Down

There is a certain beauty just to being alive, and Ought make it their mission to find it through raw rock n’ roll that veers seamlessly between upbeat post-punk, meditative feedback drones, dramatic ballads, and cathartic guitar freak outs.

Recommended for fans of post-punk that blends the moodiness of Joy Division, Iceage, and Television with the experimentation and noisiness of This Heat and No Wave.

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The Flaming Lips – The Terror

Released in 2013 on Bella Union UK Pressing Format: LPx2, Bonus 7″, Holographic Cover Studio album takes up sides A, B, & C. Side D contains “We Don’t Control the Controlled (mashed-the-fuck-up-remix, Dan Deacon and the Electric Worms’ Insight Violence)” 7″ includes “Sun Blows Up Today” b/w “All You Need Is Love (featuring Alex and

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Young Jesus – The Whole Thing is Just There

The Whole Thing is Just There is another beautiful and life-affirming release from Young Jesus, the second with the current L.A. iteration of the band. Their inter-band chemistry seems stronger than ever, with telepathic improvisations, symbiotic catharses, and a mutual love for each other that is easily felt from a listener’s perspective. The lyrics deal with self-exploration and one’s relationship with the world around them, finding solace in spirituality, existentialism, literature, and the ethos of free jazz. Stylistically the music seems rooted in late-90’s indie rock and emo, with seamless but adventurous detours into post-rock, noisy post-hardcore, and free improvisation. Excited to see where these guys go next.

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Massacre – Killing Time

Anxious and dissonant proto-math rock composed and improvised by a trio of innovative, idiosyncratic, and influential musicians. Guitarist Fred Frith pulls new dimensions of sound out of his instrument, blending bizarrely textured riffs with dark, noisy atmospheres. Bassist Bill Laswell is one of the great musical collaborators in all of music, often bringing together innumerable amazing musicians from all genres to create unique sonic fusions. Here, Bill and drummer Fred Maher lay down some nasty, disjointed grooves that lock you in despite their angular, asymmetrical time signatures

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Death Grips – The Powers that B

This double album set is recommended to anyone looking for extremely primal, complex punk rap with a wide range of influences, including industrial hip-hop, IDM, math rock, noise, and psychedelic rock. Fans of experimental, aggressive hip-hop like Dälek or Public Enemy will probably really dig this, as will fans of math rock for the extremely innovative musicianship and intricate interplay of Death Grips’/Hella’s Zack Hill and Tera Melos’ Nick Reinhart (who plays on 5 of the tracks).

Click further for full review

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Dälek – Endangered Philosophies

After two decades of challenging the system, expanding, and breaking through musical boundaries, New Jersey’s Dälek have distilled their experimental approaches to hip-hop into their most streamlined release yet. Endangered Philosophies exhibits distorted washes of sound, old-school turntablism, and MC Dälek’s insightful political diatribes over pounding boom-bap beats. Influenced by My Bloody Valentine, industrial music, Sunn O)), and the Bomb Squad

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Godspeed You! Black Emperor – Yanqui U.X.O.

Godspeed’s last album before their 10 year hiatus was produced by the legendary Steve Albini, resulting in what might be their heaviest and most direct album to date. Coming off the heels of September 11th, Yanqui U.X.O. seems to be a reaction against the ramped up military-industrial complex and its promotion of fear and xenophobia, as well as protesting Israel’s treatment of Palestinians. The back cover even goes as far as connecting each major record label to some type of weapons manufacturer. 

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