Released in 2003 on Asthmatic Kitty Records Format: LPx2
Ryley Walker’s virtuosic fingerpicking and intricate folk-rock songwriting vibe heavily with a backing band of Chicagoan jazz musicians, including upright bass, drums, Rhodes and electric guitar. The first LP of this release is a studio album of jazzy folk rock songs for fans of Van Morrison’s Astral Weeks or Tim Buckley’s Happy Sad, while the Bonus Lp of this “Deep Cuts edition” is a 40 min live improvisation on one of the album cuts that probably beats anything on the studio LP. It’s rad to be able hear both the concise, song-centric studio side and the loose jammy side of this exciting artist in the same release.
Originally released in 1967 on Elektra 2012 Rhino Pressing, cut from original analogue masters Format: LP
Released in 2006 on Warp Records 2012 Pressing Format: LPx2, 180g, 45rpm
Released in 1968 on Warner Bros.
Originally released in 1974 2018 Earth Records Pressing Digitally Remastered Format: LP
Released in 2006 on Drag City Records Format: LPx2
Acoustic-shredder/singer-songwriter ventures out of the jazz-inflected folk-rock territory explored by his last few albums to create something that feels fully himself. Deafman Glance is full of angular left turns, complex structures, airy flutes, jazz detours, and psychedelic atmospheres. A balance of great songwriting, jazz musicianship, and experimental/art-rock tendencies. Recommended to fans of Tortoise’s Standards, Tim Buckley’s Starsailor, and King Crimson’s Red. (Click for full review).
Album Information: Released in 2010 on Drag City Records Produced by Joanna Newsom Arranged & Conducted by Ryan Francesconi Recorded … More
A fingerpicking folk odyssey that traverses through passages of delicate piano motifs, tribal drum circles, meditative ambience, celebratory horn arrangements, reverent organ drones, and even a cathartic drum solo, all within a single 40 minute track.
Charming 70’s AM Pop vibes with elaborate string and horn arrangements and a jazzy rhythm section, including the legendary Brian Blade on drums. Great songwriting from Sam Beam, as usual.
An introspective, instrumental journey of pastoral fingerstyle guitar, occasionally joined by piano, synth and horn arrangements
Album Information: Released in 1969 by Island Records Recorded between June 1968 and June 1969 at Sound Techniques in London, … More
Jazzy Folk-Rock with dynamic songwriting, passionate vocals, and acoustic shredding accompanied by fluid drums, watery vibraphones, distorted keys and groovy upright bass. FFO Astral Weeks, Joni Mitchell, John Martyn, and Tim Buckley