An obscure release from the great creative label ESP-Disk, containing exploratory, mysterious and playful improvisations from The Sea Ensemble—the husband/wife duo of Zusaan Fasteau and Donald Rafael Garrett. While they are both trained musicians and multi-instrumentalists, an uninhibited childish spirit permeates this release, as can be seen in Donald’s crude but visionary cover drawing; Yet the recording also feels imbued with ancient wisdom, as heard in their primal and instinctive vocalizations throughout the album
Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.
Released in 2019 on Jealous Butcher Records Format: LP
These impassioned, and often mournful, renditions of klezmer folk songs (both traditional and original) are infused with elements of free jazz, drone, and chamber music to create something both rooted and urgently modern (Even 15 years after its release). The mostly acoustic band features violinist Jessica Moss (also of Silver Mt. Zion) and upright bassist Thierry Amar (asmz, GY!BE) in addition to singer/multi-instrumentalist Scott Levine Gilmore and Clarinetist/Guitarist Gabe Levine.
Released in 1968 on Nessa Records Recorded on August 11th & 25th, 1967 Format: LP
The apocalyptic chamber-folk of Bethpage soundtracks multiple chapters of cryptic storytelling, mixing one’s darkest thoughts with religious imagery and allegory through banjo sing-alongs and haunting spoken word passages. The heavy climaxes are whirlwinds of bombastic drums, driving bass, fiddle, clarinet, and banjo that often recall the communal chamber-punk of Thee Silver Mt. Zion Memorial Orchestra. While many tracks feel seeped in shadow and darkness, a heavenly light occasionally floods in through some truly serene and beautiful passages.
Peaceful drone meditations and mantras for bass clarinet and sitar. The improvisatory melodies are beautifully expressive, exploratory, and blanketed in a soft, soothing reverb.