Cecil Taylor – Conquistador
Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free
Cecil Taylor – Conquistador Read More »
Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free
Cecil Taylor – Conquistador Read More »
Released in 1984 on Rift Records Format: LP
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Originally released in 1981 on Rough Trade Modern Classics Reissue (2016) Format: LP
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Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil Taylor – Piano Alan Silva – Upright Bass Henry Grimes – Upright Bass Andrew Cyrille – Drums Jimmy Lyons – Alto Saxophone Eddy Gale Stevens, Jr. – Trumpet Ken McIntyre – Alto Saxophone, Oboe, Bass
Cecil Taylor – Unit Structures Read More »
Originally released in 1965 on ESP Disk Recorded July 10, 1964 2000’s ESP pressing Format: LP
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Released in 2017 on XL Recordings Format: LP Overview By introducing heartfelt vocals into her (often) harsh environments of contorted glitch-pop, Venezuelan producer Arca reaches near-claustrophobic levels of intimacy.
There is a certain beauty just to being alive, and Ought make it their mission to find it through raw rock n’ roll that veers seamlessly between upbeat post-punk, meditative feedback drones, dramatic ballads, and cathartic guitar freak outs.
Recommended for fans of post-punk that blends the moodiness of Joy Division, Iceage, and Television with the experimentation and noisiness of This Heat and No Wave.
Ought – Sun Coming Down Read More »
Released in 2016 on Don Giovanni Records Format: LP
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Released in 1966 on Impulse Records Original Pressing Format: LP
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Released in 1981 on Ralph records Format: LP?
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Style: Drone, Post-Rock, Experimental Rock, Tape Music?Vibe/Moods: Murky, Exploratory, Hallucinogenic, Mysterious, Nature, Abstract?Musical Attributes: Drones, Loops, Dissonant, Atonal, Studio-as-an-Instrument, Repetitive
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Released in 1968 on JCOA Records Format: LPx2, includes 12″ booklet
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Originally released in 2001 on Definitive Jux 2013 deluxe edition on iHipHop Distribution Format: LPx4, including instrumentals, white vinyl
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This hypnotic, noisy, and improvisatory live album from Australian experimenter, collaborator, and improviser Oren Ambarchi features two separate performances of his epic composition “Knots”. (Click for full review)
Oren Ambarchi – Live Knots Read More »
Released in 2015 on Space Lung/Land Breathing Records Format: LP
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Style: Avant-Folk, Free Folk, Psych Folk
Vibe: Forest, Witchy, Nocturnal, Ritualistic, Earthy, Raw, Nature
Musical Attributes: Dissonant, Droney, Lo-Fi
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Originally released in 1980 on Piano Records 2016 Light in the Attic Repress Format: LP, 45rpm on side A, any speed for side B
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Released in 2007 on Eclipse Records Format: LP Includes 12″x24″ insert
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Originally released in 1979 on Piano Records 2016 Modern Classics pressing on Light I’m the Attic Records Format: LP, includes foldout booklet
This Heat – This Heat Read More »
Released in 2018 on Thrill Jockey Records Format: LPx2, Metallic Silver Vinyl
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Released in 1999 on These Records Originally recorded for BBC in 1977
This Heat – Made Available: John Peel Sessions Read More »
Anxious and dissonant proto-math rock composed and improvised by a trio of innovative, idiosyncratic, and influential musicians. Guitarist Fred Frith pulls new dimensions of sound out of his instrument, blending bizarrely textured riffs with dark, noisy atmospheres. Bassist Bill Laswell is one of the great musical collaborators in all of music, often bringing together innumerable amazing musicians from all genres to create unique sonic fusions. Here, Bill and drummer Fred Maher lay down some nasty, disjointed grooves that lock you in despite their angular, asymmetrical time signatures
Massacre – Killing Time Read More »
Recorded live at Cafe Monmartre in Copenhagen, Denmark on November 23, 1962 Released in 1976 on Arista Records
Cecil Taylor – Nefertiti, the Beautiful One Has Come Read More »
A couple of months before his death in 1967, John Coltrane went into the studio with drummer Rashied Ali to record some of the most free recordings he’s ever made, the freest of free jazz. Perhaps this freeness is due to the absence of other tonal instruments, leaving Coltrane untethered to harmony and 100% free to play whatever raw, unhindered creativity flows through him.
John Coltrane – Interstellar Space [Review] Read More »