The Skygreen Leopards – Child God in the Garden of Idols

Style: Acid Folk, Free Folk

Vibe: Forest, Mystical, Gentle, Hypnotic, Colorful, Whimsical, Ritualistic, Heartfelt, Nature, Pastoral, Psychedelic

Musical Qualities: Acoustic, Lo-Fi, Melodic, Raw, Off-Key, Soft, Raga, Electro-Acoustic, Percussive

Sun Ra – The Magic City

Style: Cosmic Jazz

Vibe: Cosmic, Mysterious, Chaotic, Epic, Futuristic, Imaginative, Suspenseful, Ominous, Spacey, Surreal, Spiritual

Musical Qualities: Instrumental, Dynamic, Collective Improvisation, Dissonant, Atonal, Progressive, Free

Sunburned Hand of the Man — The Trickle-Down Theory of Lord Knows What

Style: Free-Psych, Ritual Folk, New Weird Americana

Vibe: Ceremonial, Communal, Hallucinogenic, Mysterious, Amorphous, Earthy, Cathartic, Primal, Murky, Ritualistic, Surreal

Musical Qualities: Collective Improvisation, Lo-fi, Free-Form, Atmospheric, Dissonant, Group Vocals, Repetitive, Chants, Percussive

Keiji Haino, Jim O’Rourke, & Oren Ambarchi – This Dazzling, Genuine “Difference” Now Where Shall It Go?

Style: Free Improvisation, Noise Rock, Free Rock

Vibe: Cathartic, Intense, Suspenseful, Hallucinogenic, Ritualistic, Heavy, Chaotic, Hypnotic, Primal, Energetic

Musical Qualities: Collective Improvisation, Noisy, Dynamic, Atonal, Dissonant, Fuzzy, Repetition

Ornette Coleman – Body Meta

Style: Free-Funk, Avant-Garde Jazz, Jazz Fusion

Vibe: Angular, Anthemic, Manic, Kinetic, Driving, Intertwined, Chaotic, Funky, Triumphant

Musical Qualities: Polyphonic, Collective Improvisation, Rhythmic, Instrumental, Dissonant

Personnel:
Ornette Coleman – alto saxophone, producer; Bern Nix – Electric Guitar; Charlie Ellerbee – Electric Guitar; Jamaaladeen Tacuma – Electric Bass; Ronald Shannon Jackson – Drums

Senyawa – Alkisah

Style: Avant-Folk, Tribal Drone-Doom, Southeast Asian Folk Music

Vibe: Ceremonial, Apocalyptic, Aggressive, Hypnotic, Murky, Shadowy, Dark, Tribal

Musical Qualities: Percussive, Acoustic, Fuzzy, Heavy, Loops, Noisy, Repetitive, Droney, Extended Technique, Electroacoustic

Instrumentation: Homemade Bamboo Instruments, Electroacoustic Treatments, Percussion, Throat Singing, Chants

Omar Rodriguez Lopez Quintet – The Apocalypse Inside of an Orange

Style: Psychedelic Jazz Fusion, Prog, Jazz-Rock

Vibe: Psychedelic, Chaotic, Bombastic, Energetic, Groovy, Heavy, Manic

Musical Attributes: Polyphonic, Polyrhythmic, Dense, Instrumental, Odd Time Signatures, Complex, Progressive, Technical, Riffs, Improvisation, Studio-as-an-Instrument

Instrumentation: Electric Guitar, Drums, Percussion, Electric Bass, Saxophone, Keyboards

Silver Apples – Silver Apples

Style: Analogue Electronic, Experimental Rock

Vibe: Anxious, Motorik, Mechanical, Dystopian, Futuristic, Ominous, Hypnotic

Musical Qualities: Dissonant, Repetitive, Percussive, Polyrhythmic

Zs – Xe

Style: Experimental Rock, Brutal Prog, Free Minimalism, Math Rock, Noise

Vibe: Hypnotic, Cold, Ritualistic, Dystopian, Mysterious, Chaotic, Surreal, Loose

Musical Qualities: Dissonant, Improvisation, Minimalistic, Noisy, Complex, Instrumental, Pulse, Uncommon Time Signatures

Instrumentation: Saxophone, Electric Guitar, Loops, Percussion

Pelt – Reticence / Resistance

Style: Psychedelic Drone, Free Folk

Vibe: Ritualistic, Hypnotic, Cathartic, Earthy, Psychedelic, Communal

Musical Qualities: Acoustic, Drone, Improvisation, Live, Dissonant, Instrumental, Dynamic

Instrumentation: Piano, Fiddle, Harmonium, Gong, Bells, Singing Bowl, Percussion, Banjo

Media Jeweler – The Sublime Sculpture of Being Alive

Style: Post-Punk, Math Rock, Art Rock

Vibes/Moods: Alienation, Overstimulated, Anxious, Urban, Eccentric, Anthemic, Satirical, Dystopian, Angular, Chaotic, Colorful, Urban, Philosophical, Playful

Musical Qualities: Catchy, Dissonant, Riffs, Dynamic, Dense, Melodic, Rhythmic

Spires that in the Sunset Rise – Ancient Patience Wills It Again Part II

Style: Free Folk, Ecstatic Minimalism

Vibe: Ritualistic, Forest, Nocturnal, Haunting, Hallucinatory, Cautious, Exploratory

Musical Qualities: Loops, Repetitive, Dissonance, Drones, Slow, Electro-Acoustic

Instrumentation: Experimental Vocals, Harmonium, Flute, Spiked Fiddle, Banjo, Acoustic & Electric Guitars

Holden – The Inheritors

Style: Progressive Electronic, IDM, Microhouse

Vibe: Ancient, Tribal, Ritualistic, Pagan, Brooding, Mythic, Cold, Visceral, Mechanical, Hypnotic, Driving, Epic, Focused, Mysterious, Mystical, Patient, Powerful, Suspenseful, Earthy

Musical Qualities: Repetitive, Distorted, Heavy, Rhythmic, Percussive, Loops, Dissonant, Dense, Instrumental, Pulse, Noisy, Progressive, Field Recordings, Sampling

Instrumentation: Bodhrán (Irish Frame Drum), Synthesizers, Drum Machine, Saxophone, Organ, Chanting, Melodeon (Pump Organ), Electric Guitar, Electric Bass, Xylophone, Live Electronics

Jackie-O Motherfucker – Freaker Pipe

Style: Free Folk, Post-Rock, Free Improvisation, Experimental

Vibe: Ritualistic, Murky, Witchy, Haunting, Mysterious, Raw, Hallucinogenic, Rustic

Musical Qualities: Collective Improvisation, Dynamic, Dissonant, Droney, Live, Lo-Fi

The Kniфe – Shaking the Habitual

Style: Experimental Electronic, Post-Industrial

Vibe/Mood: Ominous, Disorienting, Mechanical, Brooding, Chaotic, Colorful, Anti-Capitalist, Feminist, Complex, Cryptic, Dance, Futuristic, Surreal, Messy

Musical Qualities: Manipulated Vocals, Dissonant, Polyrhythmic, Dense, Percussive, Polyphonic, Noisy, Repetitive

Fire! – Defeat

Style: Avant-Garde Jazz, Progressive Fusion

Vibe: Nocturnal, Groovy, Primal, Surreal, Alien, Propulsive, Powerful, Seductive, Suspenseful, Moody, Monochromatic

Musical Qualities: Rhythmic, Polyphonic, Complex, Dissonant, Extended Technique, Thematic Improvisation, Repetition, Experimental Vocals

Bill Orcutt – Odds Against Tomorrow

Style: American Primitvism, Ambient Blues, Solo Electric Guitar

Vibe: Meditative, Longing, Spiritual, Pastoral, Loose, Kinetic

Musical Qualities: Improvisation, Dissonance, Instrumental, Sparse

The Underflow – Instant Opaque Evening

Personnel:
David Grubbs (Electric Guitar, Vocals)
Rob Mazurek (Piccolo Trumpet, Electronics, Wooden Flute, Percussion, Voice)
Mats Gustafsson (Flute, Fluteophone, Baritone Saxophone, Live Electronics)


Style: Electroacoustic Improvisation, Future Jazz, Experimental Songwriter (B1,

Vibe: Suspenseful, Futuristic, Abstract, Spacious, Cerebral, Eclectic, Exploratory, Open, Patient, Cathartic, Ritualistic

Musical Qualities: Collective Improvisation, Electro-Acoustic, Percussive, Noise, Atonality, Dissonance, Dynamic, Live, Atmospheric

Horse Lords – Interventions

Style: Experimental Rock, Totalism, Math Rock, Tishoumaren-Influenced

Vibe: Anxious, Complex, Energetic, Exploratory, Hypnotic, Disorienting

Musical Qualities: Instrumental, Microtonal, Odd Time Signatures, Percussive, Polyrhythmic, Repetitive, Minimalistic, Technical, Drones, Glitchy, Dissonant

Cecil Taylor / Buell Neidlinger – New York City R&B

Style: Free-Bop, Avant-Jazz

Vibe: Jubilant, Kinetic, Energetic, Abstract, Chaotic, Rootsy

Musical Attributes: Improvisation, Acoustic, Polyphonic, Complex, Live

Black Forest / Black Sea

Style: Psychedelic Drone-Folk, Free-Folk

Vibe: Forest, Mystical, Nocturnal, Mysterious, Exploratory, Abstract, Spontaneous, Murky

Musical Qualities: Electro-acoustic, Improvisation, Lo-fi, Loops, Drone, Collage, Suite, Atmospheric

Land of Kush – Sand Enigma

Style: Avant-Garde Big Band, Arabic/Egyptian Folk, Psychedelic Jazz

Vibe: Intense, Sombre, Cathartic, Psychedelic, Complex, Ritualistic, Communal

Musical Qualities: Dense, Progressive, Dissonant, Acoustic, Percussive

Instrumentation: Santur, Upright Bass, Piano, Saxophones, Vocals, Percussion, Drums, Clarinet, Flute, Strings (Violin, Viola, Cello), Keyboards, Synthesizer, lap Steel Guitar, Electronics, Harp

Slint – Spiderland

Style: Post-Rock, Math Rock, Post-Hardcore, Slowcore

Vibe: Angsty, Angular, Cold, Heavy, Impressionistic, Suspenseful

Lyrical Themes: Alienation, Existential, Poetic, Storytelling

Musical Attributes: Dynamic, Slow, Dissonant, Raw, Repetitive

Ahleuchatistas – Head Full of Poison

Genre: Experimental Rock, Brutal Prog, Math Rock

Vibe: Exploratory, Cathartic, Cold, Angular, Adventurous

Musical Attributes: Instrumental, Complex, Loops, Dissonant, Odd Time Signatures, Progressive, Percussive, Dynamic, Improvisation

John Surman, John McLaughlin, Dave Holland, Karl Berger, Stu Martin – Where Fortune Smiles

Style: Free Jazz, Avant-Garde Jazz

Vibe: Triumphant, Energetic, Epic, Exploratory, Loose, Spiritual, Suspenseful, Angular, Chaotic

Musical Attributes: Polyphonic, Progressive, Complex, Dissonant, Dynamic, Technical, Acoustic, Improvisation (Collective, Thematic), Instrumental

The Sea Ensemble – We Move Together

An obscure release from the great creative label ESP-Disk, containing exploratory, mysterious and playful improvisations from The Sea Ensemble—the husband/wife duo of Zusaan Fasteau and Donald Rafael Garrett. While they are both trained musicians and multi-instrumentalists, an uninhibited childish spirit permeates this release, as can be seen in Donald’s crude but visionary cover drawing; Yet the recording also feels imbued with ancient wisdom, as heard in their primal and instinctive vocalizations throughout the album

The Necks – Vertigo

Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz

Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic

Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic

Univers Zéro – Univers Zero

Style: Chamber Rock, Avant-Prog, Rock In Oppositon

Vibe: Anxious, Angular, Mysterious, Ominous, Dark, Dystopian

Musical Attributes: Instrumental, Complex, Dissonant

Instrumentation: Bassoon , Violin, Viola, Cello, Harmonium, Electric Guitar, Electric Bass, Drums

Ambarchi / O’Malley / Dunn – Shade Themes from Kairos

Style: Drone-Rock, Experimental Rock

Influences: Dark Ambient, Psych Rock, Kosmische, Noise, Drone-Metal

Vibe: Shadowy, Ominous, Brooding, Dark, Driving, Haunting, Hypnotic, Mysterious, Exploratory, Nocturnal, Hallucinogenic

Musical Attributes: Studio-as-an-instrument, Dissonant, Droney

Ensemble Pearl – Ensemble Pearl

Style: Drone-Rock, Dark Ambient. Experimental

Vibe: Suspenseful, Eerie, Atmospheric, Slow, Haunting, Dark, Psychedelic, Mysterious,

Musical Attributes:  Dissonant, Repetitive, Sparse, Instrumental, Noisy

Musicians: Stephen O’Malley (Sun O)))), Atsuo (Boris), William Herzog, Michio Kurihara

Cecil Taylor – Conquistador

Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free

This Heat – Deceit

Originally released in 1981 on Rough Trade Modern Classics Reissue (2016) Format: LP

Cecil Taylor – Unit Structures

Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil … More

Ought – Sun Coming Down

There is a certain beauty just to being alive, and Ought make it their mission to find it through raw rock n’ roll that veers seamlessly between upbeat post-punk, meditative feedback drones, dramatic ballads, and cathartic guitar freak outs.

Recommended for fans of post-punk that blends the moodiness of Joy Division, Iceage, and Television with the experimentation and noisiness of This Heat and No Wave.

Tarentel – Ghetto Beats on the Surface of the Sun (#3)

Style: Drone, Post-Rock, Experimental Rock, Tape Music
Vibe/Moods: Murky, Exploratory, Hallucinogenic, Mysterious, Nature, Abstract
Musical Attributes: Drones, Loops, Dissonant, Atonal, Studio-as-an-Instrument, Repetitive

Massacre – Killing Time

Anxious and dissonant proto-math rock composed and improvised by a trio of innovative, idiosyncratic, and influential musicians. Guitarist Fred Frith pulls new dimensions of sound out of his instrument, blending bizarrely textured riffs with dark, noisy atmospheres. Bassist Bill Laswell is one of the great musical collaborators in all of music, often bringing together innumerable amazing musicians from all genres to create unique sonic fusions. Here, Bill and drummer Fred Maher lay down some nasty, disjointed grooves that lock you in despite their angular, asymmetrical time signatures

John Coltrane – Interstellar Space [Review]

A couple of months before his death in 1967, John Coltrane went into the studio with drummer Rashied Ali to record some of the most free recordings he’s ever made, the freest of free jazz. Perhaps this freeness is due to the absence of other tonal instruments, leaving Coltrane untethered to harmony and 100% free to play whatever raw, unhindered creativity flows through him.