John Coltrane & Pharoah Sanders – Live in Seattle

Style: Free Jazz, Spiritual Jazz

Vibe: Apocalyptic, Intense, Transcendent, Epic, Cosmic, Bombastic, Chaotic, Complex, Exploratory, Energetic, Serpentine, Powerful, Passionate, Triumphant, Spiritual, Heavy

Musical Qualities: Dense, Dissonant, Polyphonic, Collective Improvisation, Acoustic, Live Recording, Extended Technique, Progressive, Technical

Sun Ra and His Astro Infinity Arkestra – Pathways to Unknown Worlds

Style: Cosmic Jazz, Avant-Garde Big Band

Vibe: Mysterious, Nocturnal, Serpentine, Cosmic, Chaotic, Intertwined, Apocalyptic, Sci-Fi

Musical Qualities: Dynamic, Collective Improvisation, Atmospheric

Alan Braufman – Live in New York City, February 8, 1975

Style: Spiritual Jazz

Vibe: Communal, Ritualistic, Triumphant, Adventure, Searching, Devotional, Spiritual, Hypnotic, Epic

Musical Qualities: Collective Improvisation, Acoustic Instrumentation, Progressive Structures, Thematic, Polyrhythmic, Percussive, Dense, Complex, Suite, Live Recording, Chant

Julius Hemphill – ‘Coon Bid’ness

Style: Avant-Garde Jazz, Modern Creative

Vibe: Suspenseful, Mysterious, Hypnotic, Intertwined, Open, Abstract, Bluesy (Side B)

Musical Qualities: Dynamic, Polyphonic, Thematic, Collective Improvisation, Percussive, Rhythmic, Acoustic, Instrumental

Matana Roberts / Pat Thomas – The Truth

Style: Free Jazz

Vibe: Spiritual, Conversational, Searching, Abstract, Intertwined

Musical Qualities: Duo Improvisation, Dynamic, Instrumental, Acoustic, Loose, Live Recording, Repetition, Dissonant, Improvised Minimalism

Ornette Coleman – Dancing in Your Head

Style: Free Funk, Avant-Garde Jazz

Vibe: Joyful, Chaotic, Anthemic, Intertwined, Energetic, Triumphant

Musical Qualities: Thematic, Dissonant, Collective Improvisation, Rhythmic, Polyphonic, Repetitive

Anteloper – Kudu

Style: Cyber-Jazz, Abstract Groove, Avant-Garde Jazz

Vibe: Futuristic, Menacing, Exploratory, Kinetic, Ominous, Spacey, Energetic, Colorful, Surreal, Suspenseful, Adventure

Musical Qualities: Duo Improvisation, Thematic, Instrumental, Electro-Acoustic, Percussive, Rhythmic, Atmospheric

Instrumentation: Trumpet, Drums, Synthesizers, Electronics

John Coltrane – Concert in Japan

Style: Spiritual Jazz, Free Jazz

Vibe: Transcendent, Intense, Passionate, Cosmic, Visceral, Powerful, Complex, Bombastic, Energetic, Chaotic

Musical Qualities: Dense, Instrumental, Acoustic, Collective Improvisation, Polyphonic, Free, Technical, Virtuosic

Albert Ayler – Love Cry

Albert Ayler – Tenor & Alto Saxophones, Vocals
Alan Silva – Upright Bass
Milford Graves – Drums & Percussion
Call Cobbs Jr. – Harpsichord
Donald Ayler – Trumpet

Vibe: Ecstatic, Passionate, Anthemic, Energetic, Spiritual, Joyful, Deconstructed, Uplifting

Musical Qualities: Thematic, Collective Improvisation, Acoustic, Loose, Melodic

Style: Spiritual Jazz, Free Jazz

Moor Mother – Circuit City

Style: Future Jazz, Free Jazz Theater, Jazz Poetry

Vibe: cathartic, cerebral, dystopian, energetic, futuristic, bombastic, intense, noisy, passionate, poetic, political, powerful, rebellious, urban, heavy, AfroFuturist

Musical Attributes: Complex, Conceptual, Dense, Dissonant, Spoken Word, Theatric, Progressive, Polyphonic, Improvisation

John Coltrane – Sun Ship

Style: Spiritual Jazz, Avant-Garde Jazz

Vibe: Cathartic, Transcendent, Triumphant, Passionate, Intense, Chaotic, Powerful, Adventure, Searching, Spiritual

Musical Qualities: Collective Improvisation, Dense, Dynamic, Complex, Acoustic, Thematic, Dissonant, Technical

Sun Ra – The Magic City

Style: Cosmic Jazz

Vibe: Cosmic, Mysterious, Chaotic, Epic, Futuristic, Imaginative, Suspenseful, Ominous, Spacey, Surreal, Spiritual

Musical Qualities: Instrumental, Dynamic, Collective Improvisation, Dissonant, Atonal, Progressive, Free

Ornette Coleman – Body Meta

Style: Free-Funk, Avant-Garde Jazz, Jazz Fusion

Vibe: Angular, Anthemic, Manic, Kinetic, Driving, Intertwined, Chaotic, Funky, Triumphant

Musical Qualities: Polyphonic, Collective Improvisation, Rhythmic, Instrumental, Dissonant

Personnel:
Ornette Coleman – alto saxophone, producer; Bern Nix – Electric Guitar; Charlie Ellerbee – Electric Guitar; Jamaaladeen Tacuma – Electric Bass; Ronald Shannon Jackson – Drums

Irreversible Entanglements – Open the Gates

Style: Free Jazz, Future Jazz, Jazz Poetry, Liberation Music

Vibe: Ritualistic, Triumphant, Aquatic, Communal, Futuristic, Philosophical, Poetic, Anthemic, Cerebral, Confident, Conscious, Determined, Epic, Existential, Groovy, Healing, Heavy, Liberation, Political, Powerful, Rebellious, Evocative, Mystical, Intertwined

Musical Qualities: Thematic, Collective Improvisation, Acoustic Instrumentation, Spoken Word, Progressive Structures, Rhythmic, Polyphonic, Dynamic, Complex, Dub Fx

Luke Stewart & Jarvis Earnshaw Quartet

Style: Free Jazz

Vibe: Powerful, Energetic, Cosmic, Kinetic, Driving

Musical Qualities: Collective Improvisation, Dynamic, Acoustic, Instrumental

Instrumentation: Upright Bass, Sitar (w/ Electronics), Drums, Saxophone

William Parker – Mayan Space Station

Style: Cosmic Blues, Jazz Fusion, Spiritual Jazz, Abstract Groove

Vibe: Cathartic, Kinetic, Energized, Exploratory, Cosmic, Spiritual, Propulsive

Musical Qualities: Power Trio, Collective Improvisation, Rhythmic, Dynamic, Loose, Instrumental, Ostinato

Cecil McBee – Mutima

Style: Free Jazz, Spiritual Jazz, Post-Bop

Vibe: Mysterious, Nocturnal, Adventure, Spiritual, Communal, Eclectic, Epic, Meditative

Musical Attributes: Acoustic, Improvisation, Progressive, Thematic

Cecil Taylor / Buell Neidlinger – New York City R&B

Style: Free-Bop, Avant-Jazz

Vibe: Jubilant, Kinetic, Energetic, Abstract, Chaotic, Rootsy

Musical Attributes: Improvisation, Acoustic, Polyphonic, Complex, Live

Revolutionary Ensemble

Style: Free Jazz, Creative Music

Vibe: Ritualistic, Loose, Cathartic, Complex

Musical Attributes: Collective Improvisation, Acoustic, Polyphonic, Active Listening, Instrumental, Dynamic, Live

Instrumentation: Violin, Upright Bass, Drums

Pharoah Sanders – Live at the East

Style: Spiritual Jazz, Free Jazz

Vibe: Ritualistic, Spiritual, Triumphant, Uplifting, Warm, Cathartic, Communal, Cosmic, Energetic, Intense, Passionate

Musical Attributes: Collective Improvisation, Acoustic, Live, Polyphonic, Percussive, Multiple Drummers

John Surman, John McLaughlin, Dave Holland, Karl Berger, Stu Martin – Where Fortune Smiles

Style: Free Jazz, Avant-Garde Jazz

Vibe: Triumphant, Energetic, Epic, Exploratory, Loose, Spiritual, Suspenseful, Angular, Chaotic

Musical Attributes: Polyphonic, Progressive, Complex, Dissonant, Dynamic, Technical, Acoustic, Improvisation (Collective, Thematic), Instrumental

Joe McPhee – Nation Time

Originally released in 1971 on CjR Recorded December, 1970 Superior Viaduct Reissue (2019) Style: Free Funk, Free Jazz, Abstract Groove … More

John Coltrane – Live at the Village Vanguard Again!

Style: Spiritual Jazz, Free Jazz
Vibe: Passionate, Spiritual, Exploratory, Triumphant, 
Musical Attributes: Complex, Modal, Thematic, Acoustic, Live, Improvisation, Dynamic, Instrumental

Anthony Braxton – Creative Orchestra Music 1976

Style: Avant-Garde Big Band, Free Jazz

Vibe: Cerebral, Bombastic, Energetic, Complex, Abstract

Musical Attributes: Dense, Poly-Free Improvisation, Polyphonic, Dynamic, Instrumental, Technical, Innovative

Pharoah Sanders – Village of the Pharoahs

Style: Spiritual Jazz, Free Jazz
Vibe: Communal, Earthy, Energetic, Hypnotic, Intense, Loose, Mystical, Passionate, Spiritual, Tribal, Uplifting, Warm, Dance
Musical Attributes: Acoustic, Complex, Collective Improvisation, Percussive, Dense, Thematic, Suite

The Sea Ensemble – We Move Together

An obscure release from the great creative label ESP-Disk, containing exploratory, mysterious and playful improvisations from The Sea Ensemble—the husband/wife duo of Zusaan Fasteau and Donald Rafael Garrett. While they are both trained musicians and multi-instrumentalists, an uninhibited childish spirit permeates this release, as can be seen in Donald’s crude but visionary cover drawing; Yet the recording also feels imbued with ancient wisdom, as heard in their primal and instinctive vocalizations throughout the album

There’s STILL a Riot Goin On [Mix for Bed Crumb Show]

First off… ABOLISH THE POLICE, PRISONS & WHITE SUPREMACY…this guest mix for Bed Crumb show is focused on Liberation Music that is gonna be relevant until all prisons are emptied and cops stop roaming the streets. Featuring Irreversible Entanglements, Joey Bada$$, D’Angelo, Dalek, Moor Mother, Sly Stone, jaimie branch, and more

Ornette Coleman Double Quintet – Free Jazz

Style: Free Jazz

Vibe: Communal, Bombastic, Complex, Energetic, Passionate, Chaotic

Musical Attributes: Collective Improvisation, Dense, Instrumental, Acoustic, Dynamic, Polyphonic

Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

Cecil Taylor – Conquistador

Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free

Cecil Taylor – Unit Structures

Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil … More

The Ornette Coleman Quartet – This is Our Music

Style: Free Bop, Avant-Garde Jazz

Vibe: Kinetic, Joyful, Energetic, Playful, Passionate, Colorful,

Musical Qualities: Improvisation, Harmolodic, Rhythmic, Swing, Acoustic, Instrumental, Technical

Creative Construction Company – CCC

Featuring some of Chicago’s finest musicians and founding members of the AACM, (Muhal Richard Abrams, Anthony Braxton, Leroy Jenkins, Richard Davis, Wadada Leo Smith, and Steve McCall), this 36 minute spontaneous composition doesn’t focus on soloing or instrumental technicality or rambunctious improvisIng, but creating and progressing an initially suspenseful, mysterious mood through focused, cohesive movements, with new sounds, moods, and melodies around every corner. Most of the musicians here play multiple instruments to sustain a versatile color palette.

Anthony Shadduck – Quartet & Double Quartet

“Side one features a collection of songs performed by a pliant and almost pristine quartet playing songs by Ornette Coleman, Paul Motian, Chris Schlarb, and Shadduck himself, while side two finds Anthony leading a loose, rocking and roiling double quartet performing more obliquely structures pieces and employing a healthy dose of spontaneous improvisation. Both ensembles strike my ear as CLASSIC, spanning the areas of jazz impressionism and edgy-yet-controlled “free jazz” with dedication and distinction.”
[From the liner notes, written by Nels Cline]

Irreversible Entanglements – Irreversible Entanglements

“Four relentless bouts of inspired fire music forged from the true spirit of free jazz, driven by searing poetic narrations of Black trauma, survival and power” (from press release)

Click for review

Dave Holland Quartet – Conference of the Birds

While living in London I had an apartment with a small garden. During he summer around 4 or 5 o’clock in the morning, just as the day began, Birds would gather here one by one and sing together, each declaring its freedom in song. It is my wish to share the same spirit with other musicians and communicate it to the people. -Dave Holland

Charlie Haden – Liberation Music Orchestra

“The music in this album is dedicated to creating a better world; a world without war and killing, without racism, without poverty and exploitation; a world where men of all governments realize the vital importance of life and strive to protect it rather than destroy it. We hope to see a new society of enlightenment and wisdom where creative thought becomes the dominant force in all people’s lives” – Charlie Haden

John Coltrane – Interstellar Space [Review]

A couple of months before his death in 1967, John Coltrane went into the studio with drummer Rashied Ali to record some of the most free recordings he’s ever made, the freest of free jazz. Perhaps this freeness is due to the absence of other tonal instruments, leaving Coltrane untethered to harmony and 100% free to play whatever raw, unhindered creativity flows through him.