“Side one features a collection of songs performed by a pliant and almost pristine quartet playing songs by Ornette Coleman, Paul Motian, Chris Schlarb, and Shadduck himself, while side two finds Anthony leading a loose, rocking and roiling double quartet performing more obliquely structures pieces and employing a healthy dose of spontaneous improvisation. Both ensembles strike my ear as CLASSIC, spanning the areas of jazz impressionism and edgy-yet-controlled “free jazz” with dedication and distinction.”
[From the liner notes, written by Nels Cline]
Originally released in 1969 on MPS Records 1972 BASF Pressing Format: LP
Released in 1973 on Blue Thumb Records Format: LP, Quadrophonic Pressing
“Four relentless bouts of inspired fire music forged from the true spirit of free jazz, driven by searing poetic narrations of Black trauma, survival and power” (from press release)
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Recorded Dec 3-4, 1965 in Stockholm, Sweden Released in 1966 on Blue Note Records Ornette Coleman – Alto Sax, Violin, … More
Recorded live at Cafe Monmartre in Copenhagen, Denmark on November 23, 1962 Released in 1976 on Arista Records
Released in 1959 on Atlantic Records 1970’s Pressing
Five intuitive and melodic duets performed by two longtime musical soulmates. Charlie Haden plays upright bass and Ornette plays tenor saxophone and trumpet on the last track.
Album Information: Released in 1973 on CBS/Columbia
While living in London I had an apartment with a small garden. During he summer around 4 or 5 o’clock in the morning, just as the day began, Birds would gather here one by one and sing together, each declaring its freedom in song. It is my wish to share the same spirit with other musicians and communicate it to the people. -Dave Holland
“The music in this album is dedicated to creating a better world; a world without war and killing, without racism, without poverty and exploitation; a world where men of all governments realize the vital importance of life and strive to protect it rather than destroy it. We hope to see a new society of enlightenment and wisdom where creative thought becomes the dominant force in all people’s lives” – Charlie Haden
A couple of months before his death in 1967, John Coltrane went into the studio with drummer Rashied Ali to record some of the most free recordings he’s ever made, the freest of free jazz. Perhaps this freeness is due to the absence of other tonal instruments, leaving Coltrane untethered to harmony and 100% free to play whatever raw, unhindered creativity flows through him.