Released in 1971 on Harvest Records Format: LP
Released in 2004 on Domino Records Format: LPx2
Self-released in 2013 Format: LP, includes CD
Originally released under the title Brown Rice in 1975 1977 pressing on Horizon Records Format: LP
Originally released in 1971 on United Artists Records Unofficial pressing on purple and brown marbled vinyl Format: LPx2
Originally released in 1974 on Spoon 2014 Mute Pressing Format: LP
Released in 2014 on Drag City Format: LPx2, 45rpm
Originally released in 1972 on Brain Records 2010 Grönland Pressing Format: LP, White Vinyl
Released in 2012 on Invada Records Format: LPx2, orange vinyl Limited to 500 copies
Originally released in 1993 on Duophonic Records This pressing was released in 2012 on 1972 Records Format: LPx2
Originally released in 2008 on Southern Lord 2014 Pressing Format: LPx2, Red Vinyl
A far cry from the sparse folk usually recorded by Will Oldham, “Epic Jammers and Fortunate Little Ditties” finds his intimate voice and warbly acoustic guitar enveloped by the cosmic drones, blooming synths, airy flutes, and hypnotic tape loops of Chicago new age trio, Bitchin Bajas. The lyrics are essentially fortune cookie mantras and, while there’s a chance they’re tongue-in-cheek, it’s difficult not to smile and feel a brightening of the spirit when hearing uplifting phrases like “Your hard work is about to pay off, keep on keepin’ on” or “you and your whole family are well” get repeated over and over. This collaboration is a soothing, heartwarming listen and a refreshing change-of-pace from Oldham’s tendency towards melancholy and solemn lyrical content.
“Recorded during the same session as last year’s sublime Angels of Darkness I, the followup sees Dylan Carlson’s Earth take their panoramic instrumentals, heavy on improvisation this time, into uncharted territories. As with so much of Carlson’s work, these five songs suggest a mournful last dance in the decrepit roadhouse of some faded midwest mining town. But its the little flourishes that make them truly majestic: the droning psyche-folk thrum of His Teeth Did Brightly Shine; the country twang and graceful melodies of A Multiplicity of Doors”…”
On Towards Language, Norweigan trumpeter Arve Henriksen creates a blend of meditative and suspenseful ambient-jazz, demonstrating a more soothing side to his playing than his noisier output with electro-acoustic improvisers Supersilent.
Originally released in 1969 on Columbia Records 1977 Pressing
Dynamic and uplifting house music characterized by filtered drums and enveloping synth textures. With its driving arpeggiations, danceable 4-on-the-floor grooves, hypnotic build-ups, and soothing ambient tracks, Singularity is extremely well-paced, and it’s most beautiful moments full of sublime wonder.
On Automaginary, the Gnawa-inspired cosmic jazz of Natural Information Society is augmented by the flowing textures of Chicago new age trio Bitchin Bajas to create an album of enveloping drones and trance-inducing rhythms. (Follow link for full Review)
Over the past decade, Josh Abrams has been using his guimbri to create music inspired by the ceremonial music of the Gnawa in North Africa, infusing it with a wide variety of influences from kosmische to minimalism to the avant-garde jazz of his local scene in Chicago. On this album, the focus is on “pure motion” driven by double drummers hypnotically interlocking with guimbri, guitar, keys and harmonium. Each individual plays unique rhythmic figures that push and pull against each other like polyrhythmic tectonic plates, creating constantly changing, yet circular grooves.
Originally released in 1996 on Thrill Jockey Records 2012 pressing
An acoustic trio of piano, upright bass, and drums utilize creative extended techniques to play evolving minimalist compositions of mutating grooves, polyrhythms, and textures.
A hypnotic, meditative minimalist classic whose influence can be traced throughout several threads of modern music.
A psychedelic synth odyssey created with only an expanded Series III Moog by Robert Margouleff and synth-guru Malcolm Cecil (who programmer synths on legendary albums by Stevie Wonder and Gil-Scott Heron in addition to his ambient solo work). The intricately layered results here feel like a synthetic wilderness, with a wide variety of colors and textures that sound warm, organic, and natural despite their electronic origins.
Space Age Pop
Album Information Originally released in 1981 This pressing was released in 2013 on Grönland Records Format: LP Features parallel groove … More
Album Information: Originally released in 1973 on United Artist Recordings This pressing was released in 2014 on Mute Records
Album Information: Originally released in 1999 as Jerusalem on London Records, and then in 2003 as Dopesmoker on Tee-Pee Records. … More
Album Information: Released in 1969 on Impulse Records 1972 pressing
Album Information: Released in 2014 on Constellation Records
Released in 2012 on Editions Mego Format: LP
Saxophonist Colin Stetson and violinist Sarah Neufeld employ innovative performance techniques, mutating ostinatos and an atmospheric sense of texture to compose minimalist compositions that are as brooding and haunting they are hypnotically beautiful.
Album Information: Originally released in 1996 on Duophonic Records This pressing was released in 2013 on 1972 Records Produced by … More
A dense fog you can sink into and never want to leave…Glacial, enveloping waves of sound meticulously sculpted from processed organs, piano, and distorted guitar feedback.