Horse Lords – The Common Task

The Common Task is an incessant barrage of jolting polyrhythms that simultaneously hypnotize and disorient.

Style: Experimental Rock, Math Rock, Post-Rock, Totalism
Vibe: Hypnotic, Surreal, Triumphant, Complex, Political
Musical Attributes: Microtonal, Polyrhythmic, Repetitive, Odd Time Signatures, Saharan Africa-Influenced, Technical, Instrumental

Sunburned Hand of the Man – Fire Escape

The free-form psychedelia and tribal “group therapy” of Sunburned Hand of the Man are in great hands with producer Kieran Hebden (Four Tet)—his dubs and cuts transform their usually lo-fi, meandering jams into something much more immediate, without losing any of their exploratory and spontaneous energy. Recommended for fans of polyrhythmic Afro-inspired percussion, dubbed out production, communal sound rituals, and dense psychedelia.

Tarantel – We Move Through Weather

Style: Post-Rock, Experimental Rock
Vibe: Exploratory, Hypnotic, Meandering, Murky, Mysterious, Nature, Abstract, Aquatic, Driving, Droney, Psychedelic
Musical Attributes: Instrumental, Repetitive, Atmospheric, Studio-as-an-Instrument, Loops, Innovative, Dynamic

John Coltrane – Live at the Village Vanguard Again!

Style: Spiritual Jazz, Free Jazz
Vibe: Passionate, Spiritual, Exploratory, Triumphant, 
Musical Attributes: Complex, Modal, Thematic, Acoustic, Live, Improvisation, Dynamic, Instrumental

Jim White and Marisa Anderson – The Quickening

This impressionistic and contemplative collaboration channels deep American folk roots through free flowing improvisations. The panoramic and sensitive drumming of Jim White (Dirty Three, Cat Power, etc) is a perfect match for Marisa Anderson’s primitivist guitar sensibilities, which feel both immediate and abstract.

Anthony Braxton – Creative Orchestra Music 1976

Style: Avant-Garde Big Band, Free Jazz

Vibe: Cerebral, Bombastic, Energetic, Complex, Abstract

Musical Attributes: Dense, Poly-Free Improvisation, Polyphonic, Dynamic, Instrumental, Technical, Innovative

Ornette Coleman Double Quintet – Free Jazz

Style: Free Jazz

Vibe: Communal, Bombastic, Complex, Energetic, Passionate, Chaotic

Musical Attributes: Collective Improvisation, Dense, Instrumental, Acoustic, Dynamic, Polyphonic

Tangents – Stateless

“The five-piece band synthesise contemporary classical forms – most often recalling Steve Reich or Philip Glass – and marry them to the looseness and improvisational nature of jazz and the dynamics of head-nodding electronic music. Stateless is at once both carefully composed and freely flowing. The compositions included here are more about rhythm, texture and contrast than definable melodies and harmonic structures.” – Scott Wallace [Sydney Scoop]

Third Ear Band – Alchemy

Released in 1969 on Harvest Records Format: LP Style: Free Folk, Chamber Music, Progressive Folk Vibe: Ritualistic, Hypnotic, Earthy, Tribal, Nature, Meditative, … More

Univers Zéro – Univers Zero

Style: Chamber Rock, Avant-Prog, Rock In Oppositon

Vibe: Anxious, Angular, Mysterious, Ominous, Dark, Dystopian

Musical Attributes: Instrumental, Complex, Dissonant

Instrumentation: Bassoon , Violin, Viola, Cello, Harmonium, Electric Guitar, Electric Bass, Drums

Fontanelle – Vitamin F

Fontanelle’s Vitamin F feels heavily indebted to the dense, psychedelic grooves of Bitches Brew and the Mwandishi albums, and while it doesn’t quite reach the majestic heights of those legendary records, it’s definitely a worthwhile slab of wax for fans of polyrhythmic funk, winding improvisations, and spacey keyboard atmospheres.

Ensemble Pearl – Ensemble Pearl

Style: Drone-Rock, Dark Ambient. Experimental

Vibe: Suspenseful, Eerie, Atmospheric, Slow, Haunting, Dark, Psychedelic, Mysterious,

Musical Attributes:  Dissonant, Repetitive, Sparse, Instrumental, Noisy

Musicians: Stephen O’Malley (Sun O)))), Atsuo (Boris), William Herzog, Michio Kurihara

Anthony Davis – Epistēmē

Style: Poly-Free Improvisation, Modern Classical, Avant-Garde Big Band

Vibe: Complex, Hypnotic, Intense, Suspenseful, Cerebral

Musical Attributes: Polyrhythmic, Polyphonic, Odd Time Signatures, Acoustic, Poly-Free Improvisation, Repetitive

Instrumentation: Orchestral, Mallet Percussion (Marimba, Vibraphone, etc) Violin, Cello, Piano, Trombone, Drums, Flute, Bass Clarinet

Cecil Taylor – Unit Structures

Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil … More

Dave Harrington Group – Pure Imagination, No Country

Innovative guitarist and producer Dave Harrington (Darkside) uses his latest record to explore the outer reaches of improvisation and compositional post-production. Pure Imagination, No Country is jazz-rock fusion stripped of its retro connotations—fusing hard grooves, free flights of collective improvisation, and futuristic ambience to create something that is at turns atmospheric and in your face.

Recommended for fans of Bill Frisell, Terje Rypdal, or Jaga Jazzist

Makaya McCraven – Universal Beings

Released in 2018 on International Anthem Recording Co. Format: LPx2

Jefre Cantu-Ledesma – Tracing Back the Radiance

Washes of piano, harp, and other ephemeral sonic artifacts float through Ledesma’s peaceful, almost static atmospheres like a night breeze through the quiet woods.

Circle – Paris-Concert

While more cerebral than emotive, this live set is a frenzied demonstration of what four virtuosic musicians sound like when they give in to the intuitive whims of collective improvisation. Even when playing a composition, this quartet will stretch and mutate the melody into every possible pattern without ever playing it directly. The group interplay is often bombastic and can be overwhelming, but thankfully they vary the dynamics through mellower sections, as well as solo and duo pieces.

Creative Construction Company – CCC

Featuring some of Chicago’s finest musicians and founding members of the AACM, (Muhal Richard Abrams, Anthony Braxton, Leroy Jenkins, Richard Davis, Wadada Leo Smith, and Steve McCall), this 36 minute spontaneous composition doesn’t focus on soloing or instrumental technicality or rambunctious improvisIng, but creating and progressing an initially suspenseful, mysterious mood through focused, cohesive movements, with new sounds, moods, and melodies around every corner. Most of the musicians here play multiple instruments to sustain a versatile color palette.