Solange – When I Get Home

Style: Modern Soul, Art Pop
Vibe: Reflective, Lush, Mellow, Confident, Groovy, Introspective, Summer, Warm
Musical Attributes: Melodic, Soft, Suite, Vignettes, Polished, Studio-as-an-Instrument, Beats

Jamila Woods – Heavn

Style: Soul, Art Pop

Vibe: Confident, Heartfelt, Introspective, Colorful, Triumphant, Uplifting, Urban, Loner

Lyrical Themes: Conscious, Poetic, Political, Personal, Black Pride, Love, Feminist

Musical Attributes: Groovy, Lush, Headphone Album, Polished, Catchy, Technical

Julia Holter – Have You in My Wilderness

Style: Chamber Pop, Art Pop
Vibe: Lush, Ethereal, Imaginative, Sensual, Storytelling, Surreal, Intricate, Airy, Dreamy
Instrumentation: Vocals, Keyboards (Piano, Harpsichord, etc), Upright Bass, Strings, Drums, Saxophone

Gil Scott-Heron & Brian Jackson – Bridges

Style: Soul, Jazz-Funk, Singer-Songwriter

Vibe: Conscious, Groovy, Lush, Lyrical, Passionate, Philosophical, Political, Sunny, Triumphant, Uplifting, Urban, Accessible, Bittersweet, Catchy, Confident

Stereolab – Cobra and Phases Group Play Voltage in the Milky Night

Style: Progressive Pop, Space Age Pop

Influences: Kosmische Musik, Bossa Nova, French Pop, Lounge

Vibe: Spacey, Lush, Retro-Futuristic, Catchy, Groovy, Motorik, Nocturnal, Uplifting

Musical Attributes: Melodic, Headphone Album, Odd Time Signatures, Studio-as-an-Instrument, Progressive, Lyrical

Lyrics: Philosophical, Political, Communist, Bi-Lingual (English and French)

Instrumentation: Synthesizers, Vibraphone, Drums, Electric Bass, Electric Guitar, Vocals, Brass, Strings, Keys (Organ, Clavinet, Harpsichord, Wurlitzer)

Sandro Perri – Impossible Spaces

The surrealist sophisti-pop of Impossible Spaces feels both breezy and intricately progressive. Sandro Perri’s evocative songwriting and catchy melodicism are brought into high-definition by warm, futuristic production, atmospheric synthesizers, and lush arrangements for strings, horns, and woodwinds. 

Bibio – Ribbons

On his latest, producer/composer/multi-instrumentalist Bibio blends serene folk pop, lush instrumentation, pastoral guitar instrumentals, nature field recordings, Walt Whitman-esque lyrics and beat-oriented grooves into the perfectly crafted springtime album. Ribbons feels like daydreaming in a garden or out in the woods under a tree or by a trickling stream.

Ryley Walker – Golden Sings that have been Sung (Deep Cuts Edition)

Ryley Walker’s virtuosic fingerpicking and intricate folk-rock songwriting vibe heavily with a backing band of Chicagoan jazz musicians, including upright bass, drums, Rhodes and electric guitar. The first LP of this release is a studio album of jazzy folk rock songs for fans of Van Morrison’s Astral Weeks or Tim Buckley’s Happy Sad, while the Bonus Lp of this “Deep Cuts edition” is a 40 min live improvisation on one of the album cuts that probably beats anything on the studio LP. It’s rad to be able hear both the concise, song-centric studio side and the loose jammy side of this exciting artist in the same release.

Holy Sons – In the Garden

After 20+ years of using his introspective songwriting as a playground for psychedelic lo-fi experimentation, underdog hero Emil Amos hands the production reins to John Angello (Sonic Youth, Dinosaur Jr.) for his most polished album yet, capturing the best aspects of 70’s rock classics without ever feeling cliché. The hi-fi analogue production brings a newfound clarity and depth that allows Amos’ songwriting and instrumental performances to bloom; the choruses are anthemic, the atmospheres are darkly psychedelic, and his lyrics are just as philosophical and contemplative as ever.

Damien Jurado – Brothers and Sisters of the Eternal Son

Lushly cinematic folk-rock draped in sweeping string arrangements and spacey synth atmospheres. Damien’s reverbed falsetto recalls Jim James (My Morning Jacket) and Bon Iver as he softly sings of God, “spaceships”, and other imagery blending Christian themes with science-fiction.

For fans of My Morning Jacket, Band of Horses, and Beck’s Sea Change

Jim O’Rourke – Insignificance

After a prolific career as a noise/improvisational/experimental guitarist and a few forays into folk and chamber pop, Jim O’Rourke surprised his audience with an album closer to straightforward rock than his audience could have ever expected of him. Yet underneath it’s catchy, cheery, and polished exterior, his lyrics are full of humorously bitter resentment. Like his debut singer/songwriter album Eureka, Insignificance is full of the meticulous and lush arrangements that Jim would become known for.