Released in 1965 on Impulse! Records Format: LP Style: Free Jazz Vibe: Passionate, Complex, Fiery, Political Musical Attributes: Improvisation, Acoustic, Progressive, … More
Released in 2017 on Drag City Records Format: LP Review “The world wants an oath but all you can say … More
Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.
Released in 1973 on Impulse! Records Format: LP
Originally released in 1972 on Impulse! Records Superior Viaduct reissue (2018) Format: LP
Released in 2015 on Constellation Records Recorded June 3-5, 2014 Format: LP
Released in 1977 on Impulse Records Recorded September 2, 1965 Format: LP
Originally released on CD in 2003 on Tzadik Records First vinyl pressing from Ice Level Music (2017) Format: LPx2
Released in 2011 on Constellation Records Format: 10″x2
Released in 2017 by Arts & Crafts Productions Format: LPx2
Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free
Released in 2012 on Sargent House Format: LP, White Vinyl Style: Trip-Hop, Downtempo, Synth Pop Instrumentation: Fretless Bass, Vocals, Drum … More
Released in 2006 on Constellation Records Format: LP Purchase from label: http://cstrecords.com/products/carla-bozulich-evangelista/
Released in 2014 on Constellation Records Format: LP
Released in 2019 Recorded in the Netherlands on November 11, 2018 Format: LP, DVD
Released in 1969 on Enterprise Records Format: LP
Released in 2019 on Western Vinyl Format: LP
Released in 2016 on Domino Records Format: LPx2, includes poster and lyric Booklet
Released in 2013 on Deathwish, Inc. Format: LPx2. 45rpm, Gold and Red Vinyl
Originally released in 1965 on ESP Disk Recorded July 10, 1964 2000’s ESP pressing Format: LP
Released in 2019 on International Anthem Recording Co. Format: LP
Released in 2017 on Mello Music Group Format: LP
Released in 1972 on Curtom/Buddha Records Format: LP
Released in 1971 on Curtom Records Format: LP
Originally released in 1972 on EMI 1974 US pressing on Editions Makossa Format: LP
There is a certain beauty just to being alive, and Ought make it their mission to find it through raw rock n’ roll that veers seamlessly between upbeat post-punk, meditative feedback drones, dramatic ballads, and cathartic guitar freak outs.
Recommended for fans of post-punk that blends the moodiness of Joy Division, Iceage, and Television with the experimentation and noisiness of This Heat and No Wave.
Released in 2016 on Don Giovanni Records Format: LP
Released in 2010 on Constellation Records Format: 10″x2
Released in 2017 on Luaka Bop Format: LPx2
Released in 1966 on Impulse Records Original Pressing Format: LP
Released in 2017 on Jagjaguwar Records Format: LP Includes 12″ 14-page photo and lyric booklet
Originally released in 2005 2006 Southern Lord Reissue Format: LPx2, Pink vinyl Includes 3 sheets of blotter paper
Released in 1961 on Atlantic Records Format: LP
Originally released in 1963 on Impulse! Records 1974 reissue, blue/green label Format: LP
Released in 2011 on Frenchkiss Records Format: LP
Released in 1967 on Impulse! Records Format: LP
Released in 1970 on Elektra Records Format: LP
Released in 2000 on Constellation Records Format: LPx2
Originally released in 2000 on Epic Records 2010 Repress Format: LPx2
Released in 1964 on Impulse! records 1997 reissue Format: LP
Released in 2018 on Thrill Jockey Records Format: LP
Released in 2008 on Constellation Records Format: LPx2
Originally released in 1965 on Impulse Records 2010 Analogue Productions Pressing Format: LPx2, 45RPM
Released in 1972 on Columbia Records Late 70’s/Early 80’s Reissue Format: LP Recommended Tracks A1 – The Shoes of the … More
Released in 1971 on Impulse Records Recorded November 25, 1970 and January 12, 1971 Format: LP
Originally released in 1999 2009 reissue on FatCat Records Format: LPx2, 180
Released in 1966 on Impulse! Records Recorded February 19, 1966 Format: LP
Released in 2002 on Saddle Creek Records Format: LPx2
Released in 1974 on Blue Note Records Recorded September 10th, 1970 at Van Gelder Recording Studio Format: LP
Released in 2015 on Joyful Noise Records Recorded April 4-5, 2014 Format: LP, clear seafoam green vinyl
Released in 1970 on Impulse Records Recorded October 20th, 1969, at Plaza Sound Studios, New York City Format: LP
Released in 1972 on Blue Note Records Format: LP
Released in 1973 on Flying Dutchman Records Format: LP
Released in 1968 on Elektra Records Format: LP
Released in 1970 on Straight Records Format: LP
These impassioned, and often mournful, renditions of klezmer folk songs (both traditional and original) are infused with elements of free jazz, drone, and chamber music to create something both rooted and urgently modern (Even 15 years after its release). The mostly acoustic band features violinist Jessica Moss (also of Silver Mt. Zion) and upright bassist Thierry Amar (asmz, GY!BE) in addition to singer/multi-instrumentalist Scott Levine Gilmore and Clarinetist/Guitarist Gabe Levine.
Released in 2001 on One Little Indian Format: LPx2
Released in 2005 on Constellation Records Format: LPx2, etching on D-side
“Human hearts and pain should never be separate, then they wouldn’t tear themselves apart both trying to fit”. The first album under the Magnolia Electric Co. name touches on the loneliness and depression of much of Jason Molina’s work, but it also contains a fair amount of the hope, light, and perseverance one needs in times of struggle. The musicians here were recorded live in a room by the great Steve Albini, featuring slide guitar, fiddle, and beautiful vocal harmonies from Molina’s band members. With its mix of melancholy Americana, country-tinged rock, and stripped back folk, What Comes After the Blues feels like a continuation of Neil Young’s great ditch trilogy.
Released in 2004 on Constellation Records Format: LPx2
Ryley Walker’s virtuosic fingerpicking and intricate folk-rock songwriting vibe heavily with a backing band of Chicagoan jazz musicians, including upright bass, drums, Rhodes and electric guitar. The first LP of this release is a studio album of jazzy folk rock songs for fans of Van Morrison’s Astral Weeks or Tim Buckley’s Happy Sad, while the Bonus Lp of this “Deep Cuts edition” is a 40 min live improvisation on one of the album cuts that probably beats anything on the studio LP. It’s rad to be able hear both the concise, song-centric studio side and the loose jammy side of this exciting artist in the same release.
Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.
Originally released in 1991 on Polydor 2011 pressing on Ba Da Bing Records Format: LP
Released in 1966 on Impulse Records Original Pressing
The third album from the Melbourne (Au) violin/guitar/drum trio consists of loose, drifting instrumentals that conjure images of vast, open plains. Though the music here is often melancholic and lethargic, it is occasionally swept up with bursts of passionate energy and possessed by cathartic longing (especially the pleading and utterly beautiful violin solo on “Warren’s Lament”). All three instrumentalists have very individual styles that complement and dialogue with each other in refreshingly unique ways.
Released in October, 2001 on Constellation Records. Recorded at the mighty Hotel2Tango Format: 10″x2
Released in 2017 on Black Truffle Records Recorded live on October 28, 2014 at SuperDeluxe Tokyo by Masahide Ando Format: … More
Released in 1969 on Elektra Records Format: LP
No Other is a masterpiece of Cosmic Americana from Gene Clark (Ex-Byrds). Here his amazing songwriting is complemented by lush instrumentation, psychedelic production, and grandiose choir arrangements.
Released in 1977 on RCA Recorded live on a European tour in 1963 Format: LPx2
The Whole Thing is Just There is another beautiful and life-affirming release from Young Jesus, the second with the current L.A. iteration of the band. Their inter-band chemistry seems stronger than ever, with telepathic improvisations, symbiotic catharses, and a mutual love for each other that is easily felt from a listener’s perspective. The lyrics deal with self-exploration and one’s relationship with the world around them, finding solace in spirituality, existentialism, literature, and the ethos of free jazz. Stylistically the music seems rooted in late-90’s indie rock and emo, with seamless but adventurous detours into post-rock, noisy post-hardcore, and free improvisation. Excited to see where these guys go next.
Released in 1966 on World Pacific Records Recorded in 1956
Released in 2014 on RCA Records Format: LPx2 Includes 12″x12″ lyric booklet
On this mournful offering, Cave’s poetic reflections on loss, longing, and loneliness slowly float down a river of gloomy synth drones, somber strings, and sparse piano. While not exactly uplifting, the album has a sense of peace and beauty that continues up through the repeating final refrain, “and it’s alright now”.
Originally released in 1989 on Fiction Records 2010 pressing, Digitally Remastered by Robert Smith Format: LPx2
“Four relentless bouts of inspired fire music forged from the true spirit of free jazz, driven by searing poetic narrations of Black trauma, survival and power” (from press release)
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Released in 1959 on Atlantic Records 1970’s Pressing
Released in 1988 on Parlophone Records 2012 Pressing
Released in 2006 on Drag City Records Format: LPx2
Released in 2015 on People Teeth Format: LP
Released in 2002 on Arts & Crafts Records Format: LPx2
Information: Released in 1974 on Milestone Recorded on July 7, 1973
Information Released in 1973 on Columbia Records Recorded between 1936-1958
The brooding, atmospheric synth-pop of Poliça’s third LP finds Channy Leaneagh’s passionate vocals once again supported by prominent bass grooves, driving dual drummers, and occasional string and horn arrangements, all mapped into intricate, quantized webs of programmed beats and synthesizers by co-leader/producer Ryan Olsen. Lyrically, the album centers around themes of isolation, fading love, and as well as more political topics such as police violence.
For fans of Portishead, The Knife
British singer-songwriter John Martyn fuses folk, jazz, and psychedelic experimentation to create an album that is both eclectic and cohesive, tied together by his flowing voice and virtuosic acoustic guitar fingerpicking.
FFO Van Morrison, Joni Mitchell, Ryley Walker
Lush, beautiful psych-folk with a spiritual jazz fluidity that comes from Larkin inviting her close musician friends to improvise over her passionate songs with harp, trumpet, strings, woodwinds, etc. Think Tim Buckley meets Alice Coltrane
The apocalyptic sounds of spiritual warfare.
Album Information: Originally released in 1970 on Atlantic Records 1974 Repress