Tag: Passionate

Natalie Rose Lebrecht – Mandarava Rose

Style: Ambient Pop, Free Folk, New Age

Vibe: Cosmic, Dreamy, Earthy, Ethereal, Lethargic, Meditative, Mystical, Passionate, Ritualistic, Soothing, Spiritual

Musical Attributes: Atmospheric, Droney, Slow

Pharoah Sanders – Live at the East

Style: Spiritual Jazz, Free Jazz

Vibe: Ritualistic, Spiritual, Triumphant, Uplifting, Warm, Cathartic, Communal, Cosmic, Energetic, Intense, Passionate

Musical Attributes: Collective Improvisation, Acoustic, Live, Polyphonic, Percussive, Multiple Drummers

Rob Mazurek’s Exploding Star Orchestra – Dimensional Stardust

Style: Avant-Garde Jazz, Experimental Big Band

Vibe: Cosmic, Energetic, Passionate, Colorful

Musical Attributes: Complex, Dynamic, Progressive, Suite, Polyrhythmic, Spoken Word

Damon Locks’ Black Monument Ensemble

Style: Creative Music, Black Liberation Music, Avant-Garde Jazz

Vibe: Communal, Triumphant, Conscious, Earthy, Futuristic, Passionate, Political, Rebellious, Theatric

Musical Attributes: Improvisation, Spoken Word, Suite, Percussive, Progressive, Live, Group Vocals

Charles Mingus – The Great Concert of Charles Mingus

Format: LPx3

Style: Post-Bop, Avant-Garde Jazz

Vibe: Bombastic, Passionate, Energetic, Intense, Manic, Playful

Musical Attributes: Complex, Dynamic, Live, Improvisation, Acoustic, Instrumental, Polyphonic, Progressive, Rhythmic

David Bowie – Black Star

Style: Art Rock, Jazz-Rock
Vibe: Introspective, Moody, Passionate, Sentimental, Sombre, Conceptual
Musical Attributes: Lyrical, Complex, Studio-as-an-Instrument, Rhythmic, Progressive
Lyrical Themes: Death, Existential, Personal, Reflective

Doug Carn – Spirit of the New Land

Style: Spiritual Jazz, Black Liberation Music, Vocal Jazz

Vibe: Triumphant, Uplifting, Conscious, Groovy, Passionate, Poetic, Cathartic, Spiritual

Musical Attributes: Improvisation, Dynamic, Acoustic, Progressive, Rhythmic, Technical, Melodic, Complex

Erykah Badu – New Amerykah: Part One (4th World War)

Style: Psychedelic Funk, Conscious Hip-Hop, Soul

Vibe: Conscious, Groovy, Retro-Futuristic, Passionate, Philosophical, Political, Psychedelic, Uplifting, Urban, Eclectic

Musical Attributes: Groovy, Rhythmic, Lush, Melodic, Complex, Sampling, Lyrical

Lonnie Holley – Mith

Style: Experimental Singer-Songwriter, Soul Blues, Psychedelic Soul

Vibe: Imaginative, Bluesy, Cathartic, Conscious, Cosmic, Spiritual, Heartfelt, Passionate, Psychedelic, Rootsy, Bittersweet, Poetic

Lyrical Themes: Existential, Afro-Futurism, History, Racism, Reflective

Musical Attributes: Atmospheric, Lyrical, Improvisation, Raw, Studio-as-an-Instrument

Instrumentation: Vocals, Piano, Synthesizers, Keyboards, Saxophone, Trombone, Percussion

Robbie Basho – Visions of the Country

Style: American Primitivism, Singer/Songwriter, Folk, Raga
Vibe: Mystical, Nature, Open, Passionate, Pastoral, Peaceful, Airy, Contemplative, Earthy, Impressionistic, Meditative, Morning, Spring, Spiritual,
Musical Attributes: Acoustic, Indian-Influenced, Sparse, Technical

John Coltrane – Live at the Village Vanguard Again!

Style: Spiritual Jazz, Free Jazz
Vibe: Passionate, Spiritual, Exploratory, Triumphant, 
Musical Attributes: Complex, Modal, Thematic, Acoustic, Live, Improvisation, Dynamic, Instrumental

Gil Scott-Heron & Brian Jackson – Bridges

Style: Soul, Jazz-Funk, Singer-Songwriter

Vibe: Conscious, Groovy, Lush, Lyrical, Passionate, Philosophical, Political, Sunny, Triumphant, Uplifting, Urban, Accessible, Bittersweet, Catchy, Confident

Pharoah Sanders – Village of the Pharoahs

Style: Spiritual Jazz, Free Jazz
Vibe: Communal, Earthy, Energetic, Hypnotic, Intense, Loose, Mystical, Passionate, Spiritual, Tribal, Uplifting, Warm, Dance
Musical Attributes: Acoustic, Complex, Collective Improvisation, Percussive, Dense, Thematic, Suite

Ornette Coleman Double Quintet – Free Jazz

Style: Free Jazz

Vibe: Communal, Bombastic, Complex, Energetic, Passionate, Chaotic

Musical Attributes: Collective Improvisation, Dense, Instrumental, Acoustic, Dynamic, Polyphonic

Circuit Des Yeux – Reaching for Indigo [Full Review]

Style: Singer/Songwriter, Jazz-Folk, Experimental Rock

Vibe: Cathartic, Transcendent, Existential, Funereal, Introspective, Intense

Featuring: Ryley Walker, Ka Baird, Cooper Crain, Joshua Abrams

[Follow link for full review]

Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

Cecil Taylor – Conquistador

Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free

Ought – Sun Coming Down

There is a certain beauty just to being alive, and Ought make it their mission to find it through raw rock n’ roll that veers seamlessly between upbeat post-punk, meditative feedback drones, dramatic ballads, and cathartic guitar freak outs.

Recommended for fans of post-punk that blends the moodiness of Joy Division, Iceage, and Television with the experimentation and noisiness of This Heat and No Wave.

Black Ox Orkestar – Ver Tanzt? Yeah

These impassioned, and often mournful, renditions of klezmer folk songs (both traditional and original) are infused with elements of free jazz, drone, and chamber music to create something both rooted and urgently modern (Even 15 years after its release). The mostly acoustic band features violinist Jessica Moss (also of Silver Mt. Zion) and upright bassist Thierry Amar (asmz, GY!BE) in addition to singer/multi-instrumentalist Scott Levine Gilmore and Clarinetist/Guitarist Gabe Levine.

Magnolia Electric Co. – What Comes After the Blues

“Human hearts and pain should never be separate, then they wouldn’t tear themselves apart both trying to fit”. The first album under the Magnolia Electric Co. name touches on the loneliness and depression of much of Jason Molina’s work, but it also contains a fair amount of the hope, light, and perseverance one needs in times of struggle. The musicians here were recorded live in a room by the great Steve Albini, featuring slide guitar, fiddle, and beautiful vocal harmonies from Molina’s band members. With its mix of melancholy Americana, country-tinged rock, and stripped back folk, What Comes After the Blues feels like a continuation of Neil Young’s great ditch trilogy.

Ryley Walker – Golden Sings that have been Sung (Deep Cuts Edition)

Ryley Walker’s virtuosic fingerpicking and intricate folk-rock songwriting vibe heavily with a backing band of Chicagoan jazz musicians, including upright bass, drums, Rhodes and electric guitar. The first LP of this release is a studio album of jazzy folk rock songs for fans of Van Morrison’s Astral Weeks or Tim Buckley’s Happy Sad, while the Bonus Lp of this “Deep Cuts edition” is a 40 min live improvisation on one of the album cuts that probably beats anything on the studio LP. It’s rad to be able hear both the concise, song-centric studio side and the loose jammy side of this exciting artist in the same release.

Exuma – Exuma

Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.

Dirty Three – Horse Stories

The third album from the Melbourne (Au) violin/guitar/drum trio consists of loose, drifting instrumentals that conjure images of vast, open plains. Though the music here is often melancholic and lethargic, it is occasionally swept up with bursts of passionate energy and possessed by cathartic longing (especially the pleading and utterly beautiful violin solo on “Warren’s Lament”). All three instrumentalists have very individual styles that complement and dialogue with each other in refreshingly unique ways.