Style: Post-Rock, Post-Minimalism, Progressive Folk
Influences: Kosmische Musik, American Primitive Guitar, Minimalism
Vibe: Airy, Nocturnal, Pastoral, Peaceful, Focused, Imaginative, Impressionistic, Contemplative, Warm
Musical Attributes: Atmospheric, Instrumental, Progressive, Pulse, Odd Time Signatures, Pulse, Dynamic, Headphone Album, Minimalistic
Composer and upright bassist Spencer Zahn crafts a peaceful album of impressionistic and pastoral jazz that recalls Talk Talk, ECM Records, In a Silent Way, and Bill Frisell. The atmospheres are open and washy thanks to sweeping piano gestures and Dave Harrington’s guitar loopery, while the slow, rolling rhythms of drummer Kenny Wollesen and percussionist Mauro Refosco keep the results grounded.
The Invisible Comes to Us is a haunting, modern take on Appalachian and Irish folk songs. Beautiful close-harmonies, banjos and acoustic guitars are juxtaposed with droning atmospheres of woodwinds, Moog bass, pump organ, and euphonium. Guest musicians include Jim White on drums and Susan Alcorn on slide guitar.
Style: American Primitivism, Singer/Songwriter, Folk, Raga
Vibe: Mystical, Nature, Open, Passionate, Pastoral, Peaceful, Airy, Contemplative, Earthy, Impressionistic, Meditative, Morning, Spring, Spiritual,
Musical Attributes: Acoustic, Indian-Influenced, Sparse, Technical
Style: Kosmische Musik, Progressive Electronic
Vibe: Spacey, Motorik, Warm, Dreamy, Ethereal, Focused, Futuristic, Pastoral
Musical Attributes: Melodic, Atmospheric, Repetitive, Polished
This impressionistic and contemplative collaboration channels deep American folk roots through free flowing improvisations. The panoramic and sensitive drumming of Jim White (Dirty Three, Cat Power, etc) is a perfect match for Marisa Anderson’s primitivist guitar sensibilities, which feel both immediate and abstract.
Originally released in 2005 on Locust
Drag City Reissue (2020)
Style: Chamber Folk
Vibe: Mellow, Morning, Melancholy, Rootsy, Ethereal
Released in 2013 on Thrill Jockey Format: LP Style: Psych-Folk Vibe: Pastoral, Warm, Cosmic, Nature, Psychedelic Musical Attributes: Instrumental, Droney Instrumentation: Electric … More
My attempt at capturing some fresh spring vibes during this quarantine; hoping it conjures green pastures and rejuvenatory sensations without … More
Released in 2004 on Young God Records Format: LPx2
Released in 1971 on Takoma Records Format: LP
Released in 1979 on Charisma Records Recorded February 1978 Format: LP
Released in 1977 on Sky Records Format: LP Original German Pressing
Released in 1999 on Drag City Records Format: LP
Released in 1970 on Harvest Records Format: LP
On his latest, producer/composer/multi-instrumentalist Bibio blends serene folk pop, lush instrumentation, pastoral guitar instrumentals, nature field recordings, Walt Whitman-esque lyrics and beat-oriented grooves into the perfectly crafted springtime album. Ribbons feels like daydreaming in a garden or out in the woods under a tree or by a trickling stream.
Released in 1971 on Harvest Records Format: LP
Released on Elektra in 1968 Format: LP Track Notes A1 – Jobs Tears (Uplifting, Morning, Spiritual) “Stranger than that we’re alive” … More
Doug McComb’s first album as Brokeback is imbued with pastoral Impressionism, experimentalism, and a sense of Zen contentment. The record is mostly centered around his Bass VI, a short-scale bass with six strings that is trebly enough to function in both guitar and bass roles. This versatile instrument is usually wet with chorus and reverb that sculpt a fluid, aquatic tone to complement the slow, tranquil melodies. Outside of some solo pieces Doug is joined by a variety of accompaniment including lap steel guitar, synth, upright bass, Rhodes, vocals from Mary Hansen, and light percussion provided by producer/Tortoise bandmate John McEntire. This is a record that can be appreciated from a passive impressionistic standpoint, as well as under the microscopic attention of an engaged ear. (Follow link for full review)
Recommended for fans of Tortoise or Ennio Morricone’s spaghetti Western soundtracks
Julie Byrne’s gentle new-age folk is so light and airy it’s easy to miss its depth, but repeated listening shows that it’s strength lies in its weightlessness. Her soothing voice and delicate fingerpicking are enveloped in warm string arrangements, all tied together by soft reverb and pristine production that makes for an inviting, peaceful listen every time.
Album Information: Originally released in 1970 on Atlantic Records 1974 Repress
Pastoral psychfolk from guitar master Ben Chasney. Here his serene acoustic fingerpicking is occasionally accompanied by harmonium drones and trippy guitar overdubs, but overall the album is extremely sparse and meditative.
Album Information: Released in 2017 on Blue Chopsticks Records (Imprint of Drag City Records) Eli Keszler – Drums, Percussion (Tracks … More
Album Information: Released in 1967 on Takoma Records Includes 15-page book of stories and song notes
Album Information: Released in 1967 on Takoma Records This album was originally released on 100 copies in 1959, but was … More
“Recorded in an old wooden barn, this second album is swaddled in twilight autumnal ambiance. While the record is bookended by the band’s awesome psych-rock explosions, much of the material here shows increased referencing of jazz influences (modal horns, brushed percussion) and a more organic deployment of micro-electronics. Raw and polished, visceral and cerebral, the band combines rock and jazz traditions of space music with the ‘instrumental’ potentials of mixing room to present a true gem of a record.” (Press Release)
Album Information: Released in 1969 by Island Records Recorded between June 1968 and June 1969 at Sound Techniques in London, … More
Album Information: Released in 1967 on Takoma Records Original album recorded and released in 1964, but was re-recorded in 1967 … More
Primitivist acoustic guitar instrumentals in the form of droney ragas, jovial ragtime, and pastoral fingerpicking