Roy Harper – Valentine

Released in 1974 Chrysalis Pressing (US, 1978) Format: LP Style: Psychedelic Chamber Folk, Singer/Songwriter, Progressive Folk Vibe: Romantic, Floating, Heartfelt, … More

David Crosby – If Only I Could Remember My Name…

Style: Folk Rock, Singer/Songwriter, Cosmic Americana

Vibe: Dreamy, Hippy, Longing, Bittersweet, Airy, Autumnal, Warm, Loose, Peaceful, Ethereal, Introspective, Psychedelic, Hypnotic, Mellow, Meandering, Stoned, Communal

Musical Qualities: Vocal Harmonies, Heavy Reverb, Jams

Palace Brothers – There is No-One What Will Take Care of You

Style: Lo-Fi Folk, Slowcore Country, Singer/Songwriter

Vibe: Religious, Raw, Melancholy, Back-Porch, Lethargic, Stark, Intimate, Rustic

Lyrics: Christian, Alienation, Sexual

Musical Qualities: Acoustic, Sparse, Lo-Fi

Peter Hammill – The Silent Corner and the Empty Stage

Style: Progressive Songwriter, Art Rock

Vibe: Dramatic, Intimate, Longing, Existential, Theatric, Lonely, Alienation, Ambitious

Musical Qualities: Dynamic, Complex, Progressive, Studio-as-an-Instrument

Instrumentation: Piano, Vocals, Guitars (Acoustic & Electric), Organ, Horns, Flute, Keyboards, Saxophone, Flute, Drums, Mellotron

Vic Chesnutt – At the Cut

Style: Singer/Songwriter, Southern Gothic, Chamber Punk, Slowcore, Folk Rock

Vibe: Depressive, Angsty, Triumphant, Moody, Introspective, Somber, Passionate, Sad, Cathartic

Musical Attributes: Dynamic, Raw

Instrumentation: Acoustic Guitar, Electric Guitars, Upright Bass, Violin, Drums

King Krule – Man Alive!

Style: Art-Rock, Progressive Songwriter, Trip-Hop, Post-Punk

Vibe: Brooding, Woozy, Grimey, Nocturnal, Angsty, Introspective, Surreal, Shadowy

King Krule – The Ooz

Style: Art Rock, Singer/Songwriter, Trip-Hop, Neo-Psychedelia

Influences: Lounge, Jazz, Post-Punk

Vibe: Brooding, Angsty, Woozy, Lonely, Nocturnal, Alienation, Depressive, Eclectic, Rainy, Urban

Mark Hollis – Mark Hollis

Style: Singer/Songwriter, Ambient Chamber Jazz, Post-Rock

Vibe: Peaceful, Intimate, Introspective, Spiritual, Reflective, Meditative, Melancholy, Mellow, Sentimental, Ethereal, Autumnal

Musical Qualities: Soft, Sparse, Acoustic, Atmospheric


Instrumentation: Voice, Bassoon, Clarinet, Piano, Upright Bass, Flute, Trumpet, Guitar

Bonnie Prince Billy – Ask Forgiveness

Bonnie covers Björk, Mickey Newbury, Danzig, R. Kelly and others with help from Espers’ Meg Baird & Greg Weeks

Style: Folk, Slowcore, Singer/Songwriter

Vibe: Introspective, Morning, Melancholy, Existential, Bittersweet

Musical Qualities: Covers, Vocal Harmonies, Sparse, Soft, Acoustic

Richard Dawson – 2020 [Review]

Style: Progressive Songwriter, Art Rock, Progressive Pop

Vibe: Satirical, Depressive, Anxious, Dystopian, Bright, Eccentric, Existential, Longing, Pessimistic, Urban, Storytelling

Musical Qualities: Complex, Dense, Progressive, Intricate, Dynamic, Conceptual

Papa M – Whatever, Mortal

Style: Singer/Songwriter, Slowcore, Americana

Vibe: Apathetic, Bittersweet, Breakup, Contemplative, Depressive, Humorous, Intimate, Lethargic, Loner, Love, Melancholy, Mellow, Moody, Personal, Rootsy

Musical Attributes: Acoustic, Sparse, Simple

Gil Scott-Heron – Pieces of a Man

Style: Soul Jazz, Singer/Songwriter, Jazz-Funk

Vibe: Conscious, Bittersweet, Political, Uplifting, Sunny, Warm, Urban, Sombre, Poetic, Contemplative, Observant, Passionate, Determined, Confident

Musical Qualities: Groovy, Lush, Spoken Word, Technical

Wendy Eisenberg – Auto

Style: Progressive-Pop, Avant-Songwriter, Jazz-Rock, Math-Pop

Vibe: Whispery, Angular, Intimate, Heartfelt, Cerebral, Reflective, Love / Breakup, Restrained, Introspective, Contemplative, Anxious, Loner

Musical Qualities: Odd Time Signatures, Jazz-Influenced, Technical, Dynamic, Lyrical

Robert Wyatt – Shleep

Style: Surreal Pop, Imaginative Singer/Songwriter, Prog-Pop, Canterbury Scene

Vibe: Dreamy, Ethereal, Airy, Floating, Surreal, Eclectic, Introspective, Complex, Mellow, Imaginative, Atmospheric

Musical Attributes: Progressive, Melodic, Studio-as-an-Instrument, Active listening, Jazz-Influenced

Sam Amidon – The Following Mountain

Style: New Weird Americana, Post-Modern Appalachia, Jazz-Folk

Vibe: Autumnal, Earthy, Imaginative, Lush, Morning, Peaceful, Rootsy, Rustic, Warm, Contemplative

Musical Attributes: Acoustic, Melodic, Studio-as-an-Instrument, Improvisation, Progressive, Lyrical

Instrumentation: Fiddle, Drums, Banjo, Vocals, Percussion, Saxophone, Acoustic Guitar, Drum Machine, Percussion, Electric Bass, Organ Synthesizers, Flute

Collaborators: Leo Abrahams, Shahzad Ismaily, Sam Gendel,
Milford Graves, Chris Vatalaro, James Sultan

Hiss Golden Messenger – Haw

Style: Country-Soul, Americana, Singer/Songwriter


Vibe: Passionate, Rootsy, Rural, Spiritual, Triumphant, Uplifting, Warm, Contemplative, Introspective

Musical Attributes: Lush, Lyrical

Lyrical Themes: Existential, Christian

Robert Wyatt – Old Rottenhat

Style: Experimental Singer-Songwriter, Art Pop, Canterbury Scene, Jazz-Rock

Vibe: Political (Anti-Capitalist, Anti-Imperialist), Satirical, Conscious, Melancholy, Hypnotic

Musical Attributes/Instrumentation: Sparse, Studio-as-an-Instrument, Layered Vocals, Digital Keyboards, Drum Machines, Percussion, Synthesizers, Piano

Mount Eerie – Sauna

Style: Experimental Singer/Songwriter, Avant-Folk, Drone

Vibe: Winter, Existential, Imaginative, Introspective, Contemplative, Epic, Philosophical, Poetic, Ethereal, Loner, Meditative, Eclectic

Musical Attributes: Atmospheric, Droney, Lo-Fi, Lyrical, Progressive

Holy Sons – Raw & Disfigured

Style: Loner Folk, Psych Rock, Singer/Songwriter

Vibe: Introspective, Loner, Dark, Nocturnal, Psychedelic

Lyrical Themes: Philosophical, Existential, Death, Personal

Musical Attributes: Lush, Melodic, Lyrical

Sixteen Horsepower – Folklore

Style: Gothic Country, Americana, Chamber Folk
Vibe: Rustic, Sombre, Murky, Rootsy, Ominous, Loner, Western, Melancholy, Moody, Dark
Musical Attributes: Acoustic Instrumentation (Banjo, Upright Bass, Cello, Acoustic Guitar, Accordion, Piano), Atmospheric, Droney, Slow, Lyrical
Lyrical Themes: Alienation, Religious, Christian, Storytelling

Lonnie Holley – Mith

Style: Experimental Singer-Songwriter, Soul Blues, Psychedelic Soul

Vibe: Imaginative, Bluesy, Cathartic, Conscious, Cosmic, Spiritual, Heartfelt, Passionate, Psychedelic, Rootsy, Bittersweet, Poetic

Lyrical Themes: Existential, Afro-Futurism, History, Racism, Reflective

Musical Attributes: Atmospheric, Lyrical, Improvisation, Raw, Studio-as-an-Instrument

Instrumentation: Vocals, Piano, Synthesizers, Keyboards, Saxophone, Trombone, Percussion

Robbie Basho – Visions of the Country

Style: American Primitivism, Singer/Songwriter, Folk, Raga
Vibe: Mystical, Nature, Open, Passionate, Pastoral, Peaceful, Airy, Contemplative, Earthy, Impressionistic, Meditative, Morning, Spring, Spiritual,
Musical Attributes: Acoustic, Indian-Influenced, Sparse, Technical

Ilyas Ahmed – I Am All Your Own

Style: Loner Folk, Singer Songwriter, Psych Folk

Vibe: Lethargic, Loner, Peaceful, Soothing, Airy, Mellow, Contemplative, Dreamy, Droney, Hypnotic, Intimate, Introspective

Musical Attributes: Acoustic, Droney, Slow, Sparse, Soft

The Microphones – The Glow Pt. 2

Style: Lo-Fi, Experimental Singer/Songwriter, Loner Folk
Vibe: Heartfelt, Imaginative, Introspective, Nature, Intimate, Loner, Bittersweet, Depressive, Psychedelic, Raw, Lonely
Lyrical Themes: Existential, Alienation, Breakup, Philosophical, Poetic, Personal, Death
Musical Attributes: Acoustic, Noisy, Studio-as-an-Instrument, Analogue Recording, lo-fi, Distorted

Gil Scott-Heron & Brian Jackson – Bridges

Style: Soul, Jazz-Funk, Singer-Songwriter

Vibe: Conscious, Groovy, Lush, Lyrical, Passionate, Philosophical, Political, Sunny, Triumphant, Uplifting, Urban, Accessible, Bittersweet, Catchy, Confident

Alex G – Beach Music

Listening to Alex G, one might imagine a young alien sitting alone in his martian bedroom baring his angsty, teenage confessions to his 4-track tape recorder. Yet, at the core of his music, underneath layers of psychedelic guitars, weird pitch-shifted vocals, and occasional lo-fi hiss, lies some genius pop songs that feel simultaneously adolescent and mature.

Recommended for fans of lo-fi experimentation and bedroom pop. Alex seems to pull influences from all over and channel them through his own unique personality and penchant for odd, psychedelic production. Recalls Elliot Smith’s loner acoustic songwriting and drum machines pulled from 80′s pop songs; there’s even a fucked up jazz piano ballad thrown into the mix.

Sandro Perri – Impossible Spaces

The cubist sophisti-pop of Impossible Spaces feels both breezy and proggy in its chilled-out intricacy. Sandro Perri’s evocative songwriting and catchy melodicism are brought into high-definition by warmly  futuristic production, atmospheric synthesizers, and lush arrangements for strings, horns, and woodwinds.

Human Behavior – Bethpage

The apocalyptic chamber-folk of Bethpage soundtracks multiple chapters of cryptic storytelling, mixing one’s darkest thoughts with religious imagery and allegory through banjo sing-alongs and haunting spoken word passages. The heavy climaxes are whirlwinds of bombastic drums, driving bass, fiddle, clarinet, and banjo that often recall the communal chamber-punk of Thee Silver Mt. Zion Memorial Orchestra. While many tracks feel seeped in shadow and darkness, a heavenly light occasionally floods in through some truly serene and beautiful passages.

Magnolia Electric Co. – What Comes After the Blues

“Human hearts and pain should never be separate, then they wouldn’t tear themselves apart both trying to fit”. The first album under the Magnolia Electric Co. name touches on the loneliness and depression of much of Jason Molina’s work, but it also contains a fair amount of the hope, light, and perseverance one needs in times of struggle. The musicians here were recorded live in a room by the great Steve Albini, featuring slide guitar, fiddle, and beautiful vocal harmonies from Molina’s band members. With its mix of melancholy Americana, country-tinged rock, and stripped back folk, What Comes After the Blues feels like a continuation of Neil Young’s great ditch trilogy.

Bibio – Ribbons

On his latest, producer/composer/multi-instrumentalist Bibio blends serene folk pop, lush instrumentation, pastoral guitar instrumentals, nature field recordings, Walt Whitman-esque lyrics and beat-oriented grooves into the perfectly crafted springtime album. Ribbons feels like daydreaming in a garden or out in the woods under a tree or by a trickling stream.