Marion Brown – Porto Novo
featuring Han Bennik & Maarten van Regteben Altena
Style: Free-Bop, Free Jazz
Moods: Kinetic, Abstract, Suspenseful, Hectic
Musical Qualities: Collective Improvisation, Polyphonic, Acoustic, Instrumental
1960s
Sonny Sharrock – Black Woman
featuring Milford Graves, Linda Sharrock, Sirone & Dave Burrell
Style: Free Jazz, Jazz Fission
Vibe: Ecstatic, Cathartic, Anthemic, Spiritual, Ritualistic, Kinetic, Communal
Musical Qualities: Thematic, Loose, Collective Improvisation, Dynamic
Folk Music & Songs from the Middle East
Style: Lebanese Folk
Moods: Communal, Passionate, Spiritual, Rootsy, Devotional, Ecstatic, Desert, Nocturnal, Intertwined
Musical Qualities: Acoustic, Modal, Microtonal, Percussive
Instrumentation: Oud, Group Vocals, Naye, Rabab, Derbake
Ravi Shankar – Six Ragas
Style: Hindustani Classical Music
Moods: Ecstatic, Joyful, Meditative, Spiritual, Warm, Flowing, Energetic, Hypnotic
Musical Qualities: Raga, Improvisation, Acoustic, Percussive, Microtonal
Byard Lancaster – It’s Not Up to Us
featuring Sonny Sharrock
Style: Post-Bop, Spiritual Jazz
Moods: Airy, Searching, Peaceful, Hypnotic, Warm, Spring, Uplifting, Devotional
Instrumentation: Flute, Electric Guitar, Congas, Drums, Electric Bass, Upright Bass, Alto Saxophone
The Incredible String Band – Changing Horses
Style: Mystical Folk, Progressive Folk
Moods: Whimsical, Spiritual, Spring, Theatric, Earthy, Eccentric, Pastoral, Communal, Intertwined, Poetic, Mystical
Instrumentation: Choral Vocals, Flute, Acoustic & Electric Guitars, Guimbri, Sarang, Electric Bass, Piano, Harmonica, Washboard, Percussion, Vibraphone, Organ, Kazoo, Chinese Banjo, Sitar, Mandolin
Mingus Plays Piano
Style: Jazz, Solo Piano
Moods: Reflective, Personal, Elegant, Introspective, Mellow, Sentimental, Soothing
Musical Qualities: Sparse, Improvisation, Acoustic, Melodic
The Velvet Underground
Style: Folk Rock, Art Rock, Pop Rock
Moods: Bittersweet, Breakup, Alienation, Melancholy, Urban, Autumnal, Mellow, Introspective, Depressive, Intimate, Love, Sombre, Lonely
Musical Qualities: Soft, Vocal Harmonies, Acoustic
Sandy Bull: E pluribus unum
Style: Acid Folk, Folk-Rock Influences: Arabic Folk, Blues, Raga
Moods: Mysterious, Confident, Serpentine, Searching, Psychedelic, Desert, Determined, Earthy, Flowing, Impressionistic, Introspective, Meandering, Meditative, Ritualistic
Musical Qualities: Modal, Acoustic, Improvisation, Instrumental, Solo, Bluesy
Instrumentation: Oud, Electric Guitar, Percussion, Electric Bass
The Charles Lloyd Quartet – Journey Within
Style: Post-Bop, Spiritual Jazz
Moods: Sunny, Warm, Flowing, Bright, Spiritual, Searching
Musical Qualities: Acoustic, Improvisation, Modal, Instrumental, Live
Instrumentation: Flute, Tenor Saxophone, Drums, Piano, Upright Bass
Cream – Disraeli Gears
Style: Acid Rock, Blues Rock
Moods: Psychedelic, Warm, Surreal, Confident, Playful, Sunny, Colorful
Musical Qualities: Riffs, Bluesy, Melodic, Technical
Tim Buckley – Blue Afternoon
Blue Afternoon continues the flowing jazz-folk of Happy Sad while occasionally detouring into the avant-garde atmospheres that manifest more fully on Lorca and Starsailor. The arrangements are characterized by fluid vibraphones, lobbing upright bass, and the virtuosic jazz guitar of Lee Underwood, but what really ties everything together are the vocals and songwriting. Buckley’s voice is so versatile that he is able to express a wide range of emotions, sometimes blurring them from one moment to the next.
Charles Lloyd – Forest Flower
featuring Jack DeJohnnette, Cecil McBee & Keith Jarret
Style: Post-Bop, Spiritual Jazz
Moods: Spring, Flowing, Mellow, Spiritual, Warm
Musical Qualities: Acoustic, Improvisation, Thematic, Live, Technical
The Soft Machine
Style: Canterbury Scene, Psych Pop, Progressive Pop, Jazz-Influenced
Moods: Surreal, Whimsical, Dadaist, Playful, Joyful, Uplifting
Musical Qualities: Suite, Catchy, Complex, Uncommon Time Signatures, Loose
Coltrane live at Birdland
Style: Post-Bop
Moods: Passionate, Sentimental, Tender, Cathartic, Mournful, Energetic, Spiritual
Musical Qualities: Improvisation, Acoustic, Virtuosic, Instrumental
Neil Young – Neil Young
Style: Singer/Songwriter, Country-Rock
Moods: Longing, Introspective, Loner, Bittersweet, Romantic, Alienation, Rustic, Sentimental
Musical Qualities: Melodic, Lush, Polished, Orchestral Arrangements
Albert Ayler – Witches & Devils
Style: Spiritual Jazz, Free Jazz
Vibe: Passionate, Kinetic, Transcendent, Flowing, Free, Responsive, Uplifting
Musical Qualities: Collective Improvisation, Thematic, Acoustic, Dynamic, Instrumental
Don Cherry – Where is Brooklyn
Personnel:
Don Cherry – Cornet, Pharaoh Sanders – Tenor Sax, Piccolo; Henry Grimes – Upright Bass; Ed Blackwell – Drums
Style: Free Jazz
Moods: Driving, Energetic, Urban, Communal, Passionate, Playful, Chaotic
Musical Qualities: Polyphonic, Improvisation, Complex, Acoustic, Rhythmic, Dissonant, Extended Technique
Pearls Before Swine – One Nation Underground
Style: Acid Folk, Singer/Songwriter, Chamber-Folk
Moods: Surreal, Philosophical, Pacifist, Eclectic, Medieval, Cryptic, Melancholy, Spring, Morning, Conscious, Moody, Whimsical, Protest, Political, Psychedelic, Acerbic
Instrumentation: Acoustic Guitar, Harpsichord, Organ, Autoharp, Banjo, Mandolin, Vibraphone, Audio Oscillator, Electric Bass, English Horn, Clavioline, Sarangi, Finger Cymbals, Swinehorn
Ustad Ali Akbar Khan – Master Musician of India
Style: Hindustani Classical Music
Moods: Devotional, Uplifting, Meditative, Nocturnal, Spiritual, Flowing
Musical Qualities: Raga, Acoustic, Droney
Bert Jansch – Jack Orion
Style: Folk Baroque, English & Scottish Folk Music
Moods: Medieval, Romantic, Storytelling, Rural, Intimate, Morning, Rootsy, Melancholy, Passionate, Mellow
Musical Qualities: Acoustic, Sparse, Fingerstyle, Technical
John Fahey – Guitar Vol. 4: The Great San Bernardino Birthday Party and Other Excursions
Style: American Primitivism, Avant-Folk, Tape Music, Raga
Moods: Meditative, Mysterious, Pastoral, Surreal, Loner, Raw, Psychedelic, Morning, Nature, Spiritual, Rootsy
Musical Qualities: Lo-Fi, Acoustic, Tape Collage, Sparse, Fingerstyle
John Fahey – The Yellow Princess
Style: American Primitive Guitar, Appalachian Folk, Avant-Folk
Moods: Contemplative, Spring, Pastoral, Bluesy, Meditative, Rustic, Mellow, Hypnotic, Rootsy, Nature
Musical Qualities: Acoustic, Fingerstyle, Instrumental, Sparse, Progressive
Sandy Bull – Inventions
Styles: Free-Folk, Jazz-Folk, Classical Guitar, Country Blues
Moods: Searching, Impressionistic, Hypnotic, Meditative, Exploratory, Spiritual
Musical Qualities: Instrumental, Acoustic, Improvisation, Virtuosic
Sun Ra – Nothing Is…
Style: Cosmic Jazz, Free Space Music
Feelings: Exploratory, Cosmic, Forest, Mysterious, Abstract, Intense, Energetic, Spacey, Surreal, Warm
Musical Qualities: Collective Improvisation, Acoustic, Polyphonic, Dense, Live Performance, Dissonant, Complex, Dynamic
John Coltrane & Pharoah Sanders – Live in Seattle
Style: Free Jazz, Spiritual Jazz
Vibe: Apocalyptic, Intense, Transcendent, Epic, Cosmic, Bombastic, Chaotic, Complex, Exploratory, Energetic, Serpentine, Powerful, Passionate, Triumphant, Spiritual, Heavy
Musical Qualities: Dense, Dissonant, Polyphonic, Collective Improvisation, Acoustic, Live Recording, Extended Technique, Progressive, Technical
Charles Mingus – Mingus Mingus Mingus Mingus Mingus
Style: Post-Bop, Progressive Big Band
Vibe: Elegant, Romantic, Nocturnal, Bustling, Passionate, Warm, Complex, Energetic
Musical Qualities: Polyphonic, Progressive, Dense, Technical, Acoustic, Improvisation, Lush, Melodic
Coltrane “LIVE” at the Village Vanguard
Style: Spiritual Jazz, Modal Jazz, Post-Bop
Vibe: Searching, Communicative, Passionate, Bustling, Driving
Musical Qualities: Modal, Improvisation, Acoustic, Live Recording, Technical, Thematic, Dense
John Coltrane – Concert in Japan
Style: Spiritual Jazz, Free Jazz
Vibe: Transcendent, Intense, Passionate, Cosmic, Visceral, Powerful, Complex, Bombastic, Energetic, Chaotic
Musical Qualities: Dense, Instrumental, Acoustic, Collective Improvisation, Polyphonic, Free, Technical, Virtuosic
Archie Shepp – Live in San Francisco
Style: Free Jazz
Vibe: Sentimental, Heartfelt, Rebellious, Rootsy, Passionate
Musical Qualities: Improvisation, Acoustic, Thematic, Spoken Word, Live Recording
Albert Ayler – Love Cry
Albert Ayler – Tenor & Alto Saxophones, Vocals
Alan Silva – Upright Bass
Milford Graves – Drums & Percussion
Call Cobbs Jr. – Harpsichord
Donald Ayler – Trumpet
Vibe: Ecstatic, Passionate, Anthemic, Energetic, Spiritual, Joyful, Deconstructed, Uplifting
Musical Qualities: Thematic, Collective Improvisation, Acoustic, Loose, Melodic
Style: Spiritual Jazz, Free Jazz
John Coltrane – Sun Ship
Style: Spiritual Jazz, Avant-Garde Jazz
Vibe: Cathartic, Transcendent, Triumphant, Passionate, Intense, Chaotic, Powerful, Adventure, Searching, Spiritual
Musical Qualities: Collective Improvisation, Dense, Dynamic, Complex, Acoustic, Thematic, Dissonant, Technical
The Great Concert of Cecil Taylor
Cecil Taylor – Piano; Jimmy Lyons – Alto Sax; Sam Rivers – Tenor & Soprano Sax; Andrew Cyrille – Drums
Style: Free Jazz
Vibe: Transcendent, Dramatic, Kinetic, Intense, Passionate, Driving, Knotty, Complex, Forceful, Cathartic
Musical Qualities: Collective Improvisation, Dense, Atonal, Polyphonic, Polyrhythmic, Free Swing, Dynamic, Acoustic, Live, Fast
John Fahey – Volume 2: Death Chants, Breakdowns, & Military Waltzes
Style: American Primitivism, Acoustic Blues, Folk
Vibe: Meditative, Loner, Morning, Rustic, Spring, Spiritual, Pastoral, Bittersweet, Hypnotic, inspiration, Melancholy, Nature, Raw, Warm
Musical Qualities: Acoustic, Technical, Fingerstyle, Instrumental, Sparse, Progressive
Miles Davis – Sorcerer
Style: Post-Bop, Modal Jazz
Vibe: Mysterious, Driving, Nocturnal, Complex, Anxious, Intertwined, Sensual, Energetic
Musical Qualities: Improvisation, Modal, Acoustic, Instrumental (except B3)
Personnel:
Miles Davis – Trumpet; Herbie Hancock – Piano; Ron Carter; Upright Bass; Tony Williams – Drums; Wayne Shorter – Saxophone
Sun Ra – The Magic City
Style: Cosmic Jazz
Vibe: Cosmic, Mysterious, Chaotic, Epic, Futuristic, Imaginative, Suspenseful, Ominous, Spacey, Surreal, Spiritual
Musical Qualities: Instrumental, Dynamic, Collective Improvisation, Dissonant, Atonal, Progressive, Free
Bert Jansch – Birthday Blues
Style: Chamber Folk, British Folk, Acoustic Blues, Jazz-Folk
Vibe: Breezy, Mellow, Contemplative, Autumnal, Uplifting, Melancholy, Warm, Joyful, Love, Intertwined, Reflective, Poetic
Musical Qualities: Acoustic, Melodic, Lush, Rootsy, Bluesy, Chamber Arrangements
Instrumentation: Acoustic Guitar, Upright Bass, Flute, Saxophone, Harmonica
Silver Apples – Silver Apples
Style: Analogue Electronic, Experimental Rock
Vibe: Anxious, Motorik, Mechanical, Dystopian, Futuristic, Ominous, Hypnotic
Musical Qualities: Dissonant, Repetitive, Percussive, Polyrhythmic
Brigitte Fontaine / Areski / Art Ensemble of Chicago – Comme á la Radio
Style: Chanson, Chamber Jazz, Avant-Folk
Vibe: Serpentine, Nocturnal, Mysterious, Ominous, Storytelling, Suspenseful, Open, Beguiling
Musical Qualities: Spoken Word, Collective Improvisation, Thematic, Percussive
Instrumentation: Duet Vocals, Muted Trumpet, Acoustic Guitar, Bouzouki, Shenai, Oboe, Flute, Percussion, Drums, Upright Bass, Lute
Julius Lester – Departures
Style: Folk, Acoustic Blues, Singer/Songwriter
Vibe: Outsider, Rebellious, Melancholy, Storytelling, Intimate, Philosophical, Personal, Political
Musical Qualities: Acoustic, Sparse, Bluesy, Lyrical
Grant Green – Idle Moments
Style: Modal Jazz, Hard Bop
Vibe: Elegant, Nocturnal, Mellow, Soothing, Straight Ahead
Musical Qualities: Instrumental, Improvisation, Technical, Modal
Tangerine Dream – Electronic Meditation
Style: Space Rock, Free Rock, Kosmische Musik
Vibe: Primordial, Mysterious, Exploratory, Cold, Desolate, Cosmic, Suspenseful, Meandering, Abstract, Amorphous, Cinematic, Psychedelic, Murky
Musical Qualities: Atmospheric, Improvisation, Instrumental, Dissonant, Noisy, Raw, Studio-as-an-Instrument
Jackson C. Frank – Jackson C. Frank
Style: Loner Folk, Singer/Songwriter, Folk Blues
Vibe: Introspective, Mellow, Intimate, Longing, Autumnal, Raw, Loner, Simple, Poetic, Melancholy
Musical Qualities: Acoustic, Sparse, Lyrical
Cecil Taylor / Buell Neidlinger – New York City R&B
Style: Free-Bop, Avant-Jazz
Vibe: Jubilant, Kinetic, Energetic, Abstract, Chaotic, Rootsy
Musical Attributes: Improvisation, Acoustic, Polyphonic, Complex, Live
Hoyt Axton – My Griffin Is Gone
Style: Progressive Country, Singer/Songwriter, Americana
Vibe: Nature, Autumnal, Morning, Rustic, Pastoral, Sunny, Uplifting, Warm
Musical Attributes: Lush, Melodic, Lyrical, Orchestral
Albert Ayler – Music is the Healing Force of the Universe
Style: Spiritual Jazz, Free Jazz
Vibe: Cosmic, Loose, Passionate, Spiritual, Uplifting, Energetic,
Musical Attributes: Improvisation, Acoustic, Thematic, Extended Techniques, Vocals, Chants
Henry Grimes Trio – The Call
Style: Free Jazz
Vibe: Mysterious, Moody, Complex
Musical Attributes: Collective Improvisation, Polyphonic, Instrumental, Acoustic, Dynamic
Personnel: Henry Grimes (Upright Bass), Perry Robinson (Clarinet), Tom Price (Drums)
Tim Buckley – Live at the Troubadour 1969
Style: Singer/Songwriter, Jazz-Folk
Vibe: Passionate, Sensual, Exploratory, Loner, Primal
Musical Attributes: Improvisation, Live, Lyrical
Instrumentation: Acoustic Guitar, Congas, Vibraphone, Electric Bass, Drums
Albert Ayler – Holy Ghost
Style: Free Jazz, Spiritual Jazz
Vibe: Abstract, Active Listening, Chaotic, Energetic, Raw, Spiritual
Musical Attributes: Improvisation (Collective, Thematic, Free), Live, Lo-Fi, Instrumental, Acoustic
Albert Ayler – New Grass
One can only imagine how Ayler bringing more commercial styles like R&B, Rock, and Gospel into his avant-garde music messed with critics and fans alike when it came out—the way it looked like commercial pandering to the Free Jazz listeners but was probably still too weird for new listeners. It helps to remember that Ayler came from R&B and went straight to the Free Spiritual Jazz of the early 60s, making Jazz critics highly skeptical skeptical by not climbing the bebop ranks like Coltrane before plunging into freedom. On New Grass, Ayler really started to synthesize the spiritual elements of many forms of Great Black Music, making more accessible music not as a way of selling out, but a way of sharing his beautiful spiritual message and sound with a wider audience. Plus this thing has Bernard Purdie on drums so of course it slaps.
If you dig this LP, I think he succeeded in this sound direction even more on his following albums Love Cry and Music is the Healing Force of the Universe. Albert Ayler was a pure soul that left this world too soon, grateful for the gifts of music and wisdom he left behind.
John Coltrane – Live at the Village Vanguard Again!
Style: Spiritual Jazz, Free Jazz
Vibe: Passionate, Spiritual, Exploratory, Triumphant,
Musical Attributes: Complex, Modal, Thematic, Acoustic, Live, Improvisation, Dynamic, Instrumental
Yusef Lateef – The Golden Flute
Style: Modal Jazz, Hard Bop
Vibe: Sentimental, Joyful, Sunny, Uplifting
Gruppe Nuova Consonanza – Improvisationen
Style: Free Improvisation, Experimental, Tape Music
Vibe: Suspenseful, Active Listening
Musical Attributes: Collective Improvisation, Atonal, Sparse, Dynamic
Instrumentation: Trumpet, Upright Bass, Cello, Trombone, Percussion, Piano, Electro-Magnetic Tape
Ornette Coleman Double Quintet – Free Jazz
Style: Free Jazz
Vibe: Communal, Bombastic, Complex, Energetic, Passionate, Chaotic
Musical Attributes: Collective Improvisation, Dense, Instrumental, Acoustic, Dynamic, Polyphonic
Archie Shepp – Fire Music
Released in 1965 on Impulse! Records
Format: LP
Style: Free Jazz
Vibe: Passionate, Complex, Fiery, Political
Musical Attributes: Improvisation, Acoustic, Progressive, Polyphonic, Odd Time Signatures
John Coltrane – Africa / Brass
Released in 1961 on Impulse! Records Red Ring 70s Reissue Format: LP Style: Modal Jazz, Post-Bop Musical Attributes: Polyrhythmic, Acoustic, Melodic, Dense, Improvisation, Instrumental, Africa-Inspired, Technical, Modal Personnell: John Coltrane – Tenor Saxophone Elvin Jones – Drums Reggie Workman – Upright Bass McCoy Tyner – Piano Horn section: Eric Dolphy – Arrangements Pat Patrick – baritone …
Third Ear Band – Alchemy
Style: Free Folk, Chamber Music, Progressive Folk
Vibe: Ritualistic, Hypnotic, Earthy, Tribal, Nature, Meditative, Medieval, Exploratory
Musical Attributes: Acoustic, Improvisation, Instrumental, Minimalistic
Instrumentation: Oboe, Violin, Viola, Recorder, Percussion (Tabla, Drums, Chimes), Cello
John Coltrane – First Meditations (For Quartet)
Released in 1977 on Impulse Records Recorded September 2, 1965 Format: LP
George Russell – Outer Thoughts
Released in 1975 on Milestone Records Compilation featuring tracks recorded between 1960 and 1962 that were originally released on albums such as Ezz-Thetics and Stratusphunk Format: LPx2
John Fahey – The Voice of the Turtle
Style: American Primitive Guitar, Folk
Vibe: Rootsy, Eclectic, Raw
Musical Attributes: Acoustic, Lo-fi, Sound Collage, Vignettes, Bluesy, Instrumental
Gong – Magick Brother
Style: Canterbury Scene, Psych Rock
Vibe: Psychedelic, Whimsical, Joyful, Eccentric, Spacey, Playful
Musical Attributes: Raw, Progressive, lo-fi
Cecil Taylor – Conquistador
Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free
Pearls Before Swine – Balaklava
Released in 1968 on ESP-Disk Format: LP Style: Chamber Folk, Psych Folk Vibe: Peaceful, Mellow, Psychedelic Themes: War, Nature, Love Instrumentation: Acoustic Guitar, Vocals, Strings, Flute, Banjo, Keyboards, Bass, French Horn
Cecil Taylor – Unit Structures
Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil Taylor – Piano Alan Silva – Upright Bass Henry Grimes – Upright Bass Andrew Cyrille – Drums Jimmy Lyons – Alto Saxophone Eddy Gale Stevens, Jr. – Trumpet Ken McIntyre – Alto Saxophone, Oboe, Bass …
Bob Dylan – Blonde on Blonde
Originally released in 1966 on Columbia Records 1998 Simply Vinyl pressing Format: LPx2
Phil Ochs – “I Ain’t Marching Anymore”
Released in 1965 on Elektra Records Recorded in 1964 Format: LP
Archie Shepp – Mama Too Tight
Released in 1967 on Impulse! Records Recorded August 19, 1966 Format: LP
Albert Ayler Trio – Spiritual Unity
Originally released in 1965 on ESP Disk Recorded July 10, 1964 2000’s ESP pressing Format: LP
The Soft Machine – The Soft Machine [2nd Press]
Style: Canterbury Scene, Psych Pop, Progressive Pop, Jazz-Influenced
Moods: Surreal, Whimsical, Dadaist, Playful, Joyful, Uplifting
Musical Qualities: Suite, Catchy, Complex, Uncommon Time Signatures, Loose
John Coltrane – Ascension (Edition II)
Released in 1966 on Impulse Records Original Pressing Format: LP
Charles Mingus – Mingus at Monterey
Released in 1965 on Jazz Workshop (Mingus’ own label) Numbered 1966 pressing Recorded in 1964 at the Monterey Jazz Festival Format: LPx2
The Ornette Coleman Quartet – This is Our Music
Style: Free Bop, Avant-Garde Jazz
Vibe: Kinetic, Joyful, Energetic, Playful, Passionate, Colorful,
Musical Qualities: Improvisation, Harmolodic, Rhythmic, Swing, Acoustic, Instrumental, Technical
Pink Floyd – The Piper at the Gates of Dawn
Originally released in 1967 on EMI Records 1983 Fame Reissue Format: LP
Mingus – The Black Saint and the Sinner Lady
Originally released in 1963 on Impulse! Records 1974 reissue, blue/green label Format: LP
Don Cherry – “mu” first part
Released in 1969 on BYG Records Japanese Pressing Format: LP Artwork by Moki Cherry Recorded August 22, 1969 in Paris, France
Michael Mantler – The Jazz Composer’s Orchestra
Released in 1968 on JCOA Records Format: LPx2, includes 12″ booklet
Grateful Dead – Live/Dead
Originally released in 1969 on Warner Bros. Records 1973 Pressing Format: LPx2
John Coltrane – A Love Supreme
Originally released in 1965 on Impulse Records 2010 Analogue Productions Pressing Format: LPx2, 45RPM
Pharoah Sanders – Jewels of Thought
Released in 1970 on Impulse Records Recorded October 20th, 1969, at Plaza Sound Studios, New York City Format: LP
The Incredible String Band – The Hangman’s Beautiful Daughter
Released in 1968 on Elektra Records Format: LP
Art Blakey – !!!!!Impulse!!!!! Art Blakey !!!!! Jazz Messengers !!!!!
Released in 1961 on Impulse Records Og Stereo RVG pressing in Mono Jacket Format: LP
The Incredible String Band – The 5000 Spirits or the Layers of the Onion
Released in 1967 on Elektra Records Format: LP
Lester Bowie – Numbers 1&2
Released in 1968 on Nessa Records Recorded on August 11th & 25th, 1967 Format: LP
The Beatles – Sgt. Pepper’s Lonely Hearts Club Band
Released in 1967 on Capitol Records Format: LP, includes cut outs
Mickey Newbury – Looks Like Rain
Originally released in 1969 on Mercury Records 2011 Drag City Pressing Format: LP
Bob Dylan – The Times They Are A-Changin’
Released in 1964 on Columbia Records Recorded in 1963 Format: LP
Eric Dolphy – Out to Lunch!
Originally released in 1964 on Blue Note Records 2009 Music Matters audiophile pressing Format: LPx2, 45rpm
Miles Davis & Gil Evans – Sketches of Spain
LP, Columbia Records, 1960 Original 6-Eye Pressing Second Copy 1974 Pressing
The Beach Boys – Pet Sounds
Originally released in 1966 on Capitol Records 1980 Mono pressing Format: LP
The Incredible String Band – The Big Huge
Warm, mellow Scottish folk with lyrics that border spiritual, philosophical, and fantasy themes. The arrangements are a bit stripped down from their lush psychedelia of previous releases, but still feature a good amount of sitar, organ, Irish harp, and violin to add some color to the vocals and acoustic guitar-centric songwriting.