Abstract

Third Ear Band

Style: Psychedelic Chamber Music, Free Folk, Neo-Medieval Folk, Dhrupad

Vibes: Mystical, Medieval, Nature, Alchemical, Flowing, Meditative, Ritualistic, Mysterious, Earthy, Occult

Instrumentation: Cello, Oboe, Percussion, Violin/Viola

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Autechre – Exai

Style: Glitch, IDM, Experimental Electronic

Moods: Futuristic, Mechanical, Cold, Urban, Hypnotic, Surreal, Anxious, Dystopian, Mysterious, Cinematic, Suspenseful

Musical Qualities: Digital, Generative Software, Percussive, Polyrhythmic, Glitchy, Repetitive, Dense, Complex, Sampling

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Marion Brown – Duets

Compilation of two duo records:
“Creative Improvisation Ensemble” recorded with Wadada Leo Smith in 1970
“Soundways” recorded with Elliott Schwartz in 1973

Style: Creative Music, Free Improvisation, Avant-Garde Jazz

Vibes: Open, Suspenseful, Abstract, Deconstructed, Intertwined, Restrained, Searching, Spontaneous

Musical Qualities: Dynamic, Poly-Free Improvisation, Atonal, Percussive, Slow, Sparse, Instrumental

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Jimmy Lyons – Other Afternoons

Jimmy Lyons – Alto Saxophone; Lester Bowie – Trumpet; Alan Silva – Upright Bass; Andrew Cyrille – Drums
Style: Free-Bop, Avant-Garde Jazz

Vibe: Warm, Spontaneous, Sunny, Driving, Playful, Intertwined, Autumnal, Passionate, Energetic, Kinetic, Responsive, Exploratory

Musical Qualities: Collective Improvisation, Swing, Polyphonic, Acoustic, Technical

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Heart of the Ghost – Live at Rhizome

Jarrett Gilgore (alto saxophone); Luke Stewart (upright bass); Ian McColm (drums)
with Dave Ballou (trumpet)

Style: Free Jazz

Moods: Adventurous, Earthy, Driving, Exploratory, Free, Energetic, Abstract, Colorful, Communal, Complex, Determined

Musical Qualities: Collective Improvisation, Ostinato, Polyrhythmic, Dense, Acoustic, Uncommon Time Signatures, Instrumental, Dynamic, Live Recording

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Tortoise – Rhythms, Resolutions & Clusters

Tracks from Tortoise’s debut LP remixed by Bundy K. Brown, John McEntire, Jim O’Rourke, Steve Albini, Mike Watt, Brad Wood, Rick Brown, Casey Rice

Styles: Ambient Dub, Electroacoustic, Electronic, Post-Rock

Moods: Deconstructed, Futuristic, Meditative, Mechanical, Cold, Open, Abstract, Airy, Eclectic, Mysterious, Peaceful, Spacey

Musical Qualities: Remix, Atmospheric, Sparse, Sampling, Loops, Instrumental, Electro-Acoustic

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Sunburned Hand of the Man

Style: Free-Rock, Ritual-Psych, Group Therapy, Abstract Groove

Moods: Spontaneous, Communal, Groovy, Ritualistic, Exploratory, Primordial, Abstract, Meandering, Mysterious, Cathartic, Primal, Kinetic, Spacey, Eccentric, Stream-of-Conscious

Musical Qualities: Collective Improvisation, Propulsive, Rhythmic, Percussive, Spoken Word, Dense, Droney, Lo-Fi, Repetitive

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Anguish – Anguish

Anguish is a collaboration between German improvisers Mats Gustafsson & Andres Werliin of the Fire! Orchestra, Hans Joachim Irmler of FaUst, and Will Brooks & Mike Mare of industrial hip-hop legends Dälek.

Style: Industrial Hip-Hop, Dark Jazz, Post-Industrial, Experimental

Moods: Dystopian, Aggressive, Urban, Poetic, Political, Revolutionary, Cerebral, Existential, Sombre, Dark, Depressive, Cold, Mechanical, Heavy, Apocalyptic, Moody, Brooding, Conscious, Abstract, Cryptic, Industrial, Nocturnal, Ominous, Raw, Philosophical

Musical Qualities: Beats, Dissonant, Noisy, Improvisation, Rhythmic, Studio-as-an-Instrument

Instrumentation: Rapping, Sampler, Tenor Saxophone, Synthesizers, Electric Guitar, Drums, Percussion, Electronics, Effect Processing, Vocal Processing

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The Art Ensemble of Chicago – Bap-Tizum

Style: Avant-Garde Jazz, Modern Creative, Spiritual Jazz, Free Jazz

Moods: Ritualistic, Passionate, Cathartic, Open, Colorful, Visceral, Warm, Communal, Free, Abstract, Chaotic, Exploratory, Responsive, Tribal, Spiritual

Musical Qualities: Collective Improvisation, Percussive, Suite, Live, Dynamic, Polyphonic, Group Vocals

Instrumentation: Trumpet, Flugelhorn, Kelphorn, Bass Drum, Percussion, Saxophones (Alto, Soprano, Sopranino, Tenor, & Bass), Clarinet, Drums, Alto Flute, Conga, Vibraphone, Upright Bass, Electric Bass, Log Drum, Gong, Whistle, Bass Marimba

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Ka Baird – Respires

Style: EAI, Post-Minimalism, Psychedelic Experimental

Moods: Earthy, Visceral, Hallucinogenic, Tangled, Hypnotic, Surreal, Knotty, Intertwined

Musical Qualities: Electro-Acoustic, Pulse, Experimental Vocalizations, Improvisation, Repetitive

Instrumentation: Flute, Vocals & Keyboards, all processed through stereo delay effects

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The No-Neck Blues Band – Qvaris

Style: Free Rock, Ritual Psych, Experimental

Moods: Primordial, Free, Exploratory, Mysterious, Suspenseful, Ritualistic, Shadowy, Meandering, Deconstructed, Abstract, Communal, Deconstructed, Nihilistic, Murky, Stoned, Raw, Haunting, Surreal, Nocturnal

Musical Qualities: Collective Improvisation, Dissonant, Repetitive, Loose, Droney

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Björk – Fossora

Styles: Progressive Pop, Post-Industrial Chamber Music, IDM, Gabber, Deconstructed Club

Moods: Earthy, Knotty, Sensual, Futuristic, Surreal, Romantic, Mystical, Passionate, Messy, Hallucinogenic, Intense, Forest, Eccentric, Epic, Tribal

Musical Qualities: Polyphonic, Dense, Dynamic, Complex, Glitchy, Progressive, Uncommon Time Signatures, Electro-Acoustic

Instrumentation: Digital Programming, Woodwinds (Bass Clarinet, Oboe, Clarinet), Strings, Choral Vocals

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A.R. Kane – 69

Style: Dream Pop, Neo-Psychedelia

Vibe: Ethereal, Sensual, Moody, Nocturnal, Messy, Abstract, Dreamy, Eclectic, Hedonistic, Psychedelic, Surreal

Musical Qualities: Washy, Catchy, Raw, Dub FX, Noisy

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Boris – W

Style: Ambient Pop, Post-Rock, Drone-Metal

Vibe: Ethereal, Nocturnal, Mysterious, Hypnotic, Deconstructed, Amorphous, Cryptic, Abstract, Enigmatic

Musical Qualities: Atmospheric, Washy, Dynamic, Slow, Whispery Vocals

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Sun Ra – Nothing Is…

Style: Cosmic Jazz, Free Space Music

Feelings: Exploratory, Cosmic, Forest, Mysterious, Abstract, Intense, Energetic, Spacey, Surreal, Warm

Musical Qualities: Collective Improvisation, Acoustic, Polyphonic, Dense, Live Performance, Dissonant, Complex, Dynamic

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Marion Brown – Afternoon of a Georgia Faun

featuring Chick Corea, Anthony Braxton, Bennie Maupin, Andrew Cyrille, etc…

Style: Modern Creative, Avant-Garde Jazz

Vibe: Mysterious, Suspenseful, Nature, Abstract, Surreal, Kinetic, Visceral, Earthy, Swirling, Pastoral (Side A)

Musical Qualities: Collective Improvisation, Dynamic, Sparse, Acoustic, Atonal, Experimental Vocals, Extended Techniques, Dissonant, Percussive, Homemade Instrument

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Chicago Underground Duo – Locus

Style: Cyber-Jazz, Avant-Garde Jazz, Future Jazz

Influences: IDM, Afrobeat, Free Jazz

Vibe: Futuristic, Mechanical, Driving, Energetic, Suspenseful, Cinematic, Eclectic, Abstract, Spacey

Musical Methods: Thematic Improvisation, Electro-Acoustic, Polyrhythmic, Percussive, Instrumental, Studio-as-an-Instrument,

Instrumentation: Cornet, Drums, Mbira, Synthesizers, Game Boy, Guitar, Balaphone, Electronics, Bamboo Flute

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Jack DeJohnette – Have You Heard?

Recorded in Tokyo with regular collaborators Gary Peacock and Benny Maupin, plus amazing local pianist Hideo Ichikawa, “Have You Heard?” is an interesting & exploratory record from master drummer Jack DeJohnette. Two shorter cuts of nocturnal modal-jazz bookend a pair of longer, abstract pieces that recall the “modern creative” improvisations coming out of Chicago.

Recommended for fans of Miles Davis’ Nefertiti as well as the works of Art Ensemble of Chicago

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Jackie-O Motherfucker – Fig 5.

Style: Mystical Americana, Free Folk, Post-Rock, Drone

Vibe: Haunting, Meandering, Rootsy, Rustic, Nocturnal, Mysterious, Deconstructed, Ragged, Communal, Murky, Abstract, Lethargic, Hallucinogenic, Raw

Musical Qualities: Collective Improvisation, Instrumental (except B1,C1), Loose, Lo-fi, Dynamic, Droney, Noisy, Group Vocals (B1), Harmonies (B1, C1)

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Popol Vuh – Hosianna Mantra

Style: Ecstatic Chamber Music, Kosmische, Neoclassical New Age

Vibe: Spiritual, Ethereal, Mystical, Meditative, Mysterious, Soothing, Peaceful, Mellow, Ritualistic, Sentimental, Religious (Christian), Pastoral

Musical Qualities: Acoustic, Lush, Chamber Arrangements, Atmospheric, Melodic, Suite

Instrumentation: Harpsichord, Piano, Electric Guitar, Oboe, Tanpura, Hymnal Vocals, Violin

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Wadada Leo Smith – Spirit Catcher

Style: Avant-Garde Jazz, Chamber Jazz, Modern Creative Music

Vibe: Intertwined, Open, Patient, Flowing, Noir, Suspenseful, Spiritual, Communal, Abstract

Musical Qualities: Poly-Free Improvisation, Polyphonic, Acoustic, Complex, Instrumental, Dynamic

Instrumentation: Trumpet (muted), Harp, Vibraphone, Upright Bass, Clarinet, Trombone, Wooden Flute, Drums, Saxophone, Flugelhorn

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The Underflow – Instant Opaque Evening

Personnel:
David Grubbs (Electric Guitar, Vocals)
Rob Mazurek (Piccolo Trumpet, Electronics, Wooden Flute, Percussion, Voice)
Mats Gustafsson (Flute, Fluteophone, Baritone Saxophone, Live Electronics)


Style: Electroacoustic Improvisation, Future Jazz, Experimental Songwriter (B1,

Vibe: Suspenseful, Futuristic, Abstract, Spacious, Cerebral, Eclectic, Exploratory, Open, Patient, Cathartic, Ritualistic

Musical Qualities: Collective Improvisation, Electro-Acoustic, Percussive, Noise, Atonality, Dissonance, Dynamic, Live, Atmospheric

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The Sea Ensemble – We Move Together

An obscure release from the great creative label ESP-Disk, containing exploratory, mysterious and playful improvisations from The Sea Ensemble—the husband/wife duo of Zusaan Fasteau and Donald Rafael Garrett. While they are both trained musicians and multi-instrumentalists, an uninhibited childish spirit permeates this release, as can be seen in Donald’s crude but visionary cover drawing; Yet the recording also feels imbued with ancient wisdom, as heard in their primal and instinctive vocalizations throughout the album

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Tangents – Stateless

“The five-piece band synthesise contemporary classical forms – most often recalling Steve Reich or Philip Glass – and marry them to the looseness and improvisational nature of jazz and the dynamics of head-nodding electronic music. Stateless is at once both carefully composed and freely flowing. The compositions included here are more about rhythm, texture and contrast than definable melodies and harmonic structures.” – Scott Wallace [Sydney Scoop]

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Third Ear Band – Alchemy

Style: Free Folk, Chamber Music, Progressive Folk

Vibe: Ritualistic, Hypnotic, Earthy, Tribal, Nature, Meditative, Medieval, Exploratory

Musical Attributes: Acoustic, Improvisation, Instrumental, Minimalistic

Instrumentation: Oboe, Violin, Viola, Recorder, Percussion (Tabla, Drums, Chimes), Cello

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Fly Pan Am – N’Ecoutez Pas

Released in 2004 on Constellation Records Format: LP Style: Experimental Rock, Post-Rock, Noise Rock Influences: Kosmische Musik, Shoegaze, Post-Punk Vibe: Chaotic, Noisy, Anxious, Messy, Spacey, Exploratory, Abstract Musical Attributes: Repetitive, Dense, Rhythmic, Studio-as-an-instrument, Sound Collage

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Anthony Braxton – Five Pieces 1975

Released in 1975 on Arista Records Format: LP Syle:  Avant-Garde Jazz Vibe: Cerebral, Complex, Exploratory, Impressionistic Musical Attributes: Improvisation, Innovative, Melodic, Technical Personell: Anthony Braxton (Saxophone, Clarinet, Bass Clarinet, Flute), Kenny Wheeler (Trumpet, Flugelhorn), Dave Holland (Upright Bass), Barry Altschul (Drums)

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Cecil Taylor – Unit Structures

Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil Taylor – Piano Alan Silva – Upright Bass Henry Grimes – Upright Bass Andrew Cyrille – Drums Jimmy Lyons – Alto Saxophone Eddy Gale Stevens, Jr. – Trumpet Ken McIntyre – Alto Saxophone, Oboe, Bass

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