Peter Kardas – I Saw You

Style: Inner Space Music, Ambient Pop, Tape Music, Minimal Wave

Vibe: Ethereal, Suspenseful, Introspective, Soothing, Nocturnal, Hypnotic, Meditative, Cinematic, Dreamy, Ominous (A2, B2, B3)

Musical Qualities: Pulse, Home Recording, Minimalistic, Atmospheric, Vignettes

Instrumentation: Keyboards, Drum Machine, Vocals, Tape Loops, Electric Guitar, Marimba, Echo

David Sylvian – Gone To Earth

Style: Ambient Pop, Progressive Pop (LP1), Ambient (LP2)

Vibe: Ethereal, Introspective, Sombre, Sentimental, Spiritual, Winter, Lush, Meditative, Longing, Soothing

Musical Qualities: Atmospheric, Progressive, Polyphonic, Polyrhythmic, Polished, Ballads

Carlos Niño & Friends – More Energy Fields, Current

Featuring Laraaji, Shabaka Hutching, Sam Gendel, Jamire Williams, Aaron Shaw, Sharada, Jamael Dean, Nate Mercereau, Jira ><, Adam Rudolph, Devin Daniels

Style: Ambient Jazz, Ambient Beats, New Age

Vibe: Healing, Airy, Soothing, Woozy, Peaceful, Hypnotic, Aquatic, Communal, Spiritual

Musical Qualities: Atmospheric, Improvisation, Beats, Sampling, Sound Sculpture, Studio-as-an-Instrument, Field Recordings

Loren Connors – Blues: The “Dark Paintings” of Mark Rothko

Style: Ambient Blues, Solo Electric Guitar

Vibe: Longing, Soothing, Nocturnal, Impressionistic, Lonely, Meditative, Melancholy, Suspenseful,

Musical Qualities: Sparse, Improvisation (solo), Atmospheric, Instrumental, Lo-fi

Ilyas Ahmed & Jefre Cantu-Ledesma – You Can See Your Own Way Out

Style: Drone, Tape Music, Ambient, Drone-Folk

Vibe: Nocturnal, Haunting, Hypnotic, Ethereal, Meditative, Warm, Nature, Nostalgia

Musical Qualities: Sound Collage, Instrumental, Field Recordings, Collage, Electro-Acoustic, Noisy, Home Recording, Vignettes

Instrumentation: Tapes, Acoustic & Electric Guitars, Piano, Drum Machine, Synthesizers, Bass, Keyboard, Percussion, Bass Clarinet (B2)

Loren Mazzacane Conners & Daniel Carter – The Departing of a Dream Volume VII

Style: Drone, Free Improvisation, Ambient

Vibe: Suspenseful, Haunting, Murky, Mysterious, Meditative, Responsive, Noir

Musical Qualities: Lo-Fi, Improvisation, Noisy, Atmospheric, Heavy Reverb

Fripp & Eno – (No Pussyfooting)

Style: Tape Music, Drone, Ambient

Vibe: Meditative, Dreamy, Quiet Catharsis, Alien, Mysterious, Contemplative, Hypnotic, Mellow, Cosmic

Musical Qualities: Loops, Atmospheric, Repetition, Instrumental, Droney, Studio-as-an-Instrument, Progressive, Improvisation

Loren Connors – Beautiful Dreamer (for Steve Dalachinksy)

Style: Dark Ambient, Free Improvisation, Ambient Blues

Vibe: Murky, Meditative, Washy, Haunting, Suspenseful, Mysterious, Ethereal

Musical Attributes: Solo Electric Guitar Improvisation, Sparse, Atmospheric, Slow, Lo-fi

Nicolas Jaar – Cenizas

Released in 2020 on Other People Records

Artist: Nicolas Jaar

Format: LPx2


Style: Progressive Electronic, Ambient Pop, Sound Sculpture

Vibe: Introspective, Mysterious, Nocturnal, Shadowy, Abstract, Dark, Hypnotic, Meditative

Musical Attributes: Electro-Acoustic, Progressive, Digital, Studio-as-an-Instrument

Golden Retriever & Chuck Johnson – Rain Shadow

Overview
Bass clarinet, pedal steel guitar, and synthesizer swirling together into a highly immersive and emotive combination of voices. Truly beautiful soundscapes that melt the worry away, with moments of quiet catharsis that I don’t experience very often in ambient music.

New Balance – The Spirits will Shimmer while I stare at their Shadows

While escapism is an understandable instinct in times of turmoil, The Spirits Will Shimmer encourages reflection on our current realities rather than turning a blind eye. New Balance’s Jeremy Leasure thoughtfully constructs a sonic cocoon of backwoods ambience from warped banjo improvisations and Casio synth atmospheres, foregoing the vivid lyrical imagery and lush arrangments of past releases. By offering a temporary respite from overstimulation, these meditative mood pieces carve out the space necessary to process the endless stream of information weighing on our hearts and minds.

Jefre Cantu-Ledesma – Tracing Back the Radiance

Washes of piano, harp, and other ephemeral sonic artifacts float through Ledesma’s peaceful, almost static atmospheres like a night breeze through the quiet woods.

Brian Eno – Ambient 4: On Land

Style: Ambient, Progressive Electronic

Vibe: Suspenseful, Desert, Desolate, Earthy, Mysterious, Eerie, Ethereal, Contemplative, Lonely, Impressionistic

Musical Qualities: Atmospheric, Instrumental, Analogue, Abstract

Brokeback – Field Recordings from the Cook County Water Table

Doug McComb’s first album as Brokeback is imbued with pastoral Impressionism, experimentalism, and a sense of Zen contentment. The record is mostly centered around his Bass VI, a short-scale bass with six strings that is trebly enough to function in both guitar and bass roles. This versatile instrument is usually wet with chorus and reverb that sculpt a fluid, aquatic tone to complement the slow, tranquil melodies. Outside of some solo pieces Doug is joined by a variety of accompaniment including lap steel guitar, synth, upright bass, Rhodes, vocals from Mary Hansen, and light percussion provided by producer/Tortoise bandmate John McEntire. This is a record that can be appreciated from a passive impressionistic standpoint, as well as under the microscopic attention of an engaged ear. (Follow link for full review)

Recommended for fans of Tortoise or Ennio Morricone’s spaghetti Western soundtracks

Tangerine Dream – Zeit

This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.

Eno, Roedelius, Moebius – After the Heat

Brian Eno and German kosmiche duo Cluster collaborate on a spacey synthesizer album with diverse moods, including peaceful ambient swells, sinister sequencers, industrial drum machine grooves, and suspenseful piano motifs. The release is mostly instrumental but Eno songs sparingly on a couple tracks. The last track features Can’s Holger Czukay playing some pulsing, harmonic bass grooves