Apocalyptic

FYEAR

Style: Liberation Music, Industrial Jazz, Slam Poetry, Avant-Prog

Vibe: Dystopian, Rebellious, Anxious, Communal, Poetic, Bleak, Apocalyptic, Determined, Powerful, Conscious, Dark, Industrial, Intense, Winter, Climactic

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El-P – Fantastic Damage

featuring Aesop Rock, Vast Aire, DJ Abilities, Cage, Ill Bill, Camu Tao, Rob Sonic, Mr. Lif, C-Rayz Walz, Nasa

Style: Hip-Hop [Experimental, Hardcore, Industrial, East Coast, Abstract]

Vibes: Rebellious, Dystopian, Futuristic, Urban, Sarcastic, Rebellious, Aggressive, Chaotic, Surreal, Angry, Industrial, Confident, Political, Science Fiction, Energetic, Sexual, Colorful, Messy, Apocalyptic, Disturbing, Raw

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The Flaming Lips – 7 Skies H3

Abridged version of a 24-hour recording from 2011

Style: Post-Rock, Neo-Psychedelia, Experimental Rock, Progressive Electronic

Vibe: Cold, Apocalyptic, Desolate, Ominous, Mournful, Sombre, Mysterious, Existential, Rainy, Spacey, Melancholy, Nihilistic, Haunting, Hypnotic, Lonely, Dreamy, Cerebral, Meandering, Greyscale, Dystopian

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Anguish – Anguish

Anguish is a collaboration between German improvisers Mats Gustafsson & Andres Werliin of the Fire! Orchestra, Hans Joachim Irmler of FaUst, and Will Brooks & Mike Mare of industrial hip-hop legends Dälek.

Style: Industrial Hip-Hop, Dark Jazz, Post-Industrial, Experimental

Moods: Dystopian, Aggressive, Urban, Poetic, Political, Revolutionary, Cerebral, Existential, Sombre, Dark, Depressive, Cold, Mechanical, Heavy, Apocalyptic, Moody, Brooding, Conscious, Abstract, Cryptic, Industrial, Nocturnal, Ominous, Raw, Philosophical

Musical Qualities: Beats, Dissonant, Noisy, Improvisation, Rhythmic, Studio-as-an-Instrument

Instrumentation: Rapping, Sampler, Tenor Saxophone, Synthesizers, Electric Guitar, Drums, Percussion, Electronics, Effect Processing, Vocal Processing

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Tim Berne – Fulton Street Maul

featuring Bill Frisell, Alex Cline, Hank Roberts

Style: Jazz Fission, Avant-Garde Jazz

Moods: Gritty, Angular, Apocalyptic, Aggressive, Bombastic, Chaotic, Dark, Disorienting, Driving, Dystopian, Futuristic, Heavy, Intense, Urban

Musical Qualities: Dissonant, Improvisation, Uncommon Time Signatures, Progressive, Rhythmic

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Richard Dawson – Ruby Cord

Style: Progressive Songwriter, Prog-Folk, Art Rock

Moods: Sombre, Epic, Lonely, Futuristic, Dystopian, Cryptic, Melancholy, Poetic, Mythic

Themes: Alienation, Apocalypse, Medieval, Science Fiction, Fantasy

Qualities: Progressive Structures, Lush Arrangements, Storytelling, Suite, Conceptual, Complex

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Jessica Moss – Galaxy Heart

Styles: Chamber Drone, Electro-Acoustic, Free Improvisation, Post-Rock

Moods: Apocalyptic, Sombre, Cathartic, Nature, Exploratory, Spiritual, Angsty, Anthemic, Aquatic, Brooding, cathartic, Heartfelt, Mournful, Spiritual

Musical Qualities: Improvisation, Droney, Electro-Acoustic, Thematic, Repetitive, Loops, Fuzzy

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Swans – leaving meaning.

Style: Gothic Americana, Neo-Folk, Post-Rock

Moods: Brooding, Existential, Shadowy, Eerie, Sombre, Spiritual, Apocalyptic, Contemplative, Cryptic, Hypnotic, Focused, Nihilistic, Patient, Philosophical, Suspenseful

Musical Qualities: Slow, Lush, Vocal Harmonies, Repetitive, Lyrical, Droney, Rhythmic, Atmospheric

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Evangelista – Hello, Voyager

LP, Constellation (2008) Style: Experimental Songwriter, Punk Blues, Chamber Punk, Noise Rock, Vibe: Visceral, Brooding, Angsty, Cathartic, Ominous, Sleazy, Dark, Dystopian, Apocalyptic, Intense, Deconstructed, Disturbing, Rebellious, Raw Musical Qualities: Noisy, Dynamic, Heavy, Dissonant, Spoken Word, Distorted Vocals

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Senyawa – Alkisah

Style: Avant-Folk, Tribal Drone-Doom, Southeast Asian Folk Music

Vibe: Ceremonial, Apocalyptic, Aggressive, Hypnotic, Murky, Shadowy, Dark, Tribal

Musical Qualities: Percussive, Acoustic, Fuzzy, Heavy, Loops, Noisy, Repetitive, Droney, Extended Technique, Electroacoustic

Instrumentation: Homemade Bamboo Instruments, Electroacoustic Treatments, Percussion, Throat Singing, Chants

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boris – Flood

Style: Drone Metal, Post-Rock

Vibe: Aquatic, Meditative, Monolithic, Suspenseful, Cathartic, Apocalyptic, Melancholy, Epic

Musical Qualities: Slow, Dynamic, Suite, Loops, Repetitive, Droney, Minimalistic

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Swans – The Glowing Man

Style: Experimental Rock, Post Rock

Vibe: Cathartic, Visceral, Spiritual, Brooding, Shadowy, Apocalyptic, Ritualistic, Suspenseful, Climactic, Dark, Powerful, Heavy, Cryptic, Philosophical, Surreal, Epic, Hypnotic, Sombre, Meditative, Mysterious, Monolithic, Longing, Existential, Disorienting

Musical Qualities: Dynamic, Repetitive, Dense, Crescendo, Rhythmic, Droney

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Senyawa – Sujud

Style: Doom-Folk, Indonesian Folk Music, Avant-Folk

Moods: Apocalyptic, Spiritual, Earthy, Dark, Ominous, Nocturnal, Ritualistic, Tribal, Hypnotic

Musical Qualities: Throat Singing, Homemade Instruments, Droney, Noisy, Electro-Acoustic, Repetitive, Dense, Heavy

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The Flaming Lips – The Terror

Released in 2013 on Bella Union UK Pressing Format: LPx2, Bonus 7″, Holographic Cover Studio album takes up sides A, B, & C. Side D contains “We Don’t Control the Controlled (mashed-the-fuck-up-remix, Dan Deacon and the Electric Worms’ Insight Violence)” 7″ includes “Sun Blows Up Today” b/w “All You Need Is Love (featuring Alex and

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Human Behavior – Bethpage

The apocalyptic chamber-folk of Bethpage soundtracks multiple chapters of cryptic storytelling, mixing one’s darkest thoughts with religious imagery and allegory through banjo sing-alongs and haunting spoken word passages. The heavy climaxes are whirlwinds of bombastic drums, driving bass, fiddle, clarinet, and banjo that often recall the communal chamber-punk of Thee Silver Mt. Zion Memorial Orchestra. While many tracks feel seeped in shadow and darkness, a heavenly light occasionally floods in through some truly serene and beautiful passages.

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Godspeed You Black Emperor! – Slow Riot For New Zero Kanada EP

“Side A is cut at 45rpm and features “Moya”, a broiling cascade of upward scales that repeatedly explodes beyond its own threshold. “BBF3” on Side B clocks in at 18 minutes, and was the band’s most lyrical, multi-movement music to date — more elaborated melodic figures wind around an angry spoken-word field recording (infamously culminating in the recital of the speaker’s poem — verses lifted straight from Iron Maiden)”

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Idris Ackamoor & the Pyramids – An Angel Fell

An Angel Fell is a call to action for protecting and healing our planet, using folklore, group vocals, uplifting themes, deep grooves, and expressive improvisations to deliver the message. While not as wild and loose as the dense free jazz the Pyramids made back in the 70s, this record is an organic and vibrant fusion of spiritual jazz, dub, and Afrobeat that will give fans of musical geniuses such as Sun Ra, King Tubby, Fela Kuti, and Pharoah Sanders plenty to vibe to.

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Godspeed You! Black Emperor – Yanqui U.X.O.

Godspeed’s last album before their 10 year hiatus was produced by the legendary Steve Albini, resulting in what might be their heaviest and most direct album to date. Coming off the heels of September 11th, Yanqui U.X.O. seems to be a reaction against the ramped up military-industrial complex and its promotion of fear and xenophobia, as well as protesting Israel’s treatment of Palestinians. The back cover even goes as far as connecting each major record label to some type of weapons manufacturer. 

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