Sixteen Horsepower – Folklore

Style: Gothic Country, Americana, Chamber Folk
Vibe: Rustic, Sombre, Murky, Rootsy, Ominous, Loner, Western, Melancholy, Moody, Dark
Musical Attributes: Acoustic Instrumentation (Banjo, Upright Bass, Cello, Acoustic Guitar, Accordion, Piano), Atmospheric, Droney, Slow, Lyrical
Lyrical Themes: Alienation, Religious, Christian, Storytelling

The Books – Lost and Safe

Style: Collage-Pop, Glitch-Folk, Plunderphonics

Vibe: Surreal, Psychedelic, Peaceful, Cerebral, Meditative,  Philosophical, Spiritual, Uplifting, Warm, Playful, Hallucinogenic

Musical Attributes: Sampling, Electro-Acoustic, Melodic, Sound Collage, Vocal Manipulation

Gruppe Nuova Consonanza – Improvisationen

Style: Free Improvisation, Experimental, Tape Music

Vibe: Suspenseful, Active Listening

Musical Attributes: Collective Improvisation, Atonal, Sparse, Dynamic

Instrumentation: Trumpet, Upright Bass, Cello, Trombone, Percussion, Piano, Electro-Magnetic Tape

Human Behavior – Kedumim

Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.

Third Ear Band – Alchemy

Style: Free Folk, Chamber Music, Progressive Folk

Vibe: Ritualistic, Hypnotic, Earthy, Tribal, Nature, Meditative, Medieval, Exploratory

Musical Attributes: Acoustic, Improvisation, Instrumental, Minimalistic

Instrumentation: Oboe, Violin, Viola, Recorder, Percussion (Tabla, Drums, Chimes), Cello

Makaya McCraven – Universal Beings

Released in 2018 on International Anthem Recording Co. Format: LPx2

Circle – Paris-Concert

While more cerebral than emotive, this live set is a frenzied demonstration of what four virtuosic musicians sound like when they give in to the intuitive whims of collective improvisation. Even when playing a composition, this quartet will stretch and mutate the melody into every possible pattern without ever playing it directly. The group interplay is often bombastic and can be overwhelming, but thankfully they vary the dynamics through mellower sections, as well as solo and duo pieces.

Eberhard Weber – The Colours of Chloë

The German upright bassist and composer is joined by a jazz quartet, cello ensemble, and choir for a colorfully complex album of atmospheric improvisation, progressive structures, and sweeping orchestral arrangements, with occasional segments of groovy fusion or synthesizer spaciness, all draped in the warm, reverbed production ECM albums are known for.

Godspeed You Black Emperor! – Slow Riot For New Zero Kanada EP

“Side A is cut at 45rpm and features “Moya”, a broiling cascade of upward scales that repeatedly explodes beyond its own threshold. “BBF3” on Side B clocks in at 18 minutes, and was the band’s most lyrical, multi-movement music to date — more elaborated melodic figures wind around an angry spoken-word field recording (infamously culminating in the recital of the speaker’s poem — verses lifted straight from Iron Maiden)”

Tangerine Dream – Zeit

This is what I imagine a black hole might sound like. “Zeit” translates to “Time”, yet time feels completely suspended here, filled instead with vast negative space in which burbling VCS 3 synthesizers, suspenseful organs, and a droning quartet of cellos float in and out. These four sidelong pieces erase all traces of rock or any kind of beat from Tangerine Dream’s sound, leaving ominous space-ambient music in its purest form.