Released in 1984 on Rift Records Format: LP
Released in 2017 on One Little Indian Format: LPx2
Released in 2019 on International Anthem Recording Co. Format: LP
Released in 2018 on International Anthem Recording Co. Format: LPx2
While more cerebral than emotive, this live set is a frenzied demonstration of what four virtuosic musicians sound like when they give in to the intuitive whims of collective improvisation. Even when playing a composition, this quartet will stretch and mutate the melody into every possible pattern without ever playing it directly. The group interplay is often bombastic and can be overwhelming, but thankfully they vary the dynamics through mellower sections, as well as solo and duo pieces.
Released in 2013 on Corpse Flower Records Format: LP, Orange Vinyl Limited to 300 copies, 215/300
Released in 2014 on Drag City Format: LPx2, 45rpm
The German upright bassist and composer is joined by a jazz quartet, cello ensemble, and choir for a colorfully complex album of atmospheric improvisation, progressive structures, and sweeping orchestral arrangements, with occasional segments of groovy fusion or synthesizer spaciness, all draped in the warm, reverbed production ECM albums are known for.
“Side A is cut at 45rpm and features “Moya”, a broiling cascade of upward scales that repeatedly explodes beyond its own threshold. “BBF3” on Side B clocks in at 18 minutes, and was the band’s most lyrical, multi-movement music to date — more elaborated melodic figures wind around an angry spoken-word field recording (infamously culminating in the recital of the speaker’s poem — verses lifted straight from Iron Maiden)”
Released in 2012 on Southern Lord Records Format: LPx2, etching on D-side