Drag City

Oren Ambarchi – Shebang

eaturing Joe Talia, Jim O’Rourke, Chris Abrahams, B. J. Cole, Julia Reidy, Johan Berthling, Sam Dunscombe

Style: Post-Minimalism, Post-Rock, Electro-acoustic

Vibes: Iridescent, Blooming, Hypnotic, Focused, Psychedelic, Shimmering, Propulsive, Flowing, Soothing, Intertwined, Warm, Intricate

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Ghost – Temple Stone

All tracks recorded live in sacred places (Seiryu Temple, Waseda Salvation Church)

Style: Ritual Folk, Acid Folk

Vibes: Mystical, Ancient, Ritualistic, Spiritual, Forest, Psychedelic, Mysterious, Medieval, Haunting, Dreamy, Eclectic

Instrumentation: Chants, Flutes, 12-String Guitar, Cello, Drums, Organ, Hurdy Gurdy, Harp, Piano, Horn

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Gary Higgins – Red Hash

Style: Loner Folk, Singer/Songwriter, Acid Folk

Vibes: Autumnal, Alienation, Reflective, Warm, Melancholy, Stoned, Rural, Lonely, Mellow, Psychedelic, Loner

Instrumentation: Vocals, Acoustic & Electric Guitars, Cello, Flute, Mandolin, Organ, Piano, Electric Bass

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Emil Amos – Zone Black

Styles: Library Music, Psych Rock, Instrumental Hip-Hop, Ambient

Vibes: Noir, Brooding, Nocturnal, Cinematic, Focused, Smooth, Shadowy, Eerie, Psychedelic, Sensual, Suspenseful

Musical Qualities: Atmospheric, Home Recording, Beats, Instrumental, Loops, Sampling

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P.G. Six – Murmurs & Whispers

Style: Singer/Songwriter, Neo-Medieval Folk, Celtic Folk

Vibe: Reflective, Gentle, Intimate, Winter, Morning, Soothing, Mellow, Romantic, Medieval, Mournful

Musical Qualities: Acoustic, Soft, Lush, Lyrical, Vocal Harmonies

Instrumentation: Celtic Harp, Acoustic Guitar, Keyboards, Hurdy Gurdy, Recorder, Electric Bass, Vocals, Saxophone, Flute, Percussion

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Joanna Newsom – Divers

“But stand brave, life-liver, bleeding out your days in the river of time.
Stand brave: time moves both ways, in the nullifying, defeating, negating, repeating joy of life.
The moment of your greatest joy sustains: not axe nor hammer, tumor, tremor, can take it away, and it remains.
And it pains me to say, I was wrong. Love is not a symptom of time. Time is just a symptom of love”

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Espers

Style: Wyrd Folk, Progressive Folk, Acid Folk

Moods: Forest, Sombre, Enchanting, Gloomy, Mystical, Medieval, sombre, Melancholy, Mellow, Mysterious

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Bitchin Bajas – Bajas Fresh

Features Masaki Batoh, Ben Lamar Gay, Jim Becker,

Style: Space Ambient, Progressive Electronic, Kosmische, New Age

Moods: Meditative, Cosmic, Peaceful, Warm, Intertwined, Hypnotic, Psychedelic

Musical Qualities: Pulse, Instrumental, Progressive, Atmospheric, Washy, Droney

Instrumentation: Analogue Synthesizers, Organ, Bass Clarinet, Flute, Electric Guitar, Percussion, Cornet

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P.G. Six – Slightly Sorry

Style: Loner Folk, Weird Americana, Folk Rock, Singer Songwriter

Vibe: Peaceful, Melancholy, Reflective, Romantic, Gentle, Rustic, Warm, Autumnal, Bittersweet, Breezy, Contemplative, Lethargic, Mellow, Intertwined

Musical Qualities: Soft, Lush, Lyrical, Vocal Harmonies, Acoustic, Atmospheric

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Smog – Red Apple Falls

Style: Singer/Songwriter, Americana, Slowcore, Alt-Country, Loner Folk

Vibe: Existential, Warm, Morning, Spiritual, Deadpan, Peaceful, Poetic, Introspective, Lonely, Melancholy, Mellow, Contemplative, Intimate

Musical Qualities: Slow, Lo-fi, Lush, Soft, Sparse, Lyrical

Instrumentation: Pedal Steel, Piano, Hammond Organ, Guitar, Trumpet, Drums, Drum Machine, Hurdy Gurdy, French Horn

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Eiko Ishibashi – Imitation of Life

Style: Chamber Pop, Prog-Pop, Jazz Pop, Singer-Songwriter

Vibe: Lush, Warm, Sunny, Sci-Fi, Playful, Philosophical, Surreal, Energetic, Imaginative

Musical Qualities: Progressive, Dense, Catchy, Complex, Melodic, Dense, Technical, Rhythmic

Instrumentation: Piano, Vibraphone, Drums, Flute, Rhodes, Electric & Acoustic Bass, Saxophone, Clarinet, Violin, Cello , Synthesizers, Steel Drum, French Horn

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Helena Espvall & Masaki Batoh

On this self-titled collaboration, acid folk luminaries Helena Espvall (Espers) and Masaki Batoh (Ghost) create mysterious and earthy interpretations of traditional Medieval, Swedish, Japanese, and Finnish folk songs, plus a Son House cover, an original, and a handful of free improvisations.

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Ka Baird – Sapropelic Picnic

Style: Psychedelic Minimalism, Post-Minimalism, Ritual Folk

Vibe: Ritualistic, Hallucinogenic, Hypnotic, Earthy, Primal, Psychedelic, Spiritual

Musical Attributes: Electro-Acoustic, Loops, Minimalistic, Sampling

Instrumentation: Manipulated Vocals, Flute, Synthesizer (Moog), Drum Samples, Vibraphone

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Espers – II

Released in 2006 on Drag City Records Format: LP Style: Progressive Folk, Psych Folk Vibe: Melancholy, Psychedelic, Nocturnal, Sombre, Forest Musical Attributes: Melodic, Dynamic, Lush  

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David Grubbs – The Thicket

On experimental musician David Grubb’s first dedicated songwriter outing, he synthesizes technical bluegrass banjo and fingerstyle acoustic guitar playing with imaginative arrangements, abrupt stylistic shifts, philosophical questioning lyrics, improvisation, and drones. Featured musicians include drummer John McEntire (Tortoise, The Sea and Cake), bassist Josh Abrams (Natural Information Society), and drone violinist Tony Conrad.

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Bonnie ‘Prince’ Billy & Bitchin Bajas – Epic Jammers and Fortunate Little Ditties

A far cry from the sparse folk usually recorded by Will Oldham, “Epic Jammers and Fortunate Little Ditties” finds his intimate voice and warbly acoustic guitar enveloped by the cosmic drones, blooming synths, airy flutes, and hypnotic tape loops of Chicago new age trio, Bitchin Bajas. The lyrics are essentially fortune cookie mantras and, while there’s a chance they’re tongue-in-cheek, it’s difficult not to smile and feel a brightening of the spirit when hearing uplifting phrases like “Your hard work is about to pay off, keep on keepin’ on” or “you and your whole family are well” get repeated over and over. This collaboration is a soothing, heartwarming listen and a refreshing change-of-pace from Oldham’s tendency towards melancholy and solemn lyrical content.

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