The Invisible Comes to Us is a haunting, modern take on Appalachian and Irish folk songs. Beautiful close-harmonies, banjos and acoustic guitars are juxtaposed with droning atmospheres of woodwinds, Moog bass, pump organ, and euphonium. Guest musicians include Jim White on drums and Susan Alcorn on slide guitar.
Style: American Primitivism, Singer/Songwriter, Folk, Raga
Vibe: Mystical, Nature, Open, Passionate, Pastoral, Peaceful, Airy, Contemplative, Earthy, Impressionistic, Meditative, Morning, Spring, Spiritual,
Musical Attributes: Acoustic, Indian-Influenced, Sparse, Technical
Style: Psychedelic Funk
Vibe: Apocalyptic, Communal, Cryptic, Earthy, Energetic, Epic, Groovy, Heavy, Philosophical, Playful, Political, Psychedelic, Riffs, Stoned, Eclectic
Style: Spiritual Jazz, Free Jazz
Vibe: Communal, Earthy, Energetic, Hypnotic, Intense, Loose, Mystical, Passionate, Spiritual, Tribal, Uplifting, Warm, Dance
Musical Attributes: Acoustic, Complex, Collective Improvisation, Percussive, Dense, Thematic, Suite
These communal sound rituals express a digital-era longing to reconnect to the Earth. The grooves here are circular and ceremonial, not rooted to any specific musical traditions but borrowing from many, including cosmic jazz, kosmische musik and undoubtedly inspired by Holden’s collaboration with legendary Gnawa musician Maleem Mahmoud Ghania. Drums and percussion ground the proceedings while muscular sequencer and fiery saxophone arpeggiations hypnotically intertwine. The sounds of fluttering recorder and modular synthesizer swirl through the air like offerings to the cosmos.
Recommended for fans of The Comet is Coming, Tonto’s Exploding Head Band, Maleem Mahmoud Ghania & Pharoah Sander’s Trance of Seven Colors, Natural Information Society, Colin Stetson
Style: British Folk, Country-Influenced
Vibe: Contemplative, Earthy, Introspective, Melancholy, Rootsy, Rural, Storytelling
Musical Attributes: Acoustic, Vocal Harmonies, Lyrical, Melodic, Simple, Sparse
Released in 2006 on Drag City Records Format: LP Style: Progressive Folk, Psych Folk Vibe: Melancholy, Psychedelic, Nocturnal, Sombre, Forest Musical Attributes: … More
Style: Free Folk, Chamber Music, Progressive Folk
Vibe: Ritualistic, Hypnotic, Earthy, Tribal, Nature, Meditative, Medieval, Exploratory
Musical Attributes: Acoustic, Improvisation, Instrumental, Minimalistic
Instrumentation: Oboe, Violin, Viola, Recorder, Percussion (Tabla, Drums, Chimes), Cello
Released in 1970 on Flying Dutchman Records Recorded November 24-25, 1969 Format: LP
Released in 2009 on Southern Lord Records Recorded live in 2007 and 2008 Format: LP
Originally released in 1982 on Editions EG 2018 audiophile reissue on Virgin Records Format: LPx2, 45rpm Half-Speed Mastered
Released in 1969 on BYG Records Japanese Pressing Format: LP Artwork by Moki Cherry Recorded August 22, 1969 in Paris, … More
Released in 2018 on Thrill Jockey Records Format: LP
Released in 1974 on Blue Note Records Recorded September 10th, 1970 at Van Gelder Recording Studio Format: LP
The Order of Things takes you on a strange journey, starting off with a long ambient song built around field recordings, light acoustic guitar and some weird drones in the background. Highly recommended if you’re a fan of experimental post-rock, drone, or music that doesn’t like to be easily categorized.
Style: Avant-Folk, Free Folk, Psych Folk
Vibe: Forest, Witchy, Nocturnal, Ritualistic, Earthy, Raw, Nature
Musical Attributes: Dissonant, Droney, Lo-Fi
Released on Elektra in 1968 Format: LP Track Notes A1 – Jobs Tears (Uplifting, Morning, Spiritual) “Stranger than that we’re alive” … More
Featuring some of Chicago’s finest musicians and founding members of the AACM, (Muhal Richard Abrams, Anthony Braxton, Leroy Jenkins, Richard Davis, Wadada Leo Smith, and Steve McCall), this 36 minute spontaneous composition doesn’t focus on soloing or instrumental technicality or rambunctious improvisIng, but creating and progressing an initially suspenseful, mysterious mood through focused, cohesive movements, with new sounds, moods, and melodies around every corner. Most of the musicians here play multiple instruments to sustain a versatile color palette.
Released in 1967 on Takoma Records Format: LP
Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.
Released in 2007 on Eclipse Records Format: LP Includes 12″x24″ insert