Tag: Jazz Folk

Albert Ayler – Love Cry

Albert Ayler – Tenor & Alto Saxophones, Vocals
Alan Silva – Upright Bass
Milford Graves – Drums & Percussion
Call Cobbs Jr. – Harpsichord
Donald Ayler – Trumpet

Vibe: Ecstatic, Passionate, Anthemic, Energetic, Spiritual, Joyful, Deconstructed, Uplifting

Musical Qualities: Thematic, Collective Improvisation, Acoustic, Loose, Melodic

Style: Spiritual Jazz, Free Jazz

John Carter – Fields

Style: Avant-Garde Jazz, Country-Jazz, Jazz Theater

Vibe: Rural, Historical, Sombre, Resolute, Intertwined, Passionate, Storytelling, Determined, Resolute, Heartfelt, Complex, Theatric, Conceptual

Musical Qualities: Suite, Acoustic, Progressive, Collective Improvisation, Polyphonic, Dynamic, Technical

Pentangle – Solomon’s Seal

Style: Brit-Folk, Chamber Folk, Jazz-Folk

Vibe: Flowing, Morning, Breezy, Warm, Medieval, Sentimental, Rootsy, Mellow, Pastoral, Uplifting

Musical Qualities: Vocal Harmonies, Acoustic, Traditional, Melodic, Improvisation

Instrumentation: Acoustic Guitars (Fingerstyle), Vocals, Upright Bass, Sitar, Dulcimer, Banjo, Recorder, Harmonica, Electric Guitar, Drums

Bert Jansch – Birthday Blues

Style: Chamber Folk, British Folk, Acoustic Blues, Jazz-Folk

Vibe: Breezy, Mellow, Contemplative, Autumnal, Uplifting, Melancholy, Warm, Joyful, Love, Intertwined, Reflective, Poetic

Musical Qualities: Acoustic, Melodic, Lush, Rootsy, Bluesy, Chamber Arrangements

Instrumentation: Acoustic Guitar, Upright Bass, Flute, Saxophone, Harmonica

Angel Bad Dawid – Transition East

Style: Organic Beat Music, Spiritual Jazz, Cosmic Folk

Vibe: Intertwined, Hypnotic, Earthy, Warm, Spiritual, Cosmic

Musical Qualities: Polyrhythmic, Percussive, Acoustic, Improvisation, Electro-Acoustic, Beats

Instrumentation: Clarinet, Keyboards, Piano, Drum Machine, Percussion, Cornet, Upright Bass, Pocket Trumpet

Steve Tibbets – Northern Song

Style: Ambient Folk, ECM-Jazz, New Age

Vibe: Soothing, Airy, Meditative, Pastoral, Winter, Open, Hypnotic, Nature

Musical Qualities: Acoustic, Percussive, Sparse, Progressive

Instrumentation: 6 & 12-String Acoustic Guitars, Percussion (Kalimba, Shaker, Bongos, Congas, etc), Tape Loops

Jackie-O Motherfucker – Fig 5.

Style: Mystical Americana, Free Folk, Post-Rock, Drone

Vibe: Haunting, Meandering, Rootsy, Rustic, Nocturnal, Mysterious, Deconstructed, Ragged, Communal, Murky, Abstract, Lethargic, Hallucinogenic, Raw

Musical Qualities: Collective Improvisation, Instrumental (except B1,C1), Loose, Lo-fi, Dynamic, Droney, Noisy, Group Vocals (B1), Harmonies (B1, C1)

Ben Lamar Gay – Open Arms to Open Us

Style: Creative Music, Future Jazz, Organic Beat Music, Pan-Americana, Art Pop

Vibe: Romantic, Sci-Fi, Determined, Triumphant, Colorful, Eclectic, Communal, Futuristic, Groovy, Rootsy, Spiritual, Warm

Musical Qualities: Thematic, Polyphonic, Percussive, Polyrythmic, Percussive, Improvisation, Electro-Acoustic, Progressive

John Martyn – Inside Out

Style: Jazz-Folk, Singer-Songwriter, Psychedelic Folk-Rock

Vibe: Romantic, Warm, Cryptic, Reflective, Passionate, Heartfelt, Lethargic, Stoned, Sunny

Musical Qualities: Lyrical, Melodic, Improvisation

Mind Maintenance – Mind Maintenance

Joshua Abrams – Guimbri
Chad Taylor – Mbira

Musical Qualities: Polyrhythmic, Percussive, Repetitive, Sparse, Acoustic, Minimalist

Ryley Walker – Course in Fable

Style: Progressive Songwriter, Jazz-Rock, Prog-Folk, Post-Rock

Vibe: Spring, Introspective, Warm, Intertwoven, Bright, Colorful, Carefree, Reflective, Personal

Musical Qualities: Lush, Progressive, Odd Time Signatures, Intricate, Dynamic, Polished, Improvisation, Lyrical, Riffs, Orchestral Arrangements

Don Cherry – Om Shanti Om

Style: Ecstatic Folk-Jazz, Devotionals

Vibe: Communal, Spiritual, Ritualistic, Uplifting, Earthy, Intertwined, Mystical, Religious, Warm

Musical Qualities: Acoustic, Chants, Collective Improvisation, Percussive

Sam Amidon – The Following Mountain

Style: New Weird Americana, Post-Modern Appalachia, Jazz-Folk

Vibe: Autumnal, Earthy, Imaginative, Lush, Morning, Peaceful, Rootsy, Rustic, Warm, Contemplative

Musical Attributes: Acoustic, Melodic, Studio-as-an-Instrument, Improvisation, Progressive, Lyrical

Instrumentation: Fiddle, Drums, Banjo, Vocals, Percussion, Saxophone, Acoustic Guitar, Drum Machine, Percussion, Electric Bass, Organ Synthesizers, Flute

Collaborators: Leo Abrahams, Shahzad Ismaily, Sam Gendel,
Milford Graves, Chris Vatalaro, James Sultan

Ryley Walker – Golden Sings that have been Sung (Deep Cuts Edition)

Ryley Walker’s virtuosic fingerpicking and intricate folk-rock songwriting vibe heavily with a backing band of Chicagoan jazz musicians, including upright bass, drums, Rhodes and electric guitar. The first LP of this release is a studio album of jazzy folk rock songs for fans of Van Morrison’s Astral Weeks or Tim Buckley’s Happy Sad, while the Bonus Lp of this “Deep Cuts edition” is a 40 min live improvisation on one of the album cuts that probably beats anything on the studio LP. It’s rad to be able hear both the concise, song-centric studio side and the loose jammy side of this exciting artist in the same release.

Ryley Walker – Deafman Glance

Acoustic-shredder/singer-songwriter ventures out of the jazz-inflected folk-rock territory explored by his last few albums to create something that feels fully himself. Deafman Glance is full of angular left turns, complex structures, airy flutes, jazz detours, and psychedelic atmospheres. A balance of great songwriting, jazz musicianship, and experimental/art-rock tendencies. Recommended to fans of Tortoise’s Standards, Tim Buckley’s Starsailor, and King Crimson’s Red. (Click for full review).

Tim Buckley – Blue Afternoon

Blue Afternoon continues the flowing jazz-folk of Tim’s previous release (Happy Sad) while starting to detour into the avant-garde atmospheres that would manifest more fully on his next two albums, Lorca and Starsailor. The songs and lyrics refuse to be boxed into one category as “joyful” or “lonely” or “sad” and instead reflect the intangible multi-dimensionality of feeling.