McCoy Tyner – Enlightenment
Information: Released in 1974 on Milestone Recorded on July 7, 1973
McCoy Tyner – Enlightenment Read More »
Information: Released in 1974 on Milestone Recorded on July 7, 1973
McCoy Tyner – Enlightenment Read More »
Information Released in 1973 on Columbia Records Recorded between 1936-1958
Billie Holiday – Billie’s Blues Read More »
The brooding, atmospheric synth-pop of Poliça’s third LP finds Channy Leaneagh’s passionate vocals once again supported by prominent bass grooves, driving dual drummers, and occasional string and horn arrangements, all mapped into intricate, quantized webs of programmed beats and synthesizers by co-leader/producer Ryan Olsen. Lyrically, the album centers around themes of isolation, fading love, and as well as more political topics such as police violence.
For fans of Portishead, The Knife
Poliça – United Crushers Read More »
British singer-songwriter John Martyn fuses folk, jazz, and psychedelic experimentation to create an album that is both eclectic and cohesive, tied together by his flowing voice and virtuosic acoustic guitar fingerpicking.
FFO Van Morrison, Joni Mitchell, Ryley Walker
John Martyn – Solid Air Read More »
Lush, beautiful psych-folk with a spiritual jazz fluidity that comes from Larkin inviting her close musician friends to improvise over her passionate songs with harp, trumpet, strings, woodwinds, etc. Think Tim Buckley meets Alice Coltrane
Larkin Grimm – Chasing an Illusion Read More »
At the core of these electrouacoustic Arabic folk songs lies expressive vocals and the buzuk, a fretted lute which Radwan Ghazi Moumneh plays with a near religious determination. While these instruments are played nakedly and organically, it is the production and recording that really exhibits the experimental and atmospheric nature of the music. Acoustic instruments are re-sampled and processed to create granular and rhythmic accompaniment, while waves of white noise, synths and field recordings are used to adorn and enhance the emotional twists and turns of the raw acoustic performances.
Jerusalem in My Heart – If He Dies, If If If If If If Read More »
The apocalyptic sounds of spiritual warfare.
Neurosis – Times of Grace Read More »
Album Information: Originally released in 1970 on Atlantic Records 1974 Repress
Led Zeppelin – Led Zeppelin III Read More »
Album Information: Released in 2000 on Motown Records 2016 pressing on Motown Format: LPx2
Erykah Badu – Mama’s Gun Read More »
Album Information: Released in 2000 on Constellation Records Recorded November 1999 at the mighty Hôtel2Tango
Kamasi Washington and his band The Next Step, pick up where their forefathers and mothers left off by making spiritual jazz that respects the jazz canon without getting stuck in the past. This album ranges from free to groovy to melodic without losing sight of its mission. The inclusion of such a large band, an orchestra, a choir, and even a turntablist allows an infinite, colorful array of tonal and dynamic possibilities.
Kamasi Washington – The Epic Read More »
Album Information: Released in 2010 on Drag City Records Produced by Joanna Newsom Arranged & Conducted by Ryan Francesconi Recorded by TJ Doherty, Noah Georgeson, Ryan Francesconi, Dana Gumbiner Mixed by Noah Georgeson & Jim O’Rourke Mastered by Steve Rooke at Abbey Road Studios Format: 3xLP Box Set, includes 12″x12″ lyric booklet with full musician
Joanna Newsom – Have One On Me Read More »
Sludgy drone-metal with heavy, feedback-laden guitars, sparse but viscerally pounding drums, and cathartic, impassioned vocals.
FFO Neurosis, Swans, Godspeed You! Black Emperor and Sunn O)))
Shakti means “Creative Intelligence, Beauty & Power” and trust me, these are all in abundance on these devotional jazz ragas. Featuring John McLaughlin joined by a quartet of Indian master musicians, this album is a blissfully uplifting and meditative release.
Shakti – Shakti with John McLaughlin Read More »
In this energizing exploration of Hindustani classical music from a jazz perspective, John McLaughlin joins a virtuosic trio of Indian musicians who inspire some of the most impassioned and impressive playing of his career. His acoustic guitar shredding veers close to the bendy sounds of the sitar and fits nicely with the dense web of percussion created by Vikku Vinayakram and Zakir Hussain. Violinist Lakshiminarayana Shankar’s emotive themes and fiery solos make him a perfect foil to McLaughlin.
Shakti – Natural Elements Read More »
“The music in this album is dedicated to creating a better world; a world without war and killing, without racism, without poverty and exploitation; a world where men of all governments realize the vital importance of life and strive to protect it rather than destroy it. We hope to see a new society of enlightenment and wisdom where creative thought becomes the dominant force in all people’s lives” – Charlie Haden
Charlie Haden – Liberation Music Orchestra Read More »
Blue Afternoon continues the flowing jazz-folk of Tim’s previous release (Happy Sad) while starting to detour into the avant-garde atmospheres that would manifest more fully on his next two albums, Lorca and Starsailor. The songs and lyrics refuse to be boxed into one category as “joyful” or “lonely” or “sad” and instead reflect the intangible multi-dimensionality of feeling.
Tim Buckley – Blue Afternoon [4menwithbeards] Read More »
Jazz Fusion-inflected Folk Rock with poetic lyricism, ethereal atmospheres, spacey synths, and a lot of fretless bass.
Joni Mitchell – The Hissing of Summer Lawns Read More »
An anxious, eccentric celebration of the mundane informed by post-punk, noise, no wave, and drone.
Ought – More Than Any Other Day Read More »
Psychedelic, cosmic country with a raw emotional core.
Sturgill Simpson – Metamodern Sounds in Country Music Read More »
Style: Soul, Singer/Songwriter
Moods: Conscious, Spiritual, Passionate, Uplifting, Bittersweet, Christian, Peaceful, Political, Sentimental, Warm
Musical Qualities: Lush, Groovy, Lyrical, Suite, Melodic
Marvin Gaye – What’s Going On Read More »
Jazzy Folk-Rock with dynamic songwriting, passionate vocals, and acoustic shredding accompanied by fluid drums, watery vibraphones, distorted keys and groovy upright bass. FFO Astral Weeks, Joni Mitchell, John Martyn, and Tim Buckley
Ryley Walker – Primrose Green Read More »
Style: Art Pop, Trip-Hop, Experimental Electronic
Vibe: Breakup, Passionate, Heartfelt, Personal, Intense, Futuristic
Musical Qualities: Orchestral, Glitchy, Lush, Digital Beats
[Click for full review]