Polyrhythmic

Alan Braufman – Live in New York City, February 8, 1975

Style: Spiritual Jazz

Vibe: Communal, Ritualistic, Triumphant, Adventure, Searching, Devotional, Spiritual, Hypnotic, Epic

Musical Qualities: Collective Improvisation, Acoustic Instrumentation, Progressive Structures, Thematic, Polyrhythmic, Percussive, Dense, Complex, Suite, Live Recording, Chant

James Blood – Tales of Captain Black

Style: Free Funk, Avant-Garde Jazz, Abstract Groove, No Wave

Vibe: Frenetic, Knotty, Disjointed, Funky, Angular, Chaotic, Triumphant, Playful, Energetic, Free, Manic, Bombastic

Musical Qualities: Harmolodic, Polyphonic, Polyrhythmic, Collective Improvisation, Dissonant, Uncommon Time Signatures, Instrumental

Miles Davis – Live in Tokyo 1973

Personnel: Miles Davis – Trumpet, Organ; Pete Cosey – Electric Guitar; Reggie Lucas – Electric Guitar; Al Foster – Drums; Mtume – Percussion, Michael Henderson – Electric Bass; Dave Liebman – Soprano Saxophone, Tenor Saxophone, Flute

Style: Abstract Groove, Psychedelic Jazz Fusion

Vibe: Exploratory, Powerful, Menacing, Mysterious, Serpentine, Complex, Aggressive, Bluesy, Energetic, Groovy, Psychedelic

Material – Temporary Music

Style: Industrial Jazz-Funk, Abstract Fusion, No Wave

Vibe: Futuristic, Menacing, Cold, Groovy, Mechanical, Hypnotic, Industrial, Dystopian

Musical Qualities: Rhythmic, Repetitive, Dub Production, Instrumental, Percussive, Sampling

Instrumentation: Saxophone, Electric Bass, Drums, Percussion, Electric Guitar, Rhythm Box, Prepared Piano, Clarinet

Julius Hemphill – Dogon A.D.

Style: Free Jazz

Vibe: Hypnotic, Ritualistic, Driving, Intertwined, Fire, Mystical, Powerful, Complex

Musical Qualities: Ostinato, Collective Improvisation, Thematic, Uncommon Time Signatures, Acoustic, Repetitive, Polyphonic, Rhythmic

Instrumentation: Alto Saxophone, Cello, Trumpet, Drums, Flute

Chicago Underground Duo – Locus

Style: Cyber-Jazz, Avant-Garde Jazz, Future Jazz

Influences: IDM, Afrobeat, Free Jazz

Vibe: Futuristic, Mechanical, Driving, Energetic, Suspenseful, Cinematic, Eclectic, Abstract, Spacey

Musical Methods: Thematic Improvisation, Electro-Acoustic, Polyrhythmic, Percussive, Instrumental, Studio-as-an-Instrument,

Instrumentation: Cornet, Drums, Mbira, Synthesizers, Game Boy, Guitar, Balaphone, Electronics, Bamboo Flute

Squarepusher – Feed Me Weird Things

Style: Drill & Bass, Future Jazz, IDM

Vibe: Mechanical, Winter, Energetic, Urban, Nocturnal, Chaotic, Cold, Anxious, Futuristic, Mysterious, Surreal

Musical Qualities: Rhythmic, Instrumental, Technical, Complex, Sampling, Fast

Instrumentation: Drum Machines, Fretless Bass, Electric Bass, Sampler, Synthesizers, Keyboards

Maleem Mahmoud Ghania with Pharoah Sanders – The Trance of Seven Colors

Style: Gnawa, Spiritual Jazz

Vibe: Ceremonial, Hypnotic, Communal, Ritualistic, Spiritual, Uplifting, Serpentine, Warm, Desert, Tribal

Musical Qualities: Polyrhythmic, Acoustic, Repetitive, Chants, Improvisation, Microtonal

Instrumentation: Guimbri, Tenor Saxophone, Percussion, Group Vocals, Clapping

Hermeto Pascoal – Slaves Mass

Style: Jazz Fusion, Avant-Garde Jazz, Baião

Vibe: Warm, Passionate, Spiritual, Eclectic, Groovy, Energetic, Tropical, Psychedelic

Musical Qualities: Improvisation, Percussive, Polyrhythmic, Complex

Aphex Twin – …I Care Because You Do

Style: Braindance / IDM, Acid Techno

Vibe: Anxious, Ominous, Romantic, Aggressive, Playful, Bittersweet, Surreal, Mechanical

Musical Qualities: Polyrhythmic, Melodic, Instrumental, Noisy, Repetitive

Instrumentation: Drum Machine, Synthesizers, Organ, Sampling, Drums, Percussion

Ornette Coleman – Body Meta

Style: Free-Funk, Avant-Garde Jazz, Jazz Fusion

Vibe: Angular, Anthemic, Manic, Kinetic, Driving, Intertwined, Chaotic, Funky, Triumphant

Musical Qualities: Polyphonic, Collective Improvisation, Rhythmic, Instrumental, Dissonant

Personnel:
Ornette Coleman – alto saxophone, producer; Bern Nix – Electric Guitar; Charlie Ellerbee – Electric Guitar; Jamaaladeen Tacuma – Electric Bass; Ronald Shannon Jackson – Drums

Yusef Lateef – In Nigeria

Style: Afro-Jazz, Post-Bop

Vibe: Warm, Communal, Groovy, Spiritual, Sunny, Dance

Musical Qualities: Percussive, Polyrhythmic, Improvisation, Melodic

Senyawa – Alkisah

Style: Avant-Folk, Tribal Drone-Doom, Southeast Asian Folk Music

Vibe: Ceremonial, Apocalyptic, Aggressive, Hypnotic, Murky, Shadowy, Dark, Tribal

Musical Qualities: Percussive, Acoustic, Fuzzy, Heavy, Loops, Noisy, Repetitive, Droney, Extended Technique, Electroacoustic

Instrumentation: Homemade Bamboo Instruments, Electroacoustic Treatments, Percussion, Throat Singing, Chants

Omar Rodriguez Lopez Quintet – The Apocalypse Inside of an Orange

Style: Psychedelic Jazz Fusion, Prog, Jazz-Rock

Vibe: Psychedelic, Chaotic, Bombastic, Energetic, Groovy, Heavy, Manic

Musical Attributes: Polyphonic, Polyrhythmic, Dense, Instrumental, Odd Time Signatures, Complex, Progressive, Technical, Riffs, Improvisation, Studio-as-an-Instrument

Instrumentation: Electric Guitar, Drums, Percussion, Electric Bass, Saxophone, Keyboards

Silver Apples – Silver Apples

Style: Analogue Electronic, Experimental Rock

Vibe: Anxious, Motorik, Mechanical, Dystopian, Futuristic, Ominous, Hypnotic

Musical Qualities: Dissonant, Repetitive, Percussive, Polyrhythmic

Don Cherry – Organic Music Society

Style: World Fusion, Spiritual Jazz, Avant-Folk

Influences: Raga, Brazilian Folk, Minimalism, Turkish Folk, African Music

Vibe: Utopian, Communal, Spiritual, Warm, Hindu, Hypnotic, Colorful, Meditative, Sunny, Uplifting, Peaceful

Musical Qualities: Repetitive, Percussive, Acoustic, Polyrhythmic

Gratien Midonet – A Cosmic Poet from Martinique 1979-1989?

Style: Cosmic Folk, Caribbean Folk

Vibe: Mystical, Tropical, Poetic, Cosmic, Earthy, Ecletic, Intertwined, Groovy, Spiritual

Musical Qualities: Percussive, Polyrhythmic, Repetitive, Dense, Technical, Polished

Instrumentation: Keyboards, Acoustic Guitar, Percussion, Vocals, Electric Bass

Bitter Funeral Beer Band – Live in Frankfurt 1982

Style: Avant-Garde Jazz, Afro-Jazz, Experimental Big Band

Influences: Ghanaian Music & other West African Music, Hindustani & Carnatic Music, Spiritual Jazz

Vibe: Ritualistic, Communal, Hypnotic, Intertwined, Spiritual

Musical Qualities: Polyrhythmic, Improvisation, Repetitive, Percussive, Polyphonic, Acoustic

Miles Davis – Live Evil

Style: Social Music, Abstract Groove, Psych-Jazz, Free Fusion

Vibe: Adventure, Driving, Groovy, Menacing, Confident, Energetic, Complex, Climactic, Exploratory

Musical Qualities: Collective Improvisation, Dense, Percussive, Polyrhythmic, Thematic, Instrumental, Polyphonic

The Kni?e – Shaking the Habitual

Style: Experimental Electronic, Post-Industrial

Vibe/Mood: Ominous, Disorienting, Mechanical, Brooding, Chaotic, Colorful, Anti-Capitalist, Feminist, Complex, Cryptic, Dance, Futuristic, Surreal, Messy

Musical Qualities: Manipulated Vocals, Dissonant, Polyrhythmic, Dense, Percussive, Polyphonic, Noisy, Repetitive

King Crimson – Three of a Perfect Pair

Style: Art Rock, Prog, Experimental Rock, Progressive Pop

Vibe: Anxious, Angular, Cerebral, Mechanical, Catchy, Ominous, Philosophical, Suspenseful, Dystopian, Urban, Confident

Musical Attributes: Complex, Uncommon Time Signatures, Polyrhythmic, Polished, Progressive, Technical

Embryo – We Keep On

Style: Jazz-Rock, Prog, Kosmische, Psychedelic Jazz, Space Rock

Vibe: Exploratory, Triumphant, Adventurous, Cosmic, Epic, Groovy, Spacey, Playful, Psychedelic

Musical Qualities: Polyphonic, Complex, Improvisation, Percussive, Polyrhythmic, Progressive, Raga, Technical

Instrumentation: Saxophones (Soprano & Alto), Flutes, Nadaswaram, Mallet Percussion (Vibraphone, Marimba, Hammered Dulcimer), Electric Guitar, Electric Bass, Drums, Percussion, Saz, Keyboards (Piano, Fender Rhodes, Clavinet)

Horse Lords – Interventions

Style: Experimental Rock, Totalism, Math Rock, Tishoumaren-Influenced

Vibe: Anxious, Complex, Energetic, Exploratory, Hypnotic, Disorienting

Musical Qualities: Instrumental, Microtonal, Odd Time Signatures, Percussive, Polyrhythmic, Repetitive, Minimalistic, Technical, Drones, Glitchy, Dissonant

Nahawa Doumbia – Kanawa

Style: Wassoulou, Afro-Pop

Vibe: Groovy, Dance, Sunny, Upbeat, Passionate, Catchy, Hypnotic

Musical Qualities: Polyrhythmic, Percussive, Group Vocals, Technical

Christian Scott Atunde Adjuah – Ancestral Recall

Style: Organic Beat Music, Spiritual Jazz, Cybernetic Jazz, Progressive Jazz

Vibe: Ritualistic, Triumphant, Poetic, Tribal, Afro-Futurism, Epic, Moody, Earthy

Musical Qualities: Beats, Structured Improvisation, Polyrhythmic, Progressive, Percussive

Airto – Seeds on the Ground

Style: Psychedelic Samba-Jazz

Vibe: Warm, Earthy, Breezy, Psychedelic, Romantic

Musical Qualities: Groovy, Percussive, Polyrhythmic, Collective Improvisation, Technical

Natural Information Society with Evan Parker – descension (Out of Our Constrictions

Style: Avant-Garde Jazz, Ecstatic Post-Minimalism, Psychedelic Trance Music, Gnawa-Influenced

Vibe: Hypnotic, Meditative, Psychedelic, Ecstatic, Spiritual, Cathartic, Mosaic,

Musical Qualities: Collective Improvisation, Live, Minimalistic, Acoustic, Instrumental, Polyphonic, Polyrhythmic, Repetitive

Instrumentation: Guimbri, Soprano Saxophone, Bass Clarinet, Harmonium, Drums

Laika – Silver Apples of the Moon

Style: Trip-Hop, Post-Rock, Experimental Rock

Vibe: Busy, Chaotic, Nocturnal, Psychedelic, Energetic

Musical Attributes: Odd Time Signatures, Polyrhythmic, Studio-as-an-instrument, Dense, Sampling, Percussive

Pharoah Sanders – Wisdom Through Music

Style: Spiritual Jazz??

Vibe: Joyful, Passionate, Spiritual, Uplifting, Warm, Love, Colorful, Communal, Cosmic, Earthy, Energetic, Groovy

??Musical Attributes: Acoustic, Chants, Africa-Influenced, India-Influenced, Improvisation, Polyrhythmic, Percussive

Joshua Abrams – Natural Information

Style: Psychedelic Trance Music, Avant-Jazz, Creative Music, Post-Minimalism

Influences: Gnawa, Spiritual Jazz, Raga, Kosmische Musik

Vibe: Earthy, Hypnotic, Meditative, Cosmic, Psychedelic, Ritualistic, Spiritual, Tribal

Musical Attributes: Polyrhythmic, Acoustic, Minimalistic, Improvisation, Percussive, Instrumental

Horse Lords – The Common Task

The Common Task is an incessant barrage of jolting polyrhythms that simultaneously hypnotize and disorient.

Style: Experimental Rock, Math Rock, Post-Rock, Totalism
Vibe: Hypnotic, Surreal, Triumphant, Complex, Political
Musical Attributes: Microtonal, Polyrhythmic, Repetitive, Odd Time Signatures, Saharan Africa-Influenced, Technical, Instrumental

Sunburned Hand of the Man – Fire Escape

The free-form psychedelia and tribal “group therapy” of Sunburned Hand of the Man are in great hands with producer Kieran Hebden (Four Tet)—his dubs and cuts transform their usually lo-fi, meandering jams into something much more immediate, without losing any of their exploratory and spontaneous energy. Recommended for fans of polyrhythmic Afro-inspired percussion, dubbed out production, communal sound rituals, and dense psychedelia.

The Mars Volta – The Bedlam in Goliath

Style: Progressive Rock, Psych, Experimental Rock
Vibe: Bombastic, Mystical, Cerebral, Chaotic, Cryptic, Desert, Energetic, Epic, Hallucinogenic, intense, manic, Psychedelic, Complex
Musical Attributes: Dense, Odd Time Signatures, Progressive Structures, Polyrhythmic, Riffs, Technical

Eddie Henderson – Realization

Style: Abstract Funk, Jazz Fusion, Spiritual Jazz

Lineup: Eddie Henderson, Herbie Hancock, Bennie Maupin, Lenny White, Billy Hart, Buster Williams, Pat Gleeson

Vibe: Cosmic, Exploratory, Groovy, Atmospheric, Spacey, Spiritual

Musical Attributes: Collective Improvisation, Polyrhythmic, Odd Time Signatures, Studio-as-an-Instrument

The Mars Volta – Amputechture

Style: Progressive Rock, Experimental Rock

Vibe: Epic, Psychedelic, Chaotic, Bombastic, Cerebral, Complex, Cryptic, Energetic, Ominous, Intense

Musical Attributes: Dense, Polyphonic, Technical, Odd Time Signatures, Headphone Album, Studio-as-an-Instrument, Progressive

Atoms for Peace – Amok

Style: Glitch-Pop, IDM, Electronic Rock

Vibe: Moody, Groovy, Glitchy, Mechanical, Dance, Futuristic

Musical Attributes: Loops, Percussive, Polyrhythmic, Polished, Live Instrumentation, Digital Post-Production

John Coltrane – Africa / Brass

Released in 1961 on Impulse! Records Red Ring 70s Reissue Format: LP Style: Modal Jazz, Post-Bop Musical Attributes: Polyrhythmic, Acoustic, Melodic, Dense, Improvisation, Instrumental, Africa-Inspired, Technical, Modal Personnell: John Coltrane – Tenor Saxophone Elvin Jones – Drums Reggie Workman – Upright Bass McCoy Tyner – Piano Horn section: Eric Dolphy – Arrangements Pat Patrick – baritone …

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Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

Sunn O))) – Domkirke

Released 2008 on Southern Lord Records Recorded March 18, 2007 Format:: LPx2, Translucent smoke vinyl  

Cecil Taylor – Conquistador

Style: Free Jazz
Vibe: Abstract, Energetic, Passionate, Complex
Musical Attributes: Improvisation, Polyphonic, Polyrhythmic, Dissonant, Poly-Free

Radiohead – The King of Limbs

Style: Experimental Rock, Art Rock

Influences: Electronic, Kosmische Musik, Glitch, Afro-Beat

Vibe: Surreal, Psychedelic, Messy, Hypnotic, Warm, Mysterious, Cryptic

Musical Attributes: Sampling, Percussive, Polyrhythmic, Studio-as-an-instrument, Dense, Looping

Themes: Nature

Anthony Davis – Epist?m?

Style: Poly-Free Improvisation, Modern Classical, Avant-Garde Big Band

Vibe: Complex, Hypnotic, Intense, Suspenseful, Cerebral

Musical Attributes: Polyrhythmic, Polyphonic, Odd Time Signatures, Acoustic, Poly-Free Improvisation, Repetitive

Instrumentation: Orchestral, Mallet Percussion (Marimba, Vibraphone, etc) Violin, Cello, Piano, Trombone, Drums, Flute, Bass Clarinet

This Heat – Deceit

Originally released in 1981 on Rough Trade Modern Classics Reissue (2016) Format: LP

McCoy Tyner – Asante

Released in 1974 on Blue Note Records Recorded September 10th, 1970 at Van Gelder Recording Studio Format: LP

King Crimson – Discipline

Discpline marks the first in a trilogy of complex prog-meets-new-wave masterpieces that have been relished by anxious overthinkers for decades…featuring polyrhythmic riffs, innovative guitar textures, overwrought sing-talking, and a strong inter-band chemistry.

Joshua Abrams & Natural Information Society – Simultonality

Over the past decade, Josh Abrams has been using his guimbri to create music inspired by the ceremonial music of the Gnawa in North Africa, infusing it with a wide variety of influences from kosmische to minimalism to the avant-garde jazz of his local scene in Chicago. On this album, the focus is on “pure motion” driven by double drummers hypnotically interlocking with guimbri, guitar, keys and harmonium. Each individual plays unique rhythmic figures that push and pull against each other like polyrhythmic tectonic plates, creating constantly changing, yet circular grooves.

Dawn of MIDI – Dysnomia

An acoustic trio of piano, upright bass, and drums utilize creative extended techniques to play evolving minimalist compositions of mutating grooves, polyrhythms, and textures.

Miles Davis – Bitches Brew

Recorded August 19-21, 1969 Originally released in 1970 on Columbia Records 2008 Legacy Pressing Format: LPx2

Alfonso Lovo – La Gigantona

Released in 2012 by Numero Group Recorded in 1976 Format: LP Overview Originally recorded in 1976, this psychedelic latin-jazz masterpiece never got a proper release due to both a lack of interest from record labels and Lovo’s family having to flee from Nicaragua in fear of the mass executions committed by the Sandinista government. Thanks …

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Crown Larks – Populations

Psychedelic post-punk from Chicago with noise rock dissonance, free jazz sax freak outs, Rhodes keyboards, proggy time signatures, and anxious vocals drenched in delays.

Joshua Abrams & Natural Information Society – Magnetoception

Meditative jazz explorations of space, rhythm and textures inspired by Miles Davis’ ambient jazz pieces, Gnawa ceremonial music of North Africa, the spiritual jazz of Pharoah Sanders and Don Cherry, and the mutating minimalism of Steve Reich.

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