Originally released in 2001 on Definitive Jux 2013 deluxe edition on iHipHop Distribution Format: LPx4, including instrumentals, white vinyl
Originally Released in 2004 on FatCat Records 2011 Reissue Format: LPx2
Released in 2002 on Saddle Creek Records Format: LPx2
Released in 2007 on Kranky Cryptograms recorded in 2005 Fluorescent Grey recorded in 2006 Format: LPx2
Released in 2015 on Space Lung/Land Breathing Records Format: LP
Released in 1964 on Columbia Records Recorded in 1963 Format: LP
Released in 1991 on Touch and Go Records 2000’s pressing Format: LP
Released in 2008 on Kranky Format: LPx2
The third album from the Melbourne (Au) violin/guitar/drum trio consists of loose, drifting instrumentals that conjure images of vast, open plains. Though the music here is often melancholic and lethargic, it is occasionally swept up with bursts of passionate energy and possessed by cathartic longing (especially the pleading and utterly beautiful violin solo on “Warren’s Lament”). All three instrumentalists have very individual styles that complement and dialogue with each other in refreshingly unique ways.
The Whole Thing is Just There is another beautiful and life-affirming release from Young Jesus, the second with the current L.A. iteration of the band. Their inter-band chemistry seems stronger than ever, with telepathic improvisations, symbiotic catharses, and a mutual love for each other that is easily felt from a listener’s perspective. The lyrics deal with self-exploration and one’s relationship with the world around them, finding solace in spirituality, existentialism, literature, and the ethos of free jazz. Stylistically the music seems rooted in late-90’s indie rock and emo, with seamless but adventurous detours into post-rock, noisy post-hardcore, and free improvisation. Excited to see where these guys go next.
Released in 1999 on These Records Originally recorded for BBC in 1977
Originally released in 1968 on EMI 1986 Fame Pressing
The new album from guitarist Yonatan Gat finds cohesiveness in its sprawling diversity. Stylistically it combines the rawness of garage rock, the thematic improvisation of Free jazz, and the experimental editing of musique concréte with psychedelic production, Arabic and Klezmer scales and surfy tremelo guitars.
Anxious and dissonant proto-math rock composed and improvised by a trio of innovative, idiosyncratic, and influential musicians. Guitarist Fred Frith pulls new dimensions of sound out of his instrument, blending bizarrely textured riffs with dark, noisy atmospheres. Bassist Bill Laswell is one of the great musical collaborators in all of music, often bringing together innumerable amazing musicians from all genres to create unique sonic fusions. Here, Bill and drummer Fred Maher lay down some nasty, disjointed grooves that lock you in despite their angular, asymmetrical time signatures
Originally released in 2002 on Secretly Canadian 2014 deluxe reissue Format: LPx2 (full album on first LP and demos on … More
Armed with only an acoustic guitar, harmonica, and her sultry, resonant vocals, the trans-femme folk-punk songstress tells raw, direct stories recalling raunchy escapades with ex-lovers, nostalgic adventures of hitchhiking and robbery, and not-so-fond memories of gambling-addicted boyfriends and escaping hometown judgement.
Album Information: Released in 2003 on Saddle Creek Format: LPx7, box set Includes 5 Bright Eyes releases between 1997 and … More
Psychedelic post-punk from Chicago with noise rock dissonance, free jazz sax freak outs, Rhodes keyboards, proggy time signatures, and anxious vocals drenched in delays.
Album Information: Released in 2009 on Downtown Music Exposion originally released in 2008 and is included as a bonus LP … More
An anxious, eccentric celebration of the mundane informed by post-punk, noise, no wave, and drone.