Spiritual

Ka Baird – Sapropelic Picnic

Style: Psychedelic Minimalism, Post-Minimalism, Ritual Folk

Vibe: Ritualistic, Hallucinogenic, Hypnotic, Earthy, Primal, Psychedelic, Spiritual

Musical Attributes: Electro-Acoustic, Loops, Minimalistic, Sampling

Instrumentation: Manipulated Vocals, Flute, Synthesizer (Moog), Drum Samples, Vibraphone

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Botany – End the Summertime F(or)ever

While the luminescent drones and angelic simulacra of Deepak Verbera expanded out into the cosmos, Botany’s newest LP feels more rooted in the soil of our material reality. The bass heavy beats and impassioned vocal samples inspire movement and action rather than contemplation alone, not to say the results aren’t heady. Rich tapestries of resonant acoustic instruments (harps, flutes, percussion, strings), woozy synths, and warm tape hiss are as intricate as ever and easy to lose (or find?) yourself in.?Recommended to fans of Flying Lotus’ Until the Quiet Comes, Boards of Canada, and Alice Coltrane.?

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Lonnie Holley – Mith

Style: Experimental Singer-Songwriter, Soul Blues, Psychedelic Soul

Vibe: Imaginative, Bluesy, Cathartic, Conscious, Cosmic, Spiritual, Heartfelt, Passionate, Psychedelic, Rootsy, Bittersweet, Poetic

Lyrical Themes: Existential, Afro-Futurism, History, Racism, Reflective

Musical Attributes: Atmospheric, Lyrical, Improvisation, Raw, Studio-as-an-Instrument

Instrumentation: Vocals, Piano, Synthesizers, Keyboards, Saxophone, Trombone, Percussion

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Albert Ayler – New Grass

One can only imagine how Ayler bringing more commercial styles like R&B, Rock, and Gospel into his avant-garde music messed with critics and fans alike when it came out—the way it looked like commercial pandering to the Free Jazz listeners but was probably still too weird for new listeners. It helps to remember that Ayler came from R&B and went straight to the Free Spiritual Jazz of the early 60s, making Jazz critics highly skeptical skeptical by not climbing the bebop ranks like Coltrane before plunging into freedom. On New Grass, Ayler really started to synthesize the spiritual elements of many forms of Great Black Music, making more accessible music not as a way of selling out, but a way of sharing his beautiful spiritual message and sound with a wider audience. Plus this thing has Bernard Purdie on drums so of course it slaps.
If you dig this LP, I think he succeeded in this sound direction even more on his following albums Love Cry and Music is the Healing Force of the Universe. Albert Ayler was a pure soul that left this world too soon, grateful for the gifts of music and wisdom he left behind.

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Eddie Henderson – Realization

Style: Abstract Funk, Jazz Fusion, Spiritual Jazz

Lineup: Eddie Henderson, Herbie Hancock, Bennie Maupin, Lenny White, Billy Hart, Buster Williams, Pat Gleeson

Vibe: Cosmic, Exploratory, Groovy, Atmospheric, Spacey, Spiritual

Musical Attributes: Collective Improvisation, Polyrhythmic, Odd Time Signatures, Studio-as-an-Instrument

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The Sea Ensemble – We Move Together

An obscure release from the great creative label ESP-Disk, containing exploratory, mysterious and playful improvisations from The Sea Ensemble—the husband/wife duo of Zusaan Fasteau and Donald Rafael Garrett. While they are both trained musicians and multi-instrumentalists, an uninhibited childish spirit permeates this release, as can be seen in Donald’s crude but visionary cover drawing; Yet the recording also feels imbued with ancient wisdom, as heard in their primal and instinctive vocalizations throughout the album

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James Holden & the Animal Spirits – The Animal Spirits

These communal sound rituals express a digital-era longing to reconnect to the Earth. The grooves here are circular and ceremonial, not rooted to any specific musical traditions but borrowing from many, including cosmic jazz, kosmische musik and undoubtedly inspired by Holden’s collaboration with legendary Gnawa musician Maleem Mahmoud Ghania. Drums and percussion ground the proceedings while muscular sequencer and fiery saxophone arpeggiations hypnotically intertwine.  The sounds of fluttering recorder and modular synthesizer swirl through the air like offerings to the cosmos. 

Recommended for fans of The Comet is Coming, Tonto’s Exploding Head Band, Maleem Mahmoud Ghania & Pharoah Sander’s Trance of Seven Colors, Natural Information Society, Colin Stetson

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Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

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Senyawa – Sujud

Style: Doom-Folk, Indonesian Folk Music, Avant-Folk

Moods: Apocalyptic, Spiritual, Earthy, Dark, Ominous, Nocturnal, Ritualistic, Tribal, Hypnotic

Musical Qualities: Throat Singing, Homemade Instruments, Droney, Noisy, Electro-Acoustic, Repetitive, Dense, Heavy

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The Clandestine Quartet – One for the Fossa, Two for the Wolverine

Released in 2019 on 33-33 Records Format: LP Style: Free-Rock, Psychedelic Rock, Experimental Rock Influences: Arabic Folk Music, Free Improvisation, Drone, Indian Classical Music Vibe: Exploratory, Cathartic, Ritualistic, Psychedelic, Spiritual Musical Attributes: Improvisation Members: Sir Richard Bishop (Guitar, Piano), Chris Corsano (Drums), Alvarius Bishop (Bass, Vocals), Michael Flower (Japanese Banjo)

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Gong – Angel’s Egg (Radio Gnome Invisible Part 2)

The second Radio Gnome transmission finds Zero the Hero astral projecting to PlanetGong where he meets with Selene the Moon Goddess and the Octave Doctors to learn the infinite powers of their lovewisdom vibrations. This psychedelic journey brings together fantastical imagery of pothead pixies and flying teapots (and a dose of hippy hedonism) with heady spiritual concepts delivered in a quite fun and silly way, but even before digging into the concept I was immediately grabbed by their unique style spacey jazz-rock with its propulsive bass lines, immersive synthesizer atmospheres and serpentine soprano sax soloing.

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John Fahey & His Orchestra – Old Fashioned Love

Another interesting one from Fahey, side A consists of some amazingly intricate guitar duets with Woodrow Mann, including my favorite Fahey song “Jaya Shiva Shankarah”. Side B takes a strange turn though…halfway through the title track a 10-piece dixieland band kicks for a few tracks of New Orleans-style jazz. The album closes in a more familiar place with a contemplative solo piece that most Fahey fans would dig.

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Human Behavior – Bethpage

The apocalyptic chamber-folk of Bethpage soundtracks multiple chapters of cryptic storytelling, mixing one’s darkest thoughts with religious imagery and allegory through banjo sing-alongs and haunting spoken word passages. The heavy climaxes are whirlwinds of bombastic drums, driving bass, fiddle, clarinet, and banjo that often recall the communal chamber-punk of Thee Silver Mt. Zion Memorial Orchestra. While many tracks feel seeped in shadow and darkness, a heavenly light occasionally floods in through some truly serene and beautiful passages.

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The Books – The Way Out

The Books’ music is simultaneously funny, innovative, catchy and enlightening. They use found sound and spoken word mixed with innovative recording techniques and acoustic instruments to create beautiful sound-collages that somehow create unity between all these disparate sources, as if they were all meant to be together. Everything these guys do, solo or together, is absolute genius.

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The Incredible String Band – Wee Tam

Released on Elektra in 1968 Format: LP Track Notes A1 – Jobs Tears (Uplifting, Morning, Spiritual) “Stranger than that we’re alive” A2 – Puppies  (Peaceful, Sitar, Bowed Gimbri, Morning) “Music is so much less than what you are” A3 – Beyond the See (Instrumental featuring organ, harpsichord, whistle, and bowed gimbri A4 – The Yellow Snake

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Avey Tare – Eucalyptus

Eucalyptus is a beautiful, enveloping excursion of aquatic psych-folk characterized by flowing, hallucinogenic instrumentation, atmospheric production, nature field recordings, and ghostly background vocals from one of my favorite singers, Angel Deradoorian. Avey Tare’s introspective and intimate lyrics mix psychedelic revelations, reminiscing, surreal imagery, and nature/water themes, often leading to profound realizations of a very personal sense of spirituality. The lush orchestrations are arranged by the amazing and unique violist Eyvind Kang, which include woodwinds, horns, strings, and pedal steel slide guitar from Susan Alcorn.

For fans of Animal Collective’s “Campfire Songs” and the slow portions of “Feels”.

Click for full review

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Exuma – Exuma

Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.

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Bonnie ‘Prince’ Billy & Bitchin Bajas – Epic Jammers and Fortunate Little Ditties

A far cry from the sparse folk usually recorded by Will Oldham, “Epic Jammers and Fortunate Little Ditties” finds his intimate voice and warbly acoustic guitar enveloped by the cosmic drones, blooming synths, airy flutes, and hypnotic tape loops of Chicago new age trio, Bitchin Bajas. The lyrics are essentially fortune cookie mantras and, while there’s a chance they’re tongue-in-cheek, it’s difficult not to smile and feel a brightening of the spirit when hearing uplifting phrases like “Your hard work is about to pay off, keep on keepin’ on” or “you and your whole family are well” get repeated over and over. This collaboration is a soothing, heartwarming listen and a refreshing change-of-pace from Oldham’s tendency towards melancholy and solemn lyrical content.

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