Syd Barrett – The Madcap Laughs
Released in 1970 on Harvest Records 2014 Pressing Format: LP
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Acoustic
Grizzly Bear – Yellow House
Released in 2006 on Warp Records 2012 Pressing Format: LPx2, 180g, 45rpm
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Fursaxa- Alone in the Dark Wood
Released in 2007 on Eclipse Records Format: LP Includes 12″x24″ insert
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Strunz & Farah – Mosaico
“World Music” is often a cheap umbrella term for non-Eurocentric music, but when acoustic guitar shredders Jorge Strunz and Ardeshir Farah, from Costa Rica and Iran respectively, bring together a Cuban rhythm section, South Indian violinist, and Kuwaiti guitarist, the music they create truly does have a sense of cultural unity deserving of the term.
For fans of flamenco, Arabic folk, and acoustic guitar virtuosity
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Tim Buckley – Happy Sad
Released in 1969 on Elektra Records Format: LP
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Bert Jansch – L.A. Turnaround
Style: Singer/Songwriter, Folk Baroque, Country-Influenced
Vibes: Laid Back, Morning, Sunny, Peaceful, Pastoral, Loner
Instrumentation: Acoustic Guitar, Pedal Steel, Fiddle, Mandolin, Piano, Electric Bass, Drums
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Mount Eerie – Now Only
Style: Singer/Songwriter, Folk
Moods: Intimate, Reflective, Existential, Conversational, Mournful, Sombre, Introspective, Personal, Romantic, Sad
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Richard Dawson – Peasant
Released in 2017 on Domino Records Format: LPx2
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Bob Dylan – More Blood, More Tracks: The Bootleg Series Vol. 14
Released in 2018 on Columbia Records Recorded September and December, 1974
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Dawn of MIDI – Dysnomia
An acoustic trio of piano, upright bass, and drums utilize creative extended techniques to play evolving minimalist compositions of mutating grooves, polyrhythms, and textures.
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Herbie Hancock – Maiden Voyage
Released in 1966 on Blue Note Records 1971 United Artists Repress Format: LP
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Fleet Foxes – Helplessness Blues
Released in 2011 on Sub Pop Records Produced by Phil Ek and Fleet Foxes Format: LPx2 Includes large foldout poster
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Ornette Coleman – The Shape of Jazz to Come
Released in 1959 on Atlantic Records 1970’s Pressing
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Joanna Newsom – Ys
Released in 2006 on Drag City Records Format: LPx2
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McCoy Tyner – Enlightenment
Information: Released in 1974 on Milestone Recorded on July 7, 1973
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Sandy Bull – Fantasias for Guitar and Banjo
On his debut album, the guitar and banjo virtuoso starts off with a 22-minute droning epic fusing American and Arabic Folk music with Indian Raga on his acoustic guitar (often trying to imitate the feeling of the oud). Here, he is accompanied by the fluid, driving drums of Billy Higgins. Side 2 is made up of 4 shorter solo pieces, mostly for the banjo, including an impressive rendition of “Carmina Burana” by German composer Carl Orff and a folky mountain song.
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Six Organs of Admittance – Asleep on the Floodplains
Pastoral psychfolk from guitar master Ben Chasney. Here his serene acoustic fingerpicking is occasionally accompanied by harmonium drones and trippy guitar overdubs, but overall the album is extremely sparse and meditative.
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Gimmer Nicholson – Christopher Idylls
Performed on acoustic guitar and an early delay pedal, Christopher Idylls is a soothing, reflective way to ease into the morning. It fits somewhere between ambient, new age, and American primitive guitar.
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Shakti – Shakti with John McLaughlin
Shakti means “Creative Intelligence, Beauty & Power” and trust me, these are all in abundance on these devotional jazz ragas. Featuring John McLaughlin joined by a quartet of Indian master musicians, this album is a blissfully uplifting and meditative release.
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Shakti – Natural Elements
In this energizing exploration of Hindustani classical music from a jazz perspective, John McLaughlin joins a virtuosic trio of Indian musicians who inspire some of the most impassioned and impressive playing of his career. His acoustic guitar shredding veers close to the bendy sounds of the sitar and fits nicely with the dense web of percussion created by Vikku Vinayakram and Zakir Hussain. Violinist Lakshiminarayana Shankar’s emotive themes and fiery solos make him a perfect foil to McLaughlin.
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Jim O’Rourke – The Visitor
A fingerpicking folk odyssey that traverses through passages of delicate piano motifs, tribal drum circles, meditative ambience, celebratory horn arrangements, reverent organ drones, and even a cathartic drum solo, all within a single 40 minute track.
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Charlie Haden – Liberation Music Orchestra
“The music in this album is dedicated to creating a better world; a world without war and killing, without racism, without poverty and exploitation; a world where men of all governments realize the vital importance of life and strive to protect it rather than destroy it. We hope to see a new society of enlightenment and wisdom where creative thought becomes the dominant force in all people’s lives” – Charlie Haden
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Nick Drake – Five Leaves Left
Style: Chamber Folk, Singer-Songwriter, Brit-Folk
Moods: Rainy, Melancholy, Sombre, Intimate, Peaceful, Lonely, Contemplative, Pastoral, Mellow
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Western Skies Motel – Settlers
Somber ambient-folk with layers of delicate, circular fingerpicking and sparse arrangements of droning harmonium, piano, guitar feedback and the occasional chirping crickets. The soft reverb dampens everything like a light drizzle over the American prairie
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Leo Kottke – 6 & 12-String Guitar
Style: American Primitive Guitar, Folk
Moods: Joyful, Warm, Playful, Summer, Contemplative, Rootsy, Pastoral, Nature, Loner
Musical Qualities: Solo, Acoustic, Fingerstyle, Instrumental, Technical
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Jack Rose – Opium Musick
Primitivist acoustic guitar instrumentals in the form of droney ragas, jovial ragtime, and pastoral fingerpicking
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