Sam Amidon – Sam Amidon

Style: Dream Folk, Jazz-Folk, Warped Americana

Vibes: Warm Melancholy, Springtime Reflection, Rootsy, Early Afternoons in the Garden, Dreamy, Intertwined, Heartfelt

Musical Qualities: Lush; Improvised Arrangements; Studio-as-an-Instrument, Melodic, Vocal Fx

Instrumentation: Banjo, Saxophone, Acoustic Guitar, Percussion, Flute, Acoustic Bass, Synthesizers, Piano

Pentangle – Solomon’s Seal

Style: Brit-Folk, Chamber Folk, Jazz-Folk

Vibe: Flowing, Morning, Breezy, Warm, Medieval, Sentimental, Rootsy, Mellow, Pastoral, Uplifting

Musical Qualities: Vocal Harmonies, Acoustic, Traditional, Melodic, Improvisation

Instrumentation: Acoustic Guitars (Fingerstyle), Vocals, Upright Bass, Sitar, Dulcimer, Banjo, Recorder, Harmonica, Electric Guitar, Drums

Smog – Red Apple Falls

Style: Singer/Songwriter, Americana, Slowcore, Alt-Country, Loner Folk

Vibe: Existential, Warm, Morning, Spiritual, Deadpan, Peaceful, Poetic, Introspective, Lonely, Melancholy, Mellow, Contemplative, Intimate

Musical Qualities: Slow, Lo-fi, Lush, Soft, Sparse, Lyrical

Instrumentation: Pedal Steel, Piano, Hammond Organ, Guitar, Trumpet, Drums, Drum Machine, Hurdy Gurdy, French Horn

Robbie Basho – Visions of the Country

Style: American Primitivism, Singer/Songwriter, Folk, Raga
Vibe: Mystical, Nature, Open, Passionate, Pastoral, Peaceful, Airy, Contemplative, Earthy, Impressionistic, Meditative, Morning, Spring, Spiritual,
Musical Attributes: Acoustic, Indian-Influenced, Sparse, Technical

John Fahey – Volume 2: Death Chants, Breakdowns, & Military Waltzes

Style: American Primitivism, Acoustic Blues, Folk

Vibe: Meditative, Loner, Morning, Rustic, Spring, Spiritual, Pastoral, Bittersweet, Hypnotic, inspiration, Melancholy, Nature, Raw, Warm 

Musical Qualities: Acoustic, Technical, Fingerstyle, Instrumental, Sparse, Progressive

Hiss Golden Messenger – Terms of Surrender

Vibe: Contemplative, Tender, Soothing, Warm, Bittersweet, Rustic, Open, Pastoral, Light

Themes: Family, Existential, Spirituality, Love

Musical Qualities: Soft, Melodic, Vocal Harmonies, Atmospheric Production, Lyrical

Instrumentation: Vocals, Acoustic & Electric Guitars, Banjo, Piano, Organ, Harmonica, Mandolin Synthesizer, Electric Bass, Lap Steel Slide Guitar, Omnichord, Drums, Percussion

C.O.B. – Spirit of Love

Style: Chamber Folk, Spiritual Folk, English Folk

Vibe: Mystical, Medieval, Warm, Spring, Intimate, Mellow, Morning, Spiritual

Musical Qualities: Acoustic, Lush, Vocal Harmonies, Progressive

Instrumentation: Organ, Banjo, Acoustic Guitar, Dulcitar, Recorder, Electric Bass, Washboard, Drum, Bongos, Tambourine, Cello, Indian Hand Organ

Collie Ryan – The Hour is Now

Style: Folk, Singer/Songwriter

Vibe: Mystical, Nature, Soothing, Mellow, Tender, Flowing, Forest, Peaceful, Morning, Earthy, Intimate

Musical Qualities: Acoustic, Sparse, Simple, Lyrical, Soft, Melodic, Solo

Michael Hurley – The Time of the Foxgloves

Style: Folk, Singer/Songwriter

Vibe: Warm, Spring, Rootsy, Peaceful, Tender, Morning, Rustic, Lethargic, Nature

Musical Qualities: Acoustic, Vocal Harmonies, Melodic

Jerry David Decicca – Understanding Land

Style: Americana, Singer/Songwriter, Folk

Vibe: Peaceful, Rustic, Deadpan, Mellow, Lethargic, Nature, Warm, Morning

Musical Qualities: Acoustic, Slow, Vocal Harmonies, Lush, Simple

Instrumentation: Acoustic Guitar, Piano, Lap Steel & Pedal Steel Guitars, Strings, Upright Bass, Vibraphone, Tabla, Bongos

Roy Harper – Valentine

Released in 1974 Chrysalis Pressing (US, 1978) Format: LP Style: Psychedelic Chamber Folk, Singer/Songwriter, Progressive Folk Vibe: Romantic, Floating, Heartfelt, … More

Earthforce – Earthforce

Released in 2021 on Lion Productions Recorded 1977, Archival Release Format: LP, includes 12-page 12″ booklet Style: British Folk, Psych … More

Bonnie Prince Billy – Ask Forgiveness

Bonnie covers Björk, Mickey Newbury, Danzig, R. Kelly and others with help from Espers’ Meg Baird & Greg Weeks

Style: Folk, Slowcore, Singer/Songwriter

Vibe: Introspective, Morning, Melancholy, Existential, Bittersweet

Musical Qualities: Covers, Vocal Harmonies, Sparse, Soft, Acoustic

Sam Amidon – The Following Mountain

Style: New Weird Americana, Post-Modern Appalachia, Jazz-Folk

Vibe: Autumnal, Earthy, Imaginative, Lush, Morning, Peaceful, Rootsy, Rustic, Warm, Contemplative

Musical Attributes: Acoustic, Melodic, Studio-as-an-Instrument, Improvisation, Progressive, Lyrical

Instrumentation: Fiddle, Drums, Banjo, Vocals, Percussion, Saxophone, Acoustic Guitar, Drum Machine, Percussion, Electric Bass, Organ Synthesizers, Flute

Collaborators: Leo Abrahams, Shahzad Ismaily, Sam Gendel,
Milford Graves, Chris Vatalaro, James Sultan

Ryley Walker – Golden Sings that have been Sung (Deep Cuts Edition)

Ryley Walker’s virtuosic fingerpicking and intricate folk-rock songwriting vibe heavily with a backing band of Chicagoan jazz musicians, including upright bass, drums, Rhodes and electric guitar. The first LP of this release is a studio album of jazzy folk rock songs for fans of Van Morrison’s Astral Weeks or Tim Buckley’s Happy Sad, while the Bonus Lp of this “Deep Cuts edition” is a 40 min live improvisation on one of the album cuts that probably beats anything on the studio LP. It’s rad to be able hear both the concise, song-centric studio side and the loose jammy side of this exciting artist in the same release.

Julie Byrne – Not Even Happiness

Julie Byrne’s gentle new-age folk is so light and airy it’s easy to miss its depth, but repeated listening shows that it’s strength lies in its weightlessness. Her soothing voice and delicate fingerpicking are enveloped in warm string arrangements, all tied together by soft reverb and pristine production that makes for an inviting, peaceful listen every time.


Tim Buckley – Blue Afternoon

Blue Afternoon continues the flowing jazz-folk of Tim’s previous release (Happy Sad) while starting to detour into the avant-garde atmospheres that would manifest more fully on his next two albums, Lorca and Starsailor. The songs and lyrics refuse to be boxed into one category as “joyful” or “lonely” or “sad” and instead reflect the intangible multi-dimensionality of feeling.