Percussive

Esmerine – Dalmak

Whilst in Istanbul for an artist residency, the adventurous Montreal chamber rock group recorded Dalmak with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, and drums with the saz, darbuka, bendir and several other instruments used in Turkish and Arabic folk music. Epic, modal themes emerge from watery beds of minimalistic polyrhythms and suspenseful string arrangments. While often sombre, mournful or foreboding, the musi seems driven by a collective sense of spiritual determination and hope.

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Autechre – Confield

Style: IDM, Glitch, Experimental Electronic, Generative

Vibes: Metallic, Wet, Mechanical, Cold, Woozy, Disorienting, Surreal, Abstract, Spectral, Complex, Futuristic, Hypnotic, Mysterious, Suspenseful, Monochromatic, Detached

Musical Qualities: Polyrhythmic, Glitchy, Digital, Percussive, Dissonant, Dense, Instrumental

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Scalpy + Meanstreetz

Style: Free Improvisation, Experimental, Noise Rock

Vibes: Ecstatic, Visceral, Hypnotic, Somatic, Abstract, Passionate, Cathartic, Liberatory

Musical Qualities: Noisy, Percussive, Repetitive, Improvisation, Dissonant

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Embryo’s Reise

Recorded September 1978 – May 1979 in Pakistan, India, Afghanistan, & Germany

Style: Free-Psych, Krautrock, Prog, Jazz-Rock, Raga Rock, Arabic Folk

Vibes: Adventure, Communal, Triumphant, Exploratory, Warm, Psychedelic, Bluesy, Playful, Energetic, Spiritual

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Third Ear Band

Style: Psychedelic Chamber Music, Free Folk, Neo-Medieval Folk, Dhrupad

Vibes: Mystical, Medieval, Nature, Alchemical, Flowing, Meditative, Ritualistic, Mysterious, Earthy, Occult

Instrumentation: Cello, Oboe, Percussion, Violin/Viola

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Autechre – Exai

Style: Glitch, IDM, Experimental Electronic

Moods: Futuristic, Mechanical, Cold, Urban, Hypnotic, Surreal, Anxious, Dystopian, Mysterious, Cinematic, Suspenseful

Musical Qualities: Digital, Generative Software, Percussive, Polyrhythmic, Glitchy, Repetitive, Dense, Complex, Sampling

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Marion Brown – Duets

Compilation of two duo records:
“Creative Improvisation Ensemble” recorded with Wadada Leo Smith in 1970
“Soundways” recorded with Elliott Schwartz in 1973

Style: Creative Music, Free Improvisation, Avant-Garde Jazz

Vibes: Open, Suspenseful, Abstract, Deconstructed, Intertwined, Restrained, Searching, Spontaneous

Musical Qualities: Dynamic, Poly-Free Improvisation, Atonal, Percussive, Slow, Sparse, Instrumental

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75 Dollar Bill – Wood / Metal / Plastic / Pattern / Rhythm / Rock

Style: Desert Blues, Psychedelic Trance Rock, Tishoumaren, Post-Minimalism

Vibes: Hypnotic, Desert, Earthy, Psychedelic, Communal, Driving, Ritualistic

Musical Qualities: Polyrhythmic, Percussive, Riffs, Improvisation, Instrumental, Repetitive, Microtonal

Instrumentation: Homemade Percussion, Plywood Crate, 12-String Guitar, Shakers, Electric Guitar, Electric Bass, Upright Bass, Viola, Trumpet, Saxophone (Baritone & Alto)

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Alabaster DePlume – Come With Fierce Grace

Style: Spiritual Jazz, Progressive Jazz

Vibe: Polyvocal, Communal, Uplifting, Warm, Triumphant, Flowing, Driving, Groovy, Raw, Hypnotic, Reflective, Colorful, Spiritual, Rebellious, Compassionate

Musical Qualities: Collective Improvisation, Thematic, Polyphonic, Dub, Suite, Loose, Rhythmic, Percussive, Studio-as-an-Instrument, Analogue Recording

Instrumentation: Tenor Sax, Electric Guitar, Synthesizers, Electric Bass, Multiple Drummers, Tabla, Upright Bass, Cello, Group Vocals, Piano, Percussion

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Califone – Villagers

Style: Weird Americana, Folk-Rock, Singer/Songwriter

Vibes: Cryptic, Autumnal, Warm, Rural, Sardonic, Observational, Apathetic, Mellow, Peaceful, Playful. Twangy

Musical Qualities: Lush, Loops, Electro-Acoustic, Percussive, Melodic, Lyrical, Studio-as-an-Instrument

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Exploding Star Orchestra – Lightning Dreamers

featuring Rob Mazurek, Jeff Parker, Nicole Mitchell, Damon Locks, Gerard Cleaver, Craig Taborn, Angelica Sanchez & Mauricio Takara

Style: Cyber-Jazz, Cosmic Big-Band, Jazz Fission

Vibes: Futuristic, Communal, Triumphant, Cosmic, Surreal, Exploratory, Anthemic, Colorful

Musical Qualities: Dense, Collective Improvisation, Polyphonic, Percussive, Progressive, Rhythmic, Spoken Word, Studio-as-an-Instrument, Suite

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Steve Tibbetts – Yr

Style: Progressive Folk, Jazz Fusion, ECM Jazz

Vibes: Mystical, Pastoral, Ethereal, Ancient, Pagan, Earthy, Exploratory, Smooth, Spiritual

Musical Qualities: Acoustic, Atmospheric, Complex, Instrumental, Uncommon Time Signatures, Percussive, Polyrhythmic, Progressive, Shred, Technical

Instrumentation: Acoustic & Electric Guitars, Congas, Drums, Kalimba, Synthesizer, Tabla, Electric Bass, Bongos

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Mandingo Griot Society

Styles: Griot Music, Mande Music, Afro-Jazz

Moods: Uplifting, Earthy, Sunny, Communal, Dance, Joyful, Passionate, Peaceful, Playful, Ritualistic, Spiritual, Warm, Tribal, Utopian

Musical Qualities: Percussive, Polyrhythmic, Acoustic, Melodic, Technical

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Sunburned Hand of the Man

Style: Free-Rock, Ritual-Psych, Group Therapy, Abstract Groove

Moods: Spontaneous, Communal, Groovy, Ritualistic, Exploratory, Primordial, Abstract, Meandering, Mysterious, Cathartic, Primal, Kinetic, Spacey, Eccentric, Stream-of-Conscious

Musical Qualities: Collective Improvisation, Propulsive, Rhythmic, Percussive, Spoken Word, Dense, Droney, Lo-Fi, Repetitive

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Mako Sica – Ronda

Style: Psychedelic Jazz, Free-Psych, Post-Rock

Moods: Ritualistic, Mysterious, Serpentine, Nocturnal, Exploratory, Desert, Moody, Spiritual, Psychedelic

Musical Qualities: Percussive, Thematic, Collective Improvisation, Atmospheric, Rhythmic

Instrumentation: Drums, Tabla, Electric Piano, Chants, Trumpet, Electric Guitar, Classical Guitar, Electric Bass, Harmonica, Gong, Cello, Upright Bass, Flute, Organ, Piano, Bells, Teponaztli, Tambourine, Viola

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Cecil Taylor – Indent

Style: Free Improvisation, Free Jazz

Moods: Passionate, Kinetic, Complex, Ecstatic, Dramatic, Energetic, Angular, Exploratory, Meditative, Focused

Musical Qualities: Solo Improvisation, Dense, Acoustic, Progressive, Dynamic, Percussive, Atonal, Active Listening, Instrumental, Technical, Rhythmic, Live

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Aa – ZebrAa

Style: Neo-Psychedelia, Noise Pop, Experimental Rock

Moods: Chaotic, Anthemic, Mechanical, Hypnotic, Surreal, Psychedelic

Musical Qualities: Noisy, Melodic, Percussive, Polyrhythmic, Dense, Repetitive

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Dengue Dengue Dengue – Zenit & Nadir

Styles: Digital Cumbia, Organic Beat Music, Psychedelic Electronic

Moods: Brooding, Earthy, Intertwined, Shadowy, Dancing, Determined, Tribal, Complex, Mystical, Hypnotic, Mechanical, Ominous, Rootsy, Haunting, Dark, Knotted, Mysterious, Ritualistic, Futuristic

Musical Qualities: Polyrhythmic, Percussive, Loops, Progressive, SpokenWord, Electro-Acoustic, Sampling

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The Art Ensemble of Chicago – Bap-Tizum

Style: Avant-Garde Jazz, Modern Creative, Spiritual Jazz, Free Jazz

Moods: Ritualistic, Passionate, Cathartic, Open, Colorful, Visceral, Warm, Communal, Free, Abstract, Chaotic, Exploratory, Responsive, Tribal, Spiritual

Musical Qualities: Collective Improvisation, Percussive, Suite, Live, Dynamic, Polyphonic, Group Vocals

Instrumentation: Trumpet, Flugelhorn, Kelphorn, Bass Drum, Percussion, Saxophones (Alto, Soprano, Sopranino, Tenor, & Bass), Clarinet, Drums, Alto Flute, Conga, Vibraphone, Upright Bass, Electric Bass, Log Drum, Gong, Whistle, Bass Marimba

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Ka Baird – Respires

Style: EAI, Post-Minimalism, Psychedelic Experimental

Moods: Earthy, Visceral, Hallucinogenic, Tangled, Hypnotic, Surreal, Knotty, Intertwined

Musical Qualities: Electro-Acoustic, Pulse, Experimental Vocalizations, Improvisation, Repetitive

Instrumentation: Flute, Vocals & Keyboards, all processed through stereo delay effects

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Helena Espvall & Masaki Batoh – Overloaded Ark

Style: Progressive Folk, Acid Folk, Psychedelic Chamber Music

Moods: Mysterious, Exploratory, Medieval, Mystical, Ancient, Brooding, Forest, Haunting, Serpentine, Ritualistic, Cinematic

Musical Qualities: Complex, Dense, Acoustic, Progressive, Percussive, Noisy, Improvisation

Instrumentation: Cello, Acoustic & Electric Guitars, Organ, Sho, Banjo, Renaissance Harp, Rauschpfeife, Crumhorn, Cornamuse, Hurdy Gurdy, Electronics, Darbuka, Riq, Frame Drum, Percussion, Recorder, Piano, Vocal Harmonies

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Natural Information Society Community Ensemble – Since Time is Gravity

Style: Organic Music, Psychedelic Jazz, Ecstatic Minimalism, Gnawa

Moods: Ritualistic, Communal, Contemplative, Meditative, Earthy, Transcendent, Psychedelic, Colorful, Soothing, Spiritual, Peaceful

Featuring Ari Brown, Hamid Drake, Ben Lamar Gay, Mai Sugimoto, Jason Stein, Mikel Patrick Avery, Lisa Albarado, Kara Bershad, Josh Berman, and Nick Mazzarella

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The Futuristic Folk of The Tower Recordings [Vol. 1 & 2]

These ceremonial meanderings are the interrupted transmissions of campfire songs picked up by intergalactic satellites. Past and future collapse as old-timey banjo melodies fade into squiggly synthesizers and lo-fi electronics. Distant harmonicas sink behind thick fogs of ghostly whirring, while warped slide guitar, drone fiddle and echo percussion bubble through the folky primordial soup

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Seven Rivers of Fire – Way of the Pilgrim

“Way of the Pilgrim” unfolds as a 4-movement suite of dark acoustic summoning rituals, spiritually connected to a mystical lineage of wyrd-folk practitioners through the ages. That strangely familiar feeling of being lost in the woods, of venturing into the archetypal unknown, pervades the atmosphere right from the opening… [Click for full review]

Recommended if you dig Six Organs of Admittance, Fursaxa, Robbie Basho, Third Ear Band

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Medicine Singers

Featured Musicians: Joe Rainey, jaimie branch, Laraaji, Thor Harris, Ryan Olsen, Ikue Mori

Style: Algonquian & Pocasset Powwow Music, Neo-Psychedelia

Moods: Ceremonial, Communal, Cathartic, Colorful, Spiritual, Intense, Tribal, Ritualistic

Musical Qualities: Percussive, Chants, Collage, Electro-Acoustic, Rhythmic

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Joe Rainey – Niineta

Style: Post-Industrial Powwow Music, Experimental Electronic

Mood: Communal, Ritualistic, Cathartic, Spiritual, Passionate, Mournful, Epic

Musical Qualities: Chants, Manipulated Vocals, Distorted, Electroacoustic, Studio-as-an-Instrument, Percussive, Noisy

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Širom – Uteko?injeni prestol preprostih (The Liquified Throne of Simplicity)

Style: “Imaginary Folk”, Ritual Folk, Psychedelic Minimalism

Moods: Mysterious, Ritualistic, Earthy, Tribal, Exploratory, Hypnotic, Mystical, Sombre, Surreal

Musical Qualities: Percussive, Microtonal, Polyphonic, Improvisation, Acoustic, Complex, Uncommon Time Signatures, Repetitive, Instrumental

Instrumentation: Guimbri, Banjo, Frame Drum, Viola, Hurdy Gurdy, Tampura, Balafon, Chimes, Lute, Lyre, Ribab, Mizmar

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African Head Charge – My Life in a Hole in the Ground

LP, On-U Sound Records (1981/2016 RE) Styles: Industrial Dub, African Folk Music, Psychedelic Electronic Moods: Mysterious, Nocturnal, Earthy, Spiritual, Surreal, Tribal, Mechanical, Dark, Hypnotic, Groovy, Exploratory, Psychedelic, Woozy Musical Qualities: Percussive, Polyrhythmic, Studio-as-an-instrument, Repetitive, Loops My Life In A Hole In The Ground by African Head Charge

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Osjan – Roots

Style: Free Folk, Organic Music, Progressive Folk, Psychedelic Chamber Music

Moods: Ritualistic, Ancient, Flowing, Tribal, Earthy, Communal, Hypnotic, Intertwined, Medieval, Mysterious, Mystical, Nocturnal

Musical Qualities: Percussive, Collective Improvisation, ?Acoustic, Suite, Thematic, Progressive, Atmospheric, Repetitive

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Sélène Saint-Aimé – Potomitan

Style: Avant-garde Chamber Jazz, Afro-Carribean Jazz, Gwoka

Moods/Themes: Ancestry, Ritualistic, Meditative, Hypnotic, Communal, Rootsy, Poetic, Sombre, Elegant, Flowing, Warm, Mystical

Musical Qualities: Polyrhythmic, Percussive, Acoustic, Repetitive, Improvisation, Technical

Instrumentation: Upright Bass, Bèlè Drum, Ka Drum, Trumpet, Tenor Saxophone, Vocals, Cello, Violin

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Land of Kush – Against the Day

Land of Kush’ Against the Day is a passionate, adventurous & rebellious masterpiece of mystical electrified big-band compositions, inspired by the surreal novel of the same name by Thomas Pynchon. Bilocal oudist & composer Osama Shalabi (Montreal/Cairo) bravely leads this 20+ member orchestra through a progressive suite of long form arrangements that synthesize sounds of spiritual jazz, Arabic folk & experimental rock into a sound that’s overwhelmingly unique and gripping.

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Brute Force

Style: Soul (A-Side), Jazz-Funk, Spiritual Jazz (B-Side)

Vibe: Sunny, Uplifting, Communal, Joyful, Anthemic, Passionate

Musical Qualities: Groovy, Lush, Percussive, Rhythmic

Instrumentation: Horns, Vocals, Electric Keyboard, Electric Guitar (played by Sonny Sharrock!), Congas, Drums, Electric Bass

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500mg – Apocatastisis

Style: Hermetic Folk, Free Folk, Ritual Psych

Vibe: Ritualistic, Nocturnal, Hallucinogenic, Mysterious, Hazy, Hermetic, Hypnotic, Introspective

Musical Qualities: Droney, Acoustic, Atmospheric, Instrumental, Percussive

Instrumentation: Acoustic Guitar, Sitar, Tabla, Violin

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Don Cherry’s New Researches – Organic Music Theatre: Festival de jazz de Chateauvallon 1972

Style: Mystical Folk, Global Fusion, Spiritual Jazz

Vibe: Utopian, Communal, Ceremonial, Spiritual, Ritualistic, Mystical, Eclectic, Colorful, Bright, Morning, Sunny, Warm, Uplifting, Mysterious

Musical Qualities: Acoustic, Percussive, Improvisation, Live Recording, Chants

Instrumentation: Piano, Group Vocals, Berimbau, Percussion, Tanpura, Donsi Ngoni

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Brother Ah and the Sounds of Awareness – Key to Nowhere

Style: Spiritual Jazz, World Fusion, Soul Jazz

Vibe: Devotional, Communal, Flowing, Peaceful, Warm, Mysterious, Longing, Conscious, Uplifting, Cosmic, Airy, Groovy, Lush, Eclectic

Musical Qualities: Acoustic, Percussive, Improvisation, Thematic, Instrumental (Except A1, B3)

Instrumentation: Flute, Harp, Electric Guitar, Mbiri, Upright Bass, Drums, Gong, French Horn, Harmonica, Berimbau, Electric Bass, Percussion

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Anteloper – Kudu

Style: Cyber-Jazz, Abstract Groove, Avant-Garde Jazz

Vibe: Futuristic, Menacing, Exploratory, Kinetic, Ominous, Spacey, Energetic, Colorful, Surreal, Suspenseful, Adventure

Musical Qualities: Duo Improvisation, Thematic, Instrumental, Electro-Acoustic, Percussive, Rhythmic, Atmospheric

Instrumentation: Trumpet, Drums, Synthesizers, Electronics

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Miles Davis – Live in Tokyo 1973

Personnel: Miles Davis – Trumpet, Organ; Pete Cosey – Electric Guitar; Reggie Lucas – Electric Guitar; Al Foster – Drums; Mtume – Percussion, Michael Henderson – Electric Bass; Dave Liebman – Soprano Saxophone, Tenor Saxophone, Flute

Style: Abstract Groove, Psychedelic Jazz Fusion

Vibe: Exploratory, Powerful, Menacing, Mysterious, Serpentine, Complex, Aggressive, Bluesy, Energetic, Groovy, Psychedelic

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The Art Ensemble of Chicago – We Are On the Edge

Style: Modern Creative, Chamber Jazz, Experimental Big Band, Great Black Music, Avant-Garde Classical

Vibe: Communal, Triumphant, Suspenseful, History, Eclectic, Colorful, Intricate, Ritualistic, Patient, Open, Complex, Theatric

Musical Qualities: Poly-Free Improvisation, Dynamic, Collective, Progressive Structures, Technical, Orchestral, Percussive, Reductionism, Suite, Polyphonic

Instrumentation: Trumpets, Upright Bass, Spoken Word, Operatic Vocals, Drums, Percussion, Saxophone, Cello, Violin, Viola

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Material – Temporary Music

Style: Industrial Jazz-Funk, Abstract Fusion, No Wave

Vibe: Futuristic, Menacing, Cold, Groovy, Mechanical, Hypnotic, Industrial, Dystopian

Musical Qualities: Rhythmic, Repetitive, Dub Production, Instrumental, Percussive, Sampling

Instrumentation: Saxophone, Electric Bass, Drums, Percussion, Electric Guitar, Rhythm Box, Prepared Piano, Clarinet

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Chicago Underground Duo – Locus

Style: Cyber-Jazz, Avant-Garde Jazz, Future Jazz

Influences: IDM, Afrobeat, Free Jazz

Vibe: Futuristic, Mechanical, Driving, Energetic, Suspenseful, Cinematic, Eclectic, Abstract, Spacey

Musical Methods: Thematic Improvisation, Electro-Acoustic, Polyrhythmic, Percussive, Instrumental, Studio-as-an-Instrument,

Instrumentation: Cornet, Drums, Mbira, Synthesizers, Game Boy, Guitar, Balaphone, Electronics, Bamboo Flute

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King Crimson – Lark’s Tongue in Aspic [Steven Wilson Mix]

Style: Prog, Chamber Rock

Vibe: Mercurial, Menacing, Bombastic, Cryptic, Muscular, Cerebral, Epic, Medieval, Aggressive, Bipolar, Heavy, Headphone Album

Musical Qualities: Dynamic, Complex, Progressive Structures, Uncommon Time Signatures, Percussive, Riffs,

Instrumentation: Electric Guitar, Violin, Mellotron, Electric Bass, Electric Keyboards, Percussion, Drums, Vocals

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Omar Rodriguez Lopez Quintet – The Apocalypse Inside of an Orange

Style: Psychedelic Jazz Fusion, Prog, Jazz-Rock

Vibe: Psychedelic, Chaotic, Bombastic, Energetic, Groovy, Heavy, Manic

Musical Attributes: Polyphonic, Polyrhythmic, Dense, Instrumental, Odd Time Signatures, Complex, Progressive, Technical, Riffs, Improvisation, Studio-as-an-Instrument

Instrumentation: Electric Guitar, Drums, Percussion, Electric Bass, Saxophone, Keyboards

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