2015

Joanna Newsom – Divers

“But stand brave, life-liver, bleeding out your days in the river of time.
Stand brave: time moves both ways, in the nullifying, defeating, negating, repeating joy of life.
The moment of your greatest joy sustains: not axe nor hammer, tumor, tremor, can take it away, and it remains.
And it pains me to say, I was wrong. Love is not a symptom of time. Time is just a symptom of love”

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Joan Shelley – Over and Even

Style: Folk, Singer/Songwriter

Vibe: Morning, Reflective, Soothing, Gentle, Bittersweet, Warm, Mellow, Contemplative

Musical Qualities: Acoustic, Lush, Soft, Vocal Harmonies, Melodic, Sparse, Polished Production

Instrumentation: Fingerstyle Acoustic Guitar, Banjo, Piano, Harmonium, Glockenspiel, Keyboards

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Zs – Xe

Style: Experimental Rock, Brutal Prog, Free Minimalism, Math Rock, Noise

Vibe: Hypnotic, Cold, Ritualistic, Dystopian, Mysterious, Chaotic, Surreal, Loose

Musical Qualities: Dissonant, Improvisation, Minimalistic, Noisy, Complex, Instrumental, Pulse, Uncommon Time Signatures

Instrumentation: Saxophone, Electric Guitar, Loops, Percussion

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Spaza – Spaza

“There is a heightened and sustained sense of intuition running through this recording whose sonic palette is so wide it captures – through soundscaping, invocation, lament, impressionistic vocal weaving – not only the transient and hybridised nature of life in Johannesburg, but also the heaviness of the air at the time of its recording. More ambient, controlled swirl of rhythm and experimental mixing than incessant groove, the album is an outpouring of a range of expressions that exist between the supposed binaries of indigenous forms of music and the electronic experimentation Johannesburg is known globally for.” (from Bandcamp)

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Alex G – Beach Music

Listening to Alex G, one might imagine a young alien sitting alone in his martian bedroom baring his angsty, teenage confessions to his 4-track tape recorder. Yet, at the core of his music, underneath layers of psychedelic guitars, weird pitch-shifted vocals, and occasional lo-fi hiss, lies some genius pop songs that feel simultaneously adolescent and mature.

Recommended for fans of lo-fi experimentation and bedroom pop. Alex seems to pull influences from all over and channel them through his own unique personality and penchant for odd, psychedelic production. Recalls Elliot Smith’s loner acoustic songwriting and drum machines pulled from 80?s pop songs; there’s even a fucked up jazz piano ballad thrown into the mix.

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The Necks – Vertigo

Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz

Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic

Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic

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Zombi – Shape Shift

LPx2, 45rpm, Relapse Records Style: Space Rock, Progressive Electronic Vibe: Sci-Fi, Driving, Futuristic, Spacey, Motorik, Focused, Muscular, Cinematic, Ominous Musical Qualities: Rhythmic, Instrumental, Repetitive, Odd Time Signatures, Technical, Dynamic Instrumentation: Analogue Synthesizers, Drums, Electric Bass

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Ought – Sun Coming Down

There is a certain beauty just to being alive, and Ought make it their mission to find it through raw rock n’ roll that veers seamlessly between upbeat post-punk, meditative feedback drones, dramatic ballads, and cathartic guitar freak outs.

Recommended for fans of post-punk that blends the moodiness of Joy Division, Iceage, and Television with the experimentation and noisiness of This Heat and No Wave.

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Human Behavior – Bethpage

The apocalyptic chamber-folk of Bethpage soundtracks multiple chapters of cryptic storytelling, mixing one’s darkest thoughts with religious imagery and allegory through banjo sing-alongs and haunting spoken word passages. The heavy climaxes are whirlwinds of bombastic drums, driving bass, fiddle, clarinet, and banjo that often recall the communal chamber-punk of Thee Silver Mt. Zion Memorial Orchestra. While many tracks feel seeped in shadow and darkness, a heavenly light occasionally floods in through some truly serene and beautiful passages.

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Joshua Abrams & Natural Information Society – Simultonality

Over the past decade, Josh Abrams has been using his guimbri to create music inspired by the ceremonial music of the Gnawa in North Africa, infusing it with a wide variety of influences from kosmische to minimalism to the avant-garde jazz of his local scene in Chicago. On this album, the focus is on “pure motion” driven by double drummers hypnotically interlocking with guimbri, guitar, keys and harmonium. Each individual plays unique rhythmic figures that push and pull against each other like polyrhythmic tectonic plates, creating constantly changing, yet circular grooves.

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Kendrick Lamar – To Pimp a Butterfly

Kendrick travels through the history of African-American music and into the future, taking inspiration from P-Funk, G-Funk, jazz, trap and everything in between. His lyrics display an acute awareness of someone battling with the weight of fame, institutional racism, and his own depression. This album is simultaneously personal and universal, and nothing short of revolutionary.

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Jerusalem in My Heart – If He Dies, If If If If If If

At the core of these electrouacoustic Arabic folk songs lies expressive vocals and the buzuk, a fretted lute which Radwan Ghazi Moumneh plays with a near religious determination. While these instruments are played nakedly and organically, it is the production and recording that really exhibits the experimental and atmospheric nature of the music. Acoustic instruments are re-sampled and processed to create granular and rhythmic accompaniment, while waves of white noise, synths and field recordings are used to adorn and enhance the emotional twists and turns of the raw acoustic performances.

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Kamasi Washington – The Epic

Kamasi Washington and his band The Next Step, pick up where their forefathers and mothers left off by making spiritual jazz that respects the jazz canon without getting stuck in the past. This album ranges from free to groovy to melodic without losing sight of its mission. The inclusion of such a large band, an orchestra, a choir, and even a turntablist allows an infinite, colorful array of tonal and dynamic possibilities. 

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Death Grips – The Powers that B

This double album set is recommended to anyone looking for extremely primal, complex punk rap with a wide range of influences, including industrial hip-hop, IDM, math rock, noise, and psychedelic rock. Fans of experimental, aggressive hip-hop like Dälek or Public Enemy will probably really dig this, as will fans of math rock for the extremely innovative musicianship and intricate interplay of Death Grips’/Hella’s Zack Hill and Tera Melos’ Nick Reinhart (who plays on 5 of the tracks).

Click further for full review

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Vinyl Williams – Into

Kaleidoscopic pop driven by round, groovy bass locked in with funky, motorik drumming, all floating through layers of swirling, delayed guitars, shimmering synths, and dreamy vocals. Recommended to anyone looking for a smooth, sugary middle ground between Stereolab, Toro y Moi, and Neu!

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Dead Recipe – Day of Mangoes [Review]

“Day of Mangoes” is overstimulation at it’s finest. Just imagine floating down a river through an unexplored tropical paradise where every corner brings a new array of colorful sounds. Warm synths gliding over clunking piano give way to chorus-drenched highlife guitars strumming over thick synth basslines. Manipulated vocal samples emerge from nowhere and then disappear into radio static just as quickly…RIYL: Animal Collective, King Sunny Ade, & Madlib

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