Avec le Soleil sortant de sa bouche – Pas pire pop [I ♥ You So Much]

Style: Art Rock, Progressive Pop, Post-Punk

Influences: Krautrock, No Wave, Afrobeat, Funk

Vibe: Driving, Muscular, Motorik, Mechanical, Hypnotic, Cathartic, Primal, Epic, Messy

Musical Qualities: Rhythmic, Repetitive, Noisy, Progressive

Do Make Say Think – & Yet & Yet

Style: Post-Rock, Space Dub

Vibe: Intertwined, Autumnal, Contemplative, Warm, Pastoral, Spiritual, Spacey, Meandering, Exploratory, Mellow

Musical Methods: Dynamic, Instrumental, Atmospheric, Loose, Studio-as-an Instrument

HṚṢṬA – Ghosts Will Come and Kiss Our Eyes

Style: Ghost Folk, Avant Folk, Post-Rock

Vibe/Moods: Eerie, Murky, Ominous, Nocturnal, Winter, Haunting, Witchy

Musical Qualities: Droney, Lo-Fi, Analogue

Instrumentation: Electric Guitar, Organ, Vocals, Bass, Drums

Fly Pan Am – Frontera

Style: Post-Rock, Dance Score, Experimental Rock

Influences: Krautrock, IDM, Industrial, Drone

Vibe: Dystopian, Motorik, Mechanical, Ominous, Paranoid, Gloomy, Cold, Suspenseful

Musical Qualities: Driving, Repetitive, Rhythmic, Atmospheric, Droney

Fly Pan Am – Sédatifs en fréquences et sillons

Style: Post-Rock, Experimental Rock, Tape Music, Drone

Vibe: Deconstructed, Hypnotic, Meandering, Stark, Motorik, Abstract, Urban

Musical Qualities: Instrumental, Pulse, Loops, Minimalistic, Repetitive, Drone, Studio-as-an-Instrument, Field Recordings, Noise

Hangedup – Kicker in Tow

Style: Post-Rock, Chamber Punk, Experimental Rock

Vibe: Driving, Murky, Cathartic, Ramshackle, Adventurous, Kinetic, Moody, Industrial

Musical Qualities: Percussive, Loops, Rhythmic, Atmospheric, Pulse, Droney, Dynamic

Instrumentation: Viola + Loops, Drums

Eric Chenaux – Dull Lights

Style: Warped Americana, Free Folk, Singer/Songwriter

Vibe: Heartfelt, Airy, Raw, Lethargic, Soft, Psychedelic, Peaceful

Musical Qualities: Loose, Lyrical, Acoustic

Instrumentation: Vocals, Banjo, Electric Guitar w/ Fx, Lap Steel, Drums

Vic Chesnutt – At the Cut

Style: Singer/Songwriter, Southern Gothic, Chamber Punk, Slowcore, Folk Rock

Vibe: Depressive, Angsty, Triumphant, Moody, Introspective, Somber, Passionate, Sad, Cathartic

Musical Attributes: Dynamic, Raw

Instrumentation: Acoustic Guitar, Electric Guitars, Upright Bass, Violin, Drums

Feu Thérèse – Ça Va Cogner

Style: Experimental Rock, Krautrock, French Pop, Punk-Funk, 80’s Glam

Vibe: Motorik, Surreal, Playful, Confident, Triumphant, Determined, Juxtapositions, Catchy, Hypnotic, Retro-Futuristic

Musical Attributes: Dense, Rhythmic, Melodic, Noisy, Repetitive

Godspeed You! Black Emperor – G_d’s Pee AT STATE’S END!

Style: Chamber Rock, Post-Rock

Vibe: Climactic, Triumphant, Epic, Anti-Imperialist, Anthemic, Communal, Apocalyptic, Suspenseful

Musical Qualities: Dynamic, Instrumental, Atmospheric, Field Recordings, Progressive, Suite, Droney

Land of Kush – Sand Enigma

Style: Avant-Garde Big Band, Arabic/Egyptian Folk, Psychedelic Jazz

Vibe: Intense, Sombre, Cathartic, Psychedelic, Complex, Ritualistic, Communal

Musical Qualities: Dense, Progressive, Dissonant, Acoustic, Percussive

Instrumentation: Santur, Upright Bass, Piano, Saxophones, Vocals, Percussion, Drums, Clarinet, Flute, Strings (Violin, Viola, Cello), Keyboards, Synthesizer, lap Steel Guitar, Electronics, Harp

Off World – 1

Style: Progressive Electronic, Experimental
Vibe/Mood: Ethereal, Spacey, Futuristic, Mysterious, Suspenseful, impressionistic
Musical Attributes: Atmospheric, Instrumental, Studio-as-an-instrument (Loops, Editing, Dubs), Vignettes, Improvisation
Instrumentation: Synthesizer, Drum Machine

Deep Rotations: 2019 — 40+ Essential Records + Mixtape

40+ album released in 2019 worthy of some deep listening, plus an accompanying mixtape recorded straight from these records

Sandro Perri – Impossible Spaces

The cubist sophisti-pop of Impossible Spaces feels both breezy and proggy in its chilled-out intricacy. Sandro Perri’s evocative songwriting and catchy melodicism are brought into high-definition by warmly  futuristic production, atmospheric synthesizers, and lush arrangements for strings, horns, and woodwinds.

Ought – Sun Coming Down

There is a certain beauty just to being alive, and Ought make it their mission to find it through raw rock n’ roll that veers seamlessly between upbeat post-punk, meditative feedback drones, dramatic ballads, and cathartic guitar freak outs.

Recommended for fans of post-punk that blends the moodiness of Joy Division, Iceage, and Television with the experimentation and noisiness of This Heat and No Wave.

Black Ox Orkestar – Ver Tanzt? Yeah

These impassioned, and often mournful, renditions of klezmer folk songs (both traditional and original) are infused with elements of free jazz, drone, and chamber music to create something both rooted and urgently modern (Even 15 years after its release). The mostly acoustic band features violinist Jessica Moss (also of Silver Mt. Zion) and upright bassist Thierry Amar (asmz, GY!BE) in addition to singer/multi-instrumentalist Scott Levine Gilmore and Clarinetist/Guitarist Gabe Levine.

Godspeed You Black Emperor! – Slow Riot For New Zero Kanada EP

“Side A is cut at 45rpm and features “Moya”, a broiling cascade of upward scales that repeatedly explodes beyond its own threshold. “BBF3” on Side B clocks in at 18 minutes, and was the band’s most lyrical, multi-movement music to date — more elaborated melodic figures wind around an angry spoken-word field recording (infamously culminating in the recital of the speaker’s poem — verses lifted straight from Iron Maiden)”

Esmerine – Dalmak

Whilst in Istanbul for an artist residency, the adventurous Canadian chamber rock group (featuring past members of Silver Mt. Zion and GY!BE) recorded with an ensemble of Turkish musicians, augmenting their core sound of cello, marimba, drums, and tenor banjo with the saz and several other instruments used in Turkish and Arabic folk music.

Eric Chenaux – Slowly Paradise

Eric Chenaux’s gentle falsetto is the most constant, tangible element on an album characterized by a permanent state of flux. The guitars are warbly and unsteady with their fluctuating tones, volume, and pitch. Yet, despite their experimental nature, they never sound abrasive and, together with some mellow Wurlitzer, create a soft, pillowy environment for Chenaux’s romantic crooning about the nature of love, the moon, and warm nights.

Jerusalem in My Heart – If He Dies, If If If If If If

Style: Arabic Folk, Avant-Folk

Vibe: Mourful, Passionate, Political, Psychedelic

Musical Qualities/Instrumentation: Electroacoustic, Buzuk, Vocals, Prepared Guitar, Field Recordings

Colin Stetson and Sarah Neufeld – Never Were the Way She Was

Saxophonist Colin Stetson and violinist Sarah Neufeld employ innovative performance techniques, mutating ostinatos and an atmospheric sense of texture to compose minimalist compositions that are as brooding and haunting they are hypnotically beautiful.

Do Make Say Think – Goodbye Enemy Airship, The Landlord is Dead

“Recorded in an old wooden barn, this second album is swaddled in twilight autumnal ambiance. While the record is bookended by the band’s awesome psych-rock explosions, much of the material here shows increased referencing of jazz influences (modal horns, brushed percussion) and a more organic deployment of micro-electronics. Raw and polished, visceral and cerebral, the band combines rock and jazz traditions of space music with the ‘instrumental’ potentials of mixing room to present a true gem of a record.” (Press Release)

Godspeed You! Black Emperor – Yanqui U.X.O.

Godspeed’s last album before their 10 year hiatus was produced by the legendary Steve Albini, resulting in what might be their heaviest and most direct album to date. Coming off the heels of September 11th, Yanqui U.X.O. seems to be a reaction against the ramped up military-industrial complex and its promotion of fear and xenophobia, as well as protesting Israel’s treatment of Palestinians. The back cover even goes as far as connecting each major record label to some type of weapons manufacturer.