Released in 1975 on Virgin Records UK Pressing Format: LP
Released in 1978 on Mercury Records Format: LP
Released in 1973 on Harvest Records
Released in 2014 on RVNG International Format: LP
Released in 2005 on Drag City Format: LP
Released in 1999 on Drag City Records Format: LP Includes Poster
Originally released in 2000 on Epic Records 2010 Repress Format: LPx2
Released in 1994 by Drag City Format: 12″ EP, 45rpm
Originally released on K records in 2003 Recorded between 2001-2002 2013 Reissue on PW Elverum & Sun Format: LP
Released in 1999 on Drag City Records Format: LP
Released in 2007 on Kranky Cryptograms recorded in 2005 Fluorescent Grey recorded in 2006 Format: LPx2
Released in 1967 on Elektra Records Format: LP
Compared to the immediate songwriting and lush textures of Helplessness Blues, the progressive folk-rock opus Crack Up feels like an impenetrable wilderness on first listen with its dense, tangled arrangements and complex compositions.
Released in 2001 on Definitive Jux Original Pressing Format: LPx2
Originally released in 2005 on P.W. Elverum & Sun 2015 Pressing, re-mixed and re-designed Format: LP, white vinyl
The Books’ music is simultaneously funny, innovative, catchy and enlightening. They use found sound and spoken word mixed with innovative recording techniques and acoustic instruments to create beautiful sound-collages that somehow create unity between all these disparate sources, as if they were all meant to be together. Everything these guys do, solo or together, is absolute genius.
Originally released in 1967 on Elektra 2012 Rhino Pressing, cut from original analogue masters Format: LP
Released in 1967 on Columbia Records Format: LP
On experimental musician/author/professor David Grubb’s first album as singer-songwriter, he synthesizes technical bluegrass banjo and fingerstyle acoustic guitar playing with imaginative arrangements, abrupt stylistic shifts, philosophical questioning lyrics, improvisation, drones, and an eclectic cast of musicians, including drummer John McEntire (Tortoise, The Sea and Cake), bassist Josh Abrams (Natural Information Society), and drone violinist Tony Conrad.
After 20+ years of using his introspective songwriting as a playground for psychedelic lo-fi experimentation, underdog hero Emil Amos hands the production reins to John Angello (Sonic Youth, Dinosaur Jr.) for his most polished album yet, capturing the best aspects of 70’s rock classics without ever feeling cliché. The hi-fi analogue production brings a newfound clarity and depth that allows Amos’ songwriting and instrumental performances to bloom; the choruses are anthemic, the atmospheres are darkly psychedelic, and his lyrics are just as philosophical and contemplative as ever.
The Whole Thing is Just There is another beautiful and life-affirming release from Young Jesus, the second with the current L.A. iteration of the band. Their inter-band chemistry seems stronger than ever, with telepathic improvisations, symbiotic catharses, and a mutual love for each other that is easily felt from a listener’s perspective. The lyrics deal with self-exploration and one’s relationship with the world around them, finding solace in spirituality, existentialism, literature, and the ethos of free jazz. Stylistically the music seems rooted in late-90’s indie rock and emo, with seamless but adventurous detours into post-rock, noisy post-hardcore, and free improvisation. Excited to see where these guys go next.
Released in 2015 on Partisan Records Recorded 2003-2005
Discpline marks the first in a trilogy of complex prog-meets-new-wave masterpieces that have been relished by anxious overthinkers for decades…featuring polyrhythmic riffs, innovative guitar textures, overwrought sing-talking, and a strong inter-band chemistry.
Released in 1974 on Virgin Records Original U.S. Pressing, Promo Copy
Released in 2011 on Sub Pop Records Produced by Phil Ek and Fleet Foxes Format: LPx2 Includes large foldout poster
Space Age Pop
After a prolific career as a noise/improvisational/experimental guitarist and a few forays into folk and chamber pop, Jim O’Rourke surprised his audience with an album closer to straightforward rock than his audience could have ever expected of him. Yet underneath it’s catchy, cheery, and polished exterior, his lyrics are full of humorously bitter resentment. Like his debut singer/songwriter album Eureka, Insignificance is full of the meticulous and lush arrangements that Jim would become known for.
Album Information: Released in 2017 on Sub Pop Records Format: 2xLP on gold and silver vinyl, Deluxe Edition with 4 … More
Inner Gatefold (Left)Inner Gatefold (Right)Back Cover Vinyl Etching Album Information: Released in 2017 on Ipecac/Deadverse Format: LPx2 with D-side etching … More
Album Information: Released in 2009 on Dead Oceans Format: LPx2, 45rpm Catalogue: DOC012 Description: These guys are my favorite American … More
I highly recommend this album to any nocturnal recluses looking for a shadowy singer-songwriter to listen to during their next existential crisis. Emil’s experimental blend of hi- and lo-fi recording methods and tasteful use of psychedelic atmospheres allow his strong songwriting to take precedent, while simultaneously offering plenty of new textures to discover with each subsequent listen. Diverse range of influences include Indian classical, psychedelic rock, drone, folk, dub…the list goes on.