2010s

Chicago Underground Duo – Locus

Style: Cyber-Jazz, Avant-Garde Jazz, Future Jazz

Influences: IDM, Afrobeat, Free Jazz

Vibe: Futuristic, Mechanical, Driving, Energetic, Suspenseful, Cinematic, Eclectic, Abstract, Spacey

Musical Methods: Thematic Improvisation, Electro-Acoustic, Polyrhythmic, Percussive, Instrumental, Studio-as-an-Instrument,

Instrumentation: Cornet, Drums, Mbira, Synthesizers, Game Boy, Guitar, Balaphone, Electronics, Bamboo Flute

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Elkhorn – Elk Jam

Style: Folk Rock, Psych, Jam Band

Vibe: Scorched, Summer, Desert, Stoned, Pastoral Peaceful, Sunny, Traveling, Psychedelic

Musical Qualities: Acoustic, Instrumental, Improvisation, Fuzzy, Mellow, Riffs, Loose

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Eli Keszler – Stadium

Style: EAI (electroacoustic improvisation), Future Jazz

Vibe: Futuristic, Kinetic, Urban, Abstract, Impressionistic, Meditative, Suspenseful, Mysterious, Complex

Musical Qualities: Percussive, Electroacoustic, Polyrhythmic, Field Recordings, Instrumental, Improvisation (Solo), Odd Time Signatures, Studio-as-an-Instrument

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Beth Orton – Sugar Season

Session musicians include Brian Blade, Eyvind Kang, Sam Amidon, Nico Muhly, Marc Ribot, Rob Burger, etc.

Style: Chamber Folk, British Folk-Rock, Singer-Songwriter, Folk-Pop

Vibe: Autumnal, Bittersweet, Melancholy, Moody, Rootsy, Warm, Mellow

Musical Qualities: Lyrical, Lush, Melodic, Soft

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Curanderos – Curanderos

Style: Free-Psych, Spiritual Stoner Rock, Drone-Rock

Influences: Shoegaze, Spiritual Jazz, Kosmische, Prog, Drone

Vibe: Mysterious, Nocturnal, Spiritual, Exploratory, Brooding, Amorphous, Witchy, Murky, Psychedelic, Ritualistic, Washy, Hypnotic, Stoned

Musical Qualities: Collective Improvisation, Repetitive, Atmospheric, Loose, Noisy, Instrumental

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Eiko Ishibashi – Imitation of Life

Style: Chamber Pop, Prog-Pop, Jazz Pop, Singer-Songwriter

Vibe: Lush, Warm, Sunny, Sci-Fi, Playful, Philosophical, Surreal, Energetic, Imaginative

Musical Qualities: Progressive, Dense, Catchy, Complex, Melodic, Dense, Technical, Rhythmic

Instrumentation: Piano, Vibraphone, Drums, Flute, Rhodes, Electric & Acoustic Bass, Saxophone, Clarinet, Violin, Cello , Synthesizers, Steel Drum, French Horn

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Zs – Xe

Style: Experimental Rock, Brutal Prog, Free Minimalism, Math Rock, Noise

Vibe: Hypnotic, Cold, Ritualistic, Dystopian, Mysterious, Chaotic, Surreal, Loose

Musical Qualities: Dissonant, Improvisation, Minimalistic, Noisy, Complex, Instrumental, Pulse, Uncommon Time Signatures

Instrumentation: Saxophone, Electric Guitar, Loops, Percussion

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Swans – The Glowing Man

Style: Experimental Rock, Post Rock

Vibe: Cathartic, Visceral, Spiritual, Brooding, Shadowy, Apocalyptic, Ritualistic, Suspenseful, Climactic, Dark, Powerful, Heavy, Cryptic, Philosophical, Surreal, Epic, Hypnotic, Sombre, Meditative, Mysterious, Monolithic, Longing, Existential, Disorienting

Musical Qualities: Dynamic, Repetitive, Dense, Crescendo, Rhythmic, Droney

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Holden – The Inheritors

Style: Progressive Electronic, IDM, Microhouse

Vibe: Ancient, Tribal, Ritualistic, Pagan, Brooding, Mythic, Cold, Visceral, Mechanical, Hypnotic, Driving, Epic, Focused, Mysterious, Mystical, Patient, Powerful, Suspenseful, Earthy

Musical Qualities: Repetitive, Distorted, Heavy, Rhythmic, Percussive, Loops, Dissonant, Dense, Instrumental, Pulse, Noisy, Progressive, Field Recordings, Sampling

Instrumentation: Bodhrán (Irish Frame Drum), Synthesizers, Drum Machine, Saxophone, Organ, Chanting, Melodeon (Pump Organ), Electric Guitar, Electric Bass, Xylophone, Live Electronics

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Sumac – Love in Shadow

Style: Free Sludge, Post-Metal

Vibe: Heavy, Cathartic, Murky, Aggressive, Surreal, Complex, Epic, Primal, Abstract, Powerful

Musical Qualities: Dissonant, Noisy, Collective Improvisation, Growling Vocals, Progressive Structures, Odd Time Signatures, Fuzzy Riffs, Dynamic, Reductionism

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São Paulo Underground – Beija Flors Velho E Sujo

Style: Future Jazz, Abstract Groove, Psychedelic Fusion

Vibe: Adventure, Futuristic, Triumphant, Spacey, Psychedelic, Energetic, Bombastic, Complex

Musical Qualities: Collective Improvisation, Thematic, Progressive, Percussive, Uncommon Time Signatures

Personnel:
Mauricio Takara – Percussion, Cavaquinho, Electronics
Guilherme Granado – Keyboards, Synths, Sampler, Voice
Rob Mazurek – Cornet, Evolver, Ring Modulator, Analog Delay, Harmonium

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Horse Lords – Interventions

Style: Experimental Rock, Totalism, Math Rock, Tishoumaren-Influenced

Vibe: Anxious, Complex, Energetic, Exploratory, Hypnotic, Disorienting

Musical Qualities: Instrumental, Microtonal, Odd Time Signatures, Percussive, Polyrhythmic, Repetitive, Minimalistic, Technical, Drones, Glitchy, Dissonant

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Loma – Loma

Style: Art Pop, Ambient Pop

Influences: Chamber-Folk, Trip-Hop, Slowcore, Post-Rock

Vibe: Existential, Introspective, Brooding, Gossamer, Dreamy, Melancholy, Reflective, Moody, Eclectic

Musical Qualities: Lush, Atmospheric, Studio-as-an-Instrument, Lyrical

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Land of Kush – Sand Enigma

Style: Avant-Garde Big Band, Arabic/Egyptian Folk, Psychedelic Jazz

Vibe: Intense, Sombre, Cathartic, Psychedelic, Complex, Ritualistic, Communal

Musical Qualities: Dense, Progressive, Dissonant, Acoustic, Percussive

Instrumentation: Santur, Upright Bass, Piano, Saxophones, Vocals, Percussion, Drums, Clarinet, Flute, Strings (Violin, Viola, Cello), Keyboards, Synthesizer, lap Steel Guitar, Electronics, Harp

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Natural Information Society with Evan Parker – descension (Out of Our Constrictions)

Style: Avant-Garde Jazz, Ecstatic Post-Minimalism, Psychedelic Trance Music, Gnawa-Influenced

Vibe: Hypnotic, Meditative, Psychedelic, Ecstatic, Spiritual, Cathartic, Mosaic,

Musical Qualities: Collective Improvisation, Live, Minimalistic, Acoustic, Instrumental, Polyphonic, Polyrhythmic, Repetitive

Instrumentation: Guimbri, Soprano Saxophone, Bass Clarinet, Harmonium, Drums

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Bardo Pond – Volume 8

Style: Free Psych, Space Rock, Jam Band, Shoegaze

Vibe: Adventurous, Communal, Cathartic, Murky, Epic, Psychedelic, Exploratory, Monolithic, Stoned

Musical Qualities: Collective Improvisation, Dynamic, Droney, Atmospheric, Fuzzy, Loose, Riffs

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Beak> – >>>

Style: Kosmische-Influenced Experimental Rock, Space Rock

Vibe: Motorik, Ominous, Spacey, Futuristic, Cinematic

Musical Qualities: Progressive, Rhythmic, Atmospheric

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Sam Amidon – The Following Mountain

Style: New Weird Americana, Post-Modern Appalachia, Jazz-Folk

Vibe: Autumnal, Earthy, Imaginative, Lush, Morning, Peaceful, Rootsy, Rustic, Warm, Contemplative

Musical Attributes: Acoustic, Melodic, Studio-as-an-Instrument, Improvisation, Progressive, Lyrical

Instrumentation: Fiddle, Drums, Banjo, Vocals, Percussion, Saxophone, Acoustic Guitar, Drum Machine, Percussion, Electric Bass, Organ Synthesizers, Flute

Collaborators: Leo Abrahams, Shahzad Ismaily, Sam Gendel,
Milford Graves, Chris Vatalaro, James Sultan

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Ka Baird – Sapropelic Picnic

Style: Psychedelic Minimalism, Post-Minimalism, Ritual Folk

Vibe: Ritualistic, Hallucinogenic, Hypnotic, Earthy, Primal, Psychedelic, Spiritual

Musical Attributes: Electro-Acoustic, Loops, Minimalistic, Sampling

Instrumentation: Manipulated Vocals, Flute, Synthesizer (Moog), Drum Samples, Vibraphone

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Robert Plant – Carry Fire

Style: Folk Rock, Chamber Folk, Singer/Songwriter

Influences: Celtic Folk, Trip-Hop, Bluegrass, North African Music, Arabic Folk, Blues

Vibe: Misty, Reflective, Warm, Eclectic, Sentimental, Sensitive, Romantic, Peaceful, Mystical

Musical Qualities: Acoustic, Lush, Polished

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Off World – 1

Style: Progressive Electronic, Experimental
Vibe/Mood: Ethereal, Spacey, Futuristic, Mysterious, Suspenseful, impressionistic
Musical Attributes: Atmospheric, Instrumental, Studio-as-an-instrument (Loops, Editing, Dubs), Vignettes, Improvisation
Instrumentation: Synthesizer, Drum Machine

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Lonnie Holley – Mith

Style: Experimental Singer-Songwriter, Soul Blues, Psychedelic Soul

Vibe: Imaginative, Bluesy, Cathartic, Conscious, Cosmic, Spiritual, Heartfelt, Passionate, Psychedelic, Rootsy, Bittersweet, Poetic

Lyrical Themes: Existential, Afro-Futurism, History, Racism, Reflective

Musical Attributes: Atmospheric, Lyrical, Improvisation, Raw, Studio-as-an-Instrument

Instrumentation: Vocals, Piano, Synthesizers, Keyboards, Saxophone, Trombone, Percussion

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Jamila Woods – Heavn

Style: Soul, Art Pop

Vibe: Confident, Heartfelt, Introspective, Colorful, Triumphant, Uplifting, Urban, Loner

Lyrical Themes: Conscious, Poetic, Political, Personal, Black Pride, Love, Feminist

Musical Attributes: Groovy, Lush, Headphone Album, Polished, Catchy, Technical

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Spaza – Spaza

“There is a heightened and sustained sense of intuition running through this recording whose sonic palette is so wide it captures – through soundscaping, invocation, lament, impressionistic vocal weaving – not only the transient and hybridised nature of life in Johannesburg, but also the heaviness of the air at the time of its recording. More ambient, controlled swirl of rhythm and experimental mixing than incessant groove, the album is an outpouring of a range of expressions that exist between the supposed binaries of indigenous forms of music and the electronic experimentation Johannesburg is known globally for.” (from Bandcamp)

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Alex G – Beach Music

Listening to Alex G, one might imagine a young alien sitting alone in his martian bedroom baring his angsty, teenage confessions to his 4-track tape recorder. Yet, at the core of his music, underneath layers of psychedelic guitars, weird pitch-shifted vocals, and occasional lo-fi hiss, lies some genius pop songs that feel simultaneously adolescent and mature.

Recommended for fans of lo-fi experimentation and bedroom pop. Alex seems to pull influences from all over and channel them through his own unique personality and penchant for odd, psychedelic production. Recalls Elliot Smith’s loner acoustic songwriting and drum machines pulled from 80?s pop songs; there’s even a fucked up jazz piano ballad thrown into the mix.

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Keiji Haino & Sumac

The sludge oozing out of this record is so toxic that all traces of metal have nearly disintegrated, and the fumes cause nightmarish hallucinations to any who inhale.

Style: Free-Sludge, Avant-Metal, Free Improvisation

Vibe: Primal, Murky, Aggressive, Hallucinogenic, Cathartic, Complex

Musical Attributes: Collective Improvisation, Dissonant, Noisy, Progressive

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The Necks – Vertigo

Style: Free Improvisation, Post-Minimalism, Trance Jazz, Avant-Garde Jazz

Vibe: Suspenseful, Hypnotic, Epic, Anxious, Impressionistic

Musical Attributes: Atmospheric, Repetitive, Droney, Dissonant, Electro-Acoustic, Collective Improvisation, Minimalistic

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James Holden & the Animal Spirits – The Animal Spirits

These communal sound rituals express a digital-era longing to reconnect to the Earth. The grooves here are circular and ceremonial, not rooted to any specific musical traditions but borrowing from many, including cosmic jazz, kosmische musik and undoubtedly inspired by Holden’s collaboration with legendary Gnawa musician Maleem Mahmoud Ghania. Drums and percussion ground the proceedings while muscular sequencer and fiery saxophone arpeggiations hypnotically intertwine.  The sounds of fluttering recorder and modular synthesizer swirl through the air like offerings to the cosmos. 

Recommended for fans of The Comet is Coming, Tonto’s Exploding Head Band, Maleem Mahmoud Ghania & Pharoah Sander’s Trance of Seven Colors, Natural Information Society, Colin Stetson

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Human Behavior – Kedumim

Religious allegory, profane thoughts, and lustful confessions intertwine on Human Behavior’s third LP; Kedimum is a brooding suite of psychological chamber folk that introspects into a conflicted mind, struggling to reconcile matters of indoctrinated faith, natural human desires, and internalized guilt. Primary songwriter Andres Parada is joined by a sympathetic cast of vocalists to create a vivid sonic drama complete with choral vocals and spoken word passages to complement his haunting narrations. The intricate and shadowy arrangements blend distorted electronic beats with a wide array of acoustic instrumentation, including banjo, clarinet, accordian, acoustic guitar, violin, ehru, and cello.

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Tangents – Stateless

“The five-piece band synthesise contemporary classical forms – most often recalling Steve Reich or Philip Glass – and marry them to the looseness and improvisational nature of jazz and the dynamics of head-nodding electronic music. Stateless is at once both carefully composed and freely flowing. The compositions included here are more about rhythm, texture and contrast than definable melodies and harmonic structures.” – Scott Wallace [Sydney Scoop]

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