Released in 2019 on 33-33 Records Format: LP Style: Free-Rock, Psychedelic Rock, Experimental Rock Influences: Arabic Folk Music, Free Improvisation, … More
Style: Free Improvisation
Influences: Spiritual Jazz, Noise, Free Jazz
Vibe: Spiritual, Ritualistic, Cathartic, Abstract
Recommended for fans of Albert Ayler, Oren Ambarchi, Stephen O’Malley
Released in 2006 on Constellation Records Format: LP Purchase from label: http://cstrecords.com/products/carla-bozulich-evangelista/
Released in 2019 on Constellation Records Format: LPx2
Released in 2012 on Young God Records Format: LPx3
Released in 2013 on Deathwish, Inc. Format: LPx2. 45rpm, Gold and Red Vinyl
Released in 2010 on Constellation Records Format: 10″x2
Released in 1967 on Impulse! Records Format: LP
Originally released in 2000 on Epic Records 2010 Repress Format: LPx2
This hypnotic, noisy, and improvisatory live album from Australian experimenter, collaborator, and improviser Oren Ambarchi features two separate performances of his epic composition “Knots”. (Click for full review)
Released in 1970 on Impulse Records Recorded October 20th, 1969, at Plaza Sound Studios, New York City Format: LP
“Side A is cut at 45rpm and features “Moya”, a broiling cascade of upward scales that repeatedly explodes beyond its own threshold. “BBF3” on Side B clocks in at 18 minutes, and was the band’s most lyrical, multi-movement music to date — more elaborated melodic figures wind around an angry spoken-word field recording (infamously culminating in the recital of the speaker’s poem — verses lifted straight from Iron Maiden)”
On their debut long-player, the Houston quartet explores apathy, disconnectedness and the loss of relationships through their sludgy post-hardcore.
For fans of These Arms Are Snakes, Drive Like Jehu, Unwound
Kamasi Washington and his band The Next Step, pick up where their forefathers and mothers left off by making spiritual jazz that respects the jazz canon without getting stuck in the past. This album ranges from free to groovy to melodic without losing sight of its mission. The inclusion of such a large band, an orchestra, a choir, and even a turntablist allows an infinite, colorful array of tonal and dynamic possibilities.
Sludgy drone-metal with heavy, feedback-laden guitars, sparse but viscerally pounding drums, and cathartic, impassioned vocals reminiscent of Björk during her punk years. FFO Neurosis, Swans, Godspeed You! Black Emperor and Sunn O)))
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A couple of months before his death in 1967, John Coltrane went into the studio with drummer Rashied Ali to record some of the most free recordings he’s ever made, the freest of free jazz. Perhaps this freeness is due to the absence of other tonal instruments, leaving Coltrane untethered to harmony and 100% free to play whatever raw, unhindered creativity flows through him.