Released in 1999 on Drag City Records Format: LP Includes Poster
Released in 2000 on EMI Records Format: 10″x2
Originally released in 2000 on Epic Records 2010 Repress Format: LPx2
Released in 2007 on Saddle Creek Records Format: LPx2
Released in 2013 on Bella Union UK Pressing Format: LPx2, Bonus 7″, Holographic Cover Studio album takes up sides A, … More
Compared to the immediate songwriting and lush textures of Helplessness Blues, the progressive folk-rock opus Crack Up feels like an impenetrable wilderness on first listen with its dense, tangled arrangements and complex compositions.
The apocalyptic chamber-folk of Bethpage soundtracks multiple chapters of cryptic storytelling, mixing one’s darkest thoughts with religious imagery and allegory through banjo sing-alongs and haunting spoken word passages. The heavy climaxes are whirlwinds of bombastic drums, driving bass, fiddle, clarinet, and banjo that often recall the communal chamber-punk of Thee Silver Mt. Zion Memorial Orchestra. While many tracks feel seeped in shadow and darkness, a heavenly light occasionally floods in through some truly serene and beautiful passages.
Released in 2005 on P.W. Elverum & Sun 2015 Pressing, re-mixed and re-designed Format: LP, white vinyl
Released in 1991 on Touch and Go Records 2000’s pressing Format: LP
Released on Elektra in 1968 Format: LP Track Notes A1 – Jobs Tears (Uplifting, Morning, Spiritual) “Stranger than that we’re alive” … More
Originally released in 1967 on Elektra 2012 Rhino Pressing, cut from original analogue masters Format: LP
Released in 1967 on Columbia Records Format: LP
The Whole Thing is Just There is another beautiful and life-affirming release from Young Jesus, the second with the current L.A. iteration of the band. Their inter-band chemistry seems stronger than ever, with telepathic improvisations, symbiotic catharses, and a mutual love for each other that is easily felt from a listener’s perspective. The lyrics deal with self-exploration and one’s relationship with the world around them, finding solace in spirituality, existentialism, literature, and the ethos of free jazz. Stylistically the music seems rooted in late-90’s indie rock and emo, with seamless but adventurous detours into post-rock, noisy post-hardcore, and free improvisation. Excited to see where these guys go next.
Released in 2017 on Domino Records Format: LPx2
Released in 2011 on Sub Pop Records Produced by Phil Ek and Fleet Foxes Format: LPx2 Includes large foldout poster