Innovative

Elucid – Revelator

Style: Hip-Hop (Abstract, East Coast, Experimental), Illbient, influenced by Post-Punk, Noise Rock, Industrial

Vibes: Cryptic, Visceral, Menacing, Surreal, Philosophical, Brooding, Gritty, Raw, Futuristic, Haunting, Cerebral, Introspective, Rebellious, Dystopian, Eerie, Conscious, Abstract, Dark

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Third Ear Band

Style: Psychedelic Chamber Music, Free Folk, Neo-Medieval Folk, Dhrupad

Vibes: Mystical, Medieval, Nature, Alchemical, Flowing, Meditative, Ritualistic, Mysterious, Earthy, Occult

Instrumentation: Cello, Oboe, Percussion, Violin/Viola

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Ilhan Mimaroglu – Sing Me a Song of Songmy

Style: Avant-Garde Classical, Electro-Acoustic, Tape Music, Creative Music, Third Stream

Vibes: Ominous, Sombre, Anxious, Cinematic, Dystopian, Surreal, Poetic, Chaotic, Cold, Complex, Eclectic, Exploratory

Themes: Political, Colonialism, War, Death, Liberation, History

Musical Qualities: Orchestral, Collage, Polyphonic, Dynamic, Spoken Word, Dense, Progressive, Sampling, Choral, Improvisation

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Andrew Hill – Point of Departure

featuring Eric Dolphy, Joe Henderson, Tony Williams, Richard Davis, Kenny Dorham

Style: Avante-Garde Jazz, Post-Bop

Vibes: acoustic, Knotty, Searching, Complex, Woozy, Serpentine, Exploratory, Elegant improvisation, innovative, knotty, nocturnal, passionate, playful, polyphonic, progressive, reflective, rhythmic, thematic, woozy,

Musical Qualities: Polyphonic, Acoustic, Thematic Improvisation, Progressive

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Michael O’Shea

Style: Avant-Folk, Post-Minimalism

Moods: Hypnotic, Mysterious, Meditative, Ritualistic, Nocturnal, Haunting, Ethereal

Musical Qualities: Pulse, Homemade Instrument, Minimalistic, Solo, Improvisation, Repetitive, Electro-Acoustic, Extended Technique, Sparse

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ONO – Red Summer

Styles: Industrial-Gospel, Dub Poetry, No Wave, Experimental

Moods: Visceral, Dystopian, Disturbing, Haunting, Surreal, Aggressive, Mechanical, Heavy, Deconstructed, Vulgar, Cerebral, Conscious, Dark, Ominous, Shadow

Themes: Racism, History, Philosophy, Sex

Musical Qualities: Noisy, Spoken Word, Dub, Sampling, Rhythmic, Studio-as-an-Instrument, Dissonant

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Cecil Taylor – Indent

Style: Free Improvisation, Free Jazz

Moods: Passionate, Kinetic, Complex, Ecstatic, Dramatic, Energetic, Angular, Exploratory, Meditative, Focused

Musical Qualities: Solo Improvisation, Dense, Acoustic, Progressive, Dynamic, Percussive, Atonal, Active Listening, Instrumental, Technical, Rhythmic, Live

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Alabaster DePlume – GOLD

Style: Art Pop, Spiritual Jazz, Dub Poetry, Collage Pop

Moods: Triumphant, Conversational, Uplifting, Conscious, Communal, Heartfelt, Passionate, Hypnotic, Intertwined, Intimate, Intricate, Playful, Rebellious, Love, Poetic, Reflective, Soothing, Spiritual, Warm,

Musical Qualities: Suite, Improvisation, Analogue Recording, Tape Edits, Dub Production, Sound Collage, Thematic, Polished, Catchy

Instrumentation: Saxophone, Spoken Word, Upright Bass, Drums, Group Vocals, Tabla, Synthesizers, Percussion, Guitar, Cello

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Jackie-O Motherfucker – Fig 5.

Style: Mystical Americana, Free Folk, Post-Rock, Drone

Vibe: Haunting, Meandering, Rootsy, Rustic, Nocturnal, Mysterious, Deconstructed, Ragged, Communal, Murky, Abstract, Lethargic, Hallucinogenic, Raw

Musical Qualities: Collective Improvisation, Instrumental (except B1,C1), Loose, Lo-fi, Dynamic, Droney, Noisy, Group Vocals (B1), Harmonies (B1, C1)

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Kraftwerk – Autobahn

Style: Krautrock, Electro-Pop, Progressive Electronic

Vibe: Motorik, Mechanical, Anthemic, Futuristic, Sleek, Urban, Warm, Hypnotic, Driving, Bright

Musical Attributes: Melodic, Repetitive, Progressive, Catchy, Polished, Studio-as-an-Instrument

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Wendy Eisenberg – Auto

Style: Progressive-Pop, Avant-Songwriter, Jazz-Rock, Math-Pop

Vibe: Whispery, Angular, Intimate, Heartfelt, Cerebral, Reflective, Love / Breakup, Restrained, Introspective, Contemplative, Anxious, Loner

Musical Qualities: Odd Time Signatures, Jazz-Influenced, Technical, Dynamic, Lyrical

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Horse Lords – The Common Task

The Common Task is an incessant barrage of jolting polyrhythms that simultaneously hypnotize and disorient.

Style: Experimental Rock, Math Rock, Post-Rock, Totalism
Vibe: Hypnotic, Surreal, Triumphant, Complex, Political
Musical Attributes: Microtonal, Polyrhythmic, Repetitive, Odd Time Signatures, Saharan Africa-Influenced, Technical, Instrumental

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Spaza – Spaza

“There is a heightened and sustained sense of intuition running through this recording whose sonic palette is so wide it captures – through soundscaping, invocation, lament, impressionistic vocal weaving – not only the transient and hybridised nature of life in Johannesburg, but also the heaviness of the air at the time of its recording. More ambient, controlled swirl of rhythm and experimental mixing than incessant groove, the album is an outpouring of a range of expressions that exist between the supposed binaries of indigenous forms of music and the electronic experimentation Johannesburg is known globally for.” (from Bandcamp)

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Tangents – Stateless

“The five-piece band synthesise contemporary classical forms – most often recalling Steve Reich or Philip Glass – and marry them to the looseness and improvisational nature of jazz and the dynamics of head-nodding electronic music. Stateless is at once both carefully composed and freely flowing. The compositions included here are more about rhythm, texture and contrast than definable melodies and harmonic structures.” – Scott Wallace [Sydney Scoop]

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Senyawa – Sujud

Style: Doom-Folk, Indonesian Folk Music, Avant-Folk

Moods: Apocalyptic, Spiritual, Earthy, Dark, Ominous, Nocturnal, Ritualistic, Tribal, Hypnotic

Musical Qualities: Throat Singing, Homemade Instruments, Droney, Noisy, Electro-Acoustic, Repetitive, Dense, Heavy

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Ulver – ATGCLVLSSCAP

This heavy drone rock feels like a journey through some haunted terrains and forests in ancient Europe. Monolithic fogs of synths and electronic soundscapes drone on for minutes at a time, occasionally being infiltrated by psychedelic guitars and pummeling marches of drums and bass. Given the cohesive ark, determined focus, and fluidity of the album (without as much as a pause between tracks until track 7), it was surprising to find that most of the songs are studio-enchanced improvisations pulled from 2014 tour recordings.

Recommended for fans of motorik drums, the thick drone of early Earth or Sunn O))), psychedelic guitar noises and fuzzy stoner rock riffs.

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Anthony Davis – Epist?m?

Style: Poly-Free Improvisation, Modern Classical, Avant-Garde Big Band

Vibe: Complex, Hypnotic, Intense, Suspenseful, Cerebral

Musical Attributes: Polyrhythmic, Polyphonic, Odd Time Signatures, Acoustic, Poly-Free Improvisation, Repetitive

Instrumentation: Orchestral, Mallet Percussion (Marimba, Vibraphone, etc) Violin, Cello, Piano, Trombone, Drums, Flute, Bass Clarinet

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Dave Harrington Group – Pure Imagination, No Country

Innovative guitarist and producer Dave Harrington (Darkside) uses his latest record to explore the outer reaches of improvisation and compositional post-production. Pure Imagination, No Country is jazz-rock fusion stripped of its retro connotations—fusing hard grooves, free flights of collective improvisation, and futuristic ambience to create something that is at turns atmospheric and in your face.

Recommended for fans of Bill Frisell, Terje Rypdal, or Jaga Jazzist

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