Tortoise – TNT

Style: Post-Rock, Experimental Rock
Influences: Dub, Kosmische Musik, Bossa Nova, Lounge, Minimalism, Jazz, Electronic
Vibe: Contemplative, Eclectic, Focused, Futuristic, Impressionistic, Lush, Meditative, Peaceful, Soothing
Musical Attributes: Atmospheric, Complex, Digital Production, Percussive, Polyphonic, Studio-as-an-Instrument, Loops, Headphone Album, Rhythmic, Pulse, Instrumental, Progressive, Polished

Ka Baird – Sapropelic Picnic

Style: Psychedelic Minimalism, Post-Minimalism, Ritual Folk

Vibe: Ritualistic, Hallucinogenic, Hypnotic, Earthy, Primal, Psychedelic, Spiritual

Musical Attributes: Electro-Acoustic, Loops, Minimalistic, Sampling

Instrumentation: Manipulated Vocals, Flute, Synthesizer (Moog), Drum Samples, Vibraphone

Califone – All My Friends Are Funeral Singers

Style: New Weird America, Alt-Country, Psychedelic Americana, Chamber Folk

Vibe: Rustic, Rootsy, Bittersweet, Psychedelic

Musical Attributes: Chamber, Percussive, Studio-as-an-instrument, Rhythmic, Electro-Acoustic, Loops

Instrumentation: Acoustic Guitar, Banjo, Vocals, Keyboards, Synthesizer, Fiddle, Mallet Percussion, Horns, Electronic Percussion, Upright Bass, Electric Bass, Piano

Nuke Watch – Countdown

Style: Organic Beat Music, Tribal Ambient, Ritual Psych-Folk, Progressive Electronic

Vibe: Hallucinogenic, Exploratory, Mysterious, Meditative, Hypnotic

Musical Attributes: Electro-Acoustic, Beats, Percussive, Polyphonic, Loops

Spires that in the Sunset Rise – Psychic Oscillations

Psychedelic electro-acoustics and earthy minimalism from long-running avant-folk group Spires that in the Sunset Rise. The multi-instrumentalist duo of Ka Baird and Taralie Peterson ritualistically loop and layer a hypnotic tapestry of pre-verbal vocalizations, upright bass, flute, saxophone, synth, and autoharp, running each instrument through trippy stereo delays, visually represented by the two minute-apart clocks next to each other on the album cover. While not as witchy or jarring as the their early releases, Psychic Oscillations finds the band as entrancing as ever.

Loma – Don’t Shy Away

Style: Art Pop, Trip-Hop, Ambient Pop

Vibe: Existential, Brooding, Cathartic, Exploratory, Futuristic, Heartfelt, Introspective, Sentimental

Musical Attributes: Atmospheric, Loops, Polished, Lush, Progressive, Headphone Album, Lyrical

Fairhorns – Doki Doki Run

Style: Progressive Electronic

Influences: Kosmische Musik, Industrial, Drone, Shoegaze

Vibe: Angsty, Dystopian, Cathartic, Mechanical, Depressive, Futuristic, Hypnotic, Intimate, Loner, Spacey, Raw, Murky

Musical Attributes: Drone, Loops, Noisy Analogue Synthesizers, Drum Machine, Atmospheric, Motorik, Lo-fi, Vocal Manipulation

Sunburned Hand of the Man – Fire Escape

The free-form psychedelia and tribal “group therapy” of Sunburned Hand of the Man are in great hands with producer Kieran Hebden (Four Tet)—his dubs and cuts transform their usually lo-fi, meandering jams into something much more immediate, without losing any of their exploratory and spontaneous energy. Recommended for fans of polyrhythmic Afro-inspired percussion, dubbed out production, communal sound rituals, and dense psychedelia.

Tarantel – We Move Through Weather

Style: Post-Rock, Experimental Rock
Vibe: Exploratory, Hypnotic, Meandering, Murky, Mysterious, Nature, Abstract, Aquatic, Driving, Droney, Psychedelic
Musical Attributes: Instrumental, Repetitive, Atmospheric, Studio-as-an-Instrument, Loops, Innovative, Dynamic

Atoms for Peace – Amok

Style: Glitch-Pop, IDM, Electronic Rock

Vibe: Moody, Groovy, Glitchy, Mechanical, Dance, Futuristic

Musical Attributes: Loops, Percussive, Polyrhythmic, Polished, Live Instrumentation, Digital Post-Production

James Holden & the Animal Spirits – The Animal Spirits

These communal sound rituals express a digital-era longing to reconnect to the Earth. The grooves here are circular and ceremonial, not rooted to any specific musical traditions but borrowing from many, including cosmic jazz, kosmische musik and undoubtedly inspired by Holden’s collaboration with legendary Gnawa musician Maleem Mahmoud Ghania. Drums and percussion ground the proceedings while muscular sequencer and fiery saxophone arpeggiations hypnotically intertwine.  The sounds of fluttering recorder and modular synthesizer swirl through the air like offerings to the cosmos. 

Recommended for fans of The Comet is Coming, Tonto’s Exploding Head Band, Maleem Mahmoud Ghania & Pharoah Sander’s Trance of Seven Colors, Natural Information Society, Colin Stetson

Tangents – Stateless

“The five-piece band synthesise contemporary classical forms – most often recalling Steve Reich or Philip Glass – and marry them to the looseness and improvisational nature of jazz and the dynamics of head-nodding electronic music. Stateless is at once both carefully composed and freely flowing. The compositions included here are more about rhythm, texture and contrast than definable melodies and harmonic structures.” – Scott Wallace [Sydney Scoop]

Radiohead – The King of Limbs

Style: Experimental Rock, Art Rock

Influences: Electronic, Kosmische Musik, Glitch, Afro-Beat

Vibe: Surreal, Psychedelic, Messy, Hypnotic, Warm, Mysterious, Cryptic

Musical Attributes: Sampling, Percussive, Polyrhythmic, Studio-as-an-instrument, Dense, Looping

Themes: Nature

Makaya McCraven – Universal Beings

Released in 2018 on International Anthem Recording Co. Format: LPx2

Tarentel – Ghetto Beats on the Surface of the Sun (#3)

Style: Drone, Post-Rock, Experimental Rock, Tape Music
Vibe/Moods: Murky, Exploratory, Hallucinogenic, Mysterious, Nature, Abstract
Musical Attributes: Drones, Loops, Dissonant, Atonal, Studio-as-an-Instrument, Repetitive