Eric Dolphy – Out to Lunch!
Originally released in 1964 on Blue Note Records 2009 Music Matters audiophile pressing Format: LPx2, 45rpm
Eric Dolphy – Out to Lunch! Read More »
Originally released in 1964 on Blue Note Records 2009 Music Matters audiophile pressing Format: LPx2, 45rpm
Eric Dolphy – Out to Lunch! Read More »
LP, Columbia Records, 1960 Original 6-Eye Pressing Second Copy 1974 Pressing
Miles Davis & Gil Evans – Sketches of Spain Read More »
Originally released in 1966 on Capitol Records 1980 Mono pressing Format: LP
The Beach Boys – Pet Sounds Read More »
On his latest, producer/composer/multi-instrumentalist Bibio blends serene folk pop, lush instrumentation, pastoral guitar instrumentals, nature field recordings, Walt Whitman-esque lyrics and beat-oriented grooves into the perfectly crafted springtime album. Ribbons feels like daydreaming in a garden or out in the woods under a tree or by a trickling stream.
Warm, mellow Scottish folk with lyrics that border spiritual, philosophical, and fantasy themes. The arrangements are a bit stripped down from their lush psychedelia of previous releases, but still feature a good amount of sitar, organ, Irish harp, and violin to add some color to the vocals and acoustic guitar-centric songwriting.
The Incredible String Band – The Big Huge Read More »
Released on Elektra in 1968 Format: LP Track Notes A1 – Jobs Tears (Uplifting, Morning, Spiritual) “Stranger than that we’re alive” A2 – Puppies (Peaceful, Sitar, Bowed Gimbri, Morning) “Music is so much less than what you are” A3 – Beyond the See (Instrumental featuring organ, harpsichord, whistle, and bowed gimbri A4 – The Yellow Snake
The Incredible String Band – Wee Tam Read More »
Ryley Walker’s virtuosic fingerpicking and intricate folk-rock songwriting vibe heavily with a backing band of Chicagoan jazz musicians, including upright bass, drums, Rhodes and electric guitar. The first LP of this release is a studio album of jazzy folk rock songs for fans of Van Morrison’s Astral Weeks or Tim Buckley’s Happy Sad, while the Bonus Lp of this “Deep Cuts edition” is a 40 min live improvisation on one of the album cuts that probably beats anything on the studio LP. It’s rad to be able hear both the concise, song-centric studio side and the loose jammy side of this exciting artist in the same release.
Ryley Walker – Golden Sings that have been Sung (Deep Cuts Edition) Read More »
Originally released in 1977 on Clocktower Records Later pressing
King Tubby & August Pablo – King Tubbys Meets Rockers Uptown Read More »
Self-released in 2013 Format: LP, includes CD
My Bloody Valentine – mbv Read More »
Originally released in 1967 on Elektra 2012 Rhino Pressing, cut from original analogue masters Format: LP
Love – Forever Changes Read More »
Exuma’s first album is a powerful and ritualistic masterpiece of spiritual folk from the Bahamas. Exuma, the Obeah Man, is a master storyteller and preacher, sharing visions, myths, and prayers. His expressive, soulful voice takes on many tones as he delivers his musical sermons, from smooth to raspy, soft to confident. A group of singers, percussionists, whistlers, and toads join him and his acoustic guitar, making me imagine them all circled around a large fire in communal worship and grateful that they let us listeners in on it.
Released in 1970 on Transatlantic Format: LP Original UK pressing
Pentangle – Cruel Sister Read More »
Originally released in 2008 on Southern Lord 2014 Pressing Format: LPx2, Red Vinyl
Earth – The Bees Made Honey in the Lion’s Skull Read More »
A far cry from the sparse folk usually recorded by Will Oldham, “Epic Jammers and Fortunate Little Ditties” finds his intimate voice and warbly acoustic guitar enveloped by the cosmic drones, blooming synths, airy flutes, and hypnotic tape loops of Chicago new age trio, Bitchin Bajas. The lyrics are essentially fortune cookie mantras and, while there’s a chance they’re tongue-in-cheek, it’s difficult not to smile and feel a brightening of the spirit when hearing uplifting phrases like “Your hard work is about to pay off, keep on keepin’ on” or “you and your whole family are well” get repeated over and over. This collaboration is a soothing, heartwarming listen and a refreshing change-of-pace from Oldham’s tendency towards melancholy and solemn lyrical content.
Bonnie ‘Prince’ Billy & Bitchin Bajas – Epic Jammers and Fortunate Little Ditties Read More »
The German upright bassist and composer is joined by a jazz quartet, cello ensemble, and choir for a colorfully complex album of atmospheric improvisation, progressive structures, and sweeping orchestral arrangements, with occasional segments of groovy fusion or synthesizer spaciness, all draped in the warm, reverbed production ECM albums are known for.
Eberhard Weber – The Colours of Chloë Read More »
Released in 1969 on Elektra Records Format: LP
Tim Buckley – Happy Sad Read More »
Eric Chenaux’s gentle falsetto is the most constant, tangible element on an album characterized by a permanent state of flux. The guitars are warbly and unsteady with their fluctuating tones, volume, and pitch. Yet, despite their experimental nature, they never sound abrasive and, together with some mellow Wurlitzer, create a soft, pillowy environment for Chenaux’s romantic crooning about the nature of love, the moon, and warm nights.
Eric Chenaux – Slowly Paradise Read More »
Released in 2011 on Sub Pop Records Produced by Phil Ek and Fleet Foxes Format: LPx2 Includes large foldout poster
Fleet Foxes – Helplessness Blues Read More »
Style: Psych Pop, Surf, Progressive Pop
Vibe: Surreal, Sunny, Warm, Retro, Playful, Existential, Psychedelic
Musical Qualities: Lush, Melodic, Catchy, Progressive
MGMT – Congratulations Read More »
Released in 2006 on Drag City Records Format: LPx2
Joanna Newsom – Ys Read More »
Three volumes of instrumental heavy-psych jams from Denmark, inspired by Black Sabbath, jazz fusion and krautrock.
Causa Sui – Summer Sessions Vol. 1-3 Read More »
A psychedelic synth odyssey created with only an expanded Series III Moog by Robert Margouleff and synth-guru Malcolm Cecil (who programmer synths on legendary albums by Stevie Wonder and Gil-Scott Heron in addition to his ambient solo work). The intricately layered results here feel like a synthetic wilderness, with a wide variety of colors and textures that sound warm, organic, and natural despite their electronic origins.
Tonto’s Exploding Head Band – Zero Time Read More »
British singer-songwriter John Martyn fuses folk, jazz, and psychedelic experimentation to create an album that is both eclectic and cohesive, tied together by his flowing voice and virtuosic acoustic guitar fingerpicking.
FFO Van Morrison, Joni Mitchell, Ryley Walker
John Martyn – Solid Air Read More »
Julie Byrne’s gentle new-age folk is so light and airy it’s easy to miss its depth, but repeated listening shows that it’s strength lies in its weightlessness. Her soothing voice and delicate fingerpicking are enveloped in warm string arrangements, all tied together by soft reverb and pristine production that makes for an inviting, peaceful listen every time.?
Julie Byrne – Not Even Happiness Read More »
Style: Collage-Pop, Glitch-Folk, Plunderphonics
Vibe: Surreal, Psychedelic, Peaceful, Cerebral, Meditative, Philosophical, Spiritual, Uplifting, Warm, Playful, Hallucinogenic
Musical Attributes: Sampling, Electro-Acoustic, Melodic, Sound Collage, Vocal Manipulation
The Books – Lost & Safe (2011 reissue) Read More »
Album Information: Released in 1972 on Reprise Records 2009 reissue, mastered from original analog tapes
Neil Young – Harvest Read More »
A fingerpicking folk odyssey that traverses through passages of delicate piano motifs, tribal drum circles, meditative ambience, celebratory horn arrangements, reverent organ drones, and even a cathartic drum solo, all within a single 40 minute track.
Jim O’Rourke – The Visitor Read More »
Styles: Post-Rock
Moods: Autumnal, Focused, Hypnotic, Contemplative, Warm, Driving, Soothing
Musical Qualities: Instrumental, Atmospheric, Melodic
Do Make Say Think – Other Truths Read More »
Kaleidoscopic pop driven by round, groovy bass locked in with funky, motorik drumming, all floating through layers of swirling, delayed guitars, shimmering synths, and dreamy vocals. Recommended to anyone looking for a smooth, sugary middle ground between Stereolab, Toro y Moi, and Neu!
Vinyl Williams – Into Read More »
Jazz Fusion-inflected Folk Rock with poetic lyricism, ethereal atmospheres, spacey synths, and a lot of fretless bass.
Joni Mitchell – The Hissing of Summer Lawns Read More »
Psychedelic, cosmic country with a raw emotional core.
Sturgill Simpson – Metamodern Sounds in Country Music Read More »
An introspective, instrumental journey of pastoral fingerstyle guitar, occasionally joined by piano, synth and horn arrangements
Jim O’Rourke – Bad Timing Read More »
“Sometimes it’s hard doing anything”. Somehow Jason Molina knows how to perfectly express what depression feels like without ever succumbing to hopelessness. His music has been a friend and a voice of encouragement when I need it most, reminding me to persist and not beat myself up when I feel unproductive or lazy or unmotivated. “The real truth about it is no one gets it right. The real truth about it is we’re all supposed to try”
Songs: Ohia – The Magnolia Electric Co Read More »
Soothing, cosmic drones constructed with tape loops, synths, organs, guitar, mellotron and flute.
Bitchin Bajas – Bitchitronics Read More »
A cohesive, intimate collection of chamber pop songs, ornate with colorful arrangements, lush production, and some bluesy guitar licks.
Style: Soul, Singer/Songwriter
Moods: Conscious, Spiritual, Passionate, Uplifting, Bittersweet, Christian, Peaceful, Political, Sentimental, Warm
Musical Qualities: Lush, Groovy, Lyrical, Suite, Melodic
Marvin Gaye – What’s Going On Read More »
Style: American Primitive Guitar, Folk
Moods: Joyful, Warm, Playful, Summer, Contemplative, Rootsy, Pastoral, Nature, Loner
Musical Qualities: Solo, Acoustic, Fingerstyle, Instrumental, Technical
Leo Kottke – 6 & 12-String Guitar Read More »