Elucid – Revelator

LP Fat Possum, 2024

featuring Luke Stewart, Mekala Session, billy woods, Jon Nellen, August Fanon, Child Actor, Saint Abdullah, Alan Duggan, Samiyam, Andrew Broder, The Lasso, DJ Haram


Style: Hip-Hop (Abstract, East Coast, Experimental), Illbient, influenced by Post-Punk, Noise Rock, Industrial

Vibes: Cryptic, Visceral, Menacing, Surreal, Philosophical, Brooding, Gritty, Raw, Futuristic, Haunting, Cerebral, Introspective, Rebellious, Dystopian, Eerie, Conscious, Abstract, Dark, Mystical, Suspenseful, War

Musical Qualities: Sampling, Lyrical, Noisy, Dense, Polyrhythmic, Percussive, Overdriven Bass Lines, Headphone Album

Instrumentation: Rap, Drums, Electric Bass, Synthesizers, Processed Vocals, Sampler, Turntable, Percussion, Electric Guitar



Track Notes ( * = Recommended )
A1 – The World is Dog (urban, gritty, observational, dystopian, philosophical)-warped voices, catchy post-punk drums & bass-Psychedelic Post Punk with hip hop production & rapping
*A2 – CCTV (Visceral, Heavy)-dark cavernous sounds > noisy guitar stabs-fast car sounds “on the expressway”-menacing reflective lyrics, like spiritual chaos warfare-“Tell me your lie, tell me you truth…”-brooding Creature verse. “angel with wings clipped”-grimy bass licks>Beat Switch Outro- reflective, mellow beat-“all power to oppressed people”
*A3 – Yottabyte–head nodding drum beat and off kilter piano sample, polyrhythmic
-great flow on the lyrics
-short but substantial
*A4 – Bad Pollen ft billy woods (reflective, heartfelt) 
-warbly drum & piano loop, dusty soul vocal chop in another language (arabic)
-reflective, personal woods verse
gentle singing for the hook, “look in the fire”
*A5 – Slum of a Disregard ft Luke Stewart & Mekala Session
-heavy drums in left ear and weird sounds in right
-fucked up bassline burst in and out
-background vocal samples
-so many ideas…crazy bitches brew bassline, amidst urban chaos, class war in the streets. drums flipping from left to right
“my landlord’s a zionist”
A6 – RFID (brief, fuzzy, introspective)
-filters washing in and out. sample sounds like its from the 1940s or something
-fuzzy bass drones
-“why play if I can’t bend the rules?”
“if its war I know where to dig, if its love i know where to lay”“in this frame within myself, push the line, divide the dead”
*A7 – Instant Transfer ft billy woods (futuristic, groovy, stoned)
-heavy slow trap beat (prod by Samiyam)-deep bass. spacey synth melody-low key, stoned, cerebral vibe to the verses.
 -great groove to this one, the slow tempo allows for so many micro-rhythmic elements in the spaces between beats 
**A8 – Ikebana (polyrhythmic, spacey, futuristic, determined, existential, philosophical)
-spacey transmission > menacing drums & percussion
-“I feel like everybody knew but me”
-atmospheric spacey interlude, ethereal melodies (flute, keys sax) appear in both right and left channels > back into original heavy beat
*B1 – In the Shadow of If (hypnotic, psychedelic, groovy)
-woozy, druggy beat.
-great basslines, distant guitars. groovy
“seeing all those flags made me nervous…”
B2 – SKP (woozy, slow, sensual, futuristic, surreal)
-hypnotized by “Some kinda Power”
B3 – Hushpuppies
 -playful, off kilter beat
-alliterations -“must find fried fish its friday…” etc
*B4 – 14.4 (ethereal, surreal, psychedelic, mysterious)
-ethereal high bassline, cool loops
-echo sounds (percussion, trumpet, keyboards, samples)
-sermonizing poetic verse by SKECH185
B5 – Voice 2 Skull-Blaxploitation-soundtrack inspired beat-retro sounds through a futuristic filter-“I’m too old to comfortable rock logos”-abrupt cut out
*B6 – Xolo-ethereal guided meditation intro > shadowy beat-voices floating from side to side. 
*B7 – Zigzagzig-menacing beat with dub fx-woozy synths

Leave a Reply