Tag: Political

Erykah Badu – New Amerykah: Part One (4th World War)

Style: Psychedelic Funk, Conscious Hip-Hop, Soul

Vibe: Conscious, Groovy, Retro-Futuristic, Passionate, Philosophical, Political, Psychedelic, Uplifting, Urban, Eclectic

Musical Attributes: Groovy, Rhythmic, Lush, Melodic, Complex, Sampling, Lyrical

Horse Lords – The Common Task

The Common Task is an incessant barrage of jolting polyrhythms that simultaneously hypnotize and disorient.

Style: Experimental Rock, Math Rock, Post-Rock, Totalism
Vibe: Hypnotic, Surreal, Triumphant, Complex, Political
Musical Attributes: Microtonal, Polyrhythmic, Repetitive, Odd Time Signatures, Saharan Africa-Influenced, Technical, Instrumental

Jamila Woods – Heavn

Style: Soul, Art Pop

Vibe: Confident, Heartfelt, Introspective, Colorful, Triumphant, Uplifting, Urban, Loner

Lyrical Themes: Conscious, Poetic, Political, Personal, Black Pride, Love, Feminist

Musical Attributes: Groovy, Lush, Headphone Album, Polished, Catchy, Technical

Gil Scott-Heron & Brian Jackson – Bridges

Style: Soul, Jazz-Funk, Singer-Songwriter

Vibe: Conscious, Groovy, Lush, Lyrical, Passionate, Philosophical, Political, Sunny, Triumphant, Uplifting, Urban, Accessible, Bittersweet, Catchy, Confident

Stereolab – Cobra and Phases Group Play Voltage in the Milky Night

Style: Progressive Pop, Space Age Pop

Influences: Kosmische Musik, Bossa Nova, French Pop, Lounge

Vibe: Spacey, Lush, Retro-Futuristic, Catchy, Groovy, Motorik, Nocturnal, Uplifting

Musical Attributes: Melodic, Headphone Album, Odd Time Signatures, Studio-as-an-Instrument, Progressive, Lyrical

Lyrics: Philosophical, Political, Communist, Bi-Lingual (English and French)

Instrumentation: Synthesizers, Vibraphone, Drums, Electric Bass, Electric Guitar, Vocals, Brass, Strings, Keys (Organ, Clavinet, Harpsichord, Wurlitzer)

Irreversible Entanglements – Who Sent You?

Irreversible Entanglements follows up the scathing fire music of their debut with regenerative and ritualistic earth music. “Who Sent You?”, is a record that looks not only to the violent “rhythms of oppression”, past and present, that need to be burnt to the ground, but to a future built from the ashes of these unjust systems. Irreversible Entanglements are simply one of the most powerful bands in existence, building their symbiotic improvisations with fervent passion, hypnotic rhythm, and urgent truths.

This Heat – Deceit

Originally released in 1981 on Rough Trade Modern Classics Reissue (2016) Format: LP

Black Ox Orkestar – Ver Tanzt? Yeah

These impassioned, and often mournful, renditions of klezmer folk songs (both traditional and original) are infused with elements of free jazz, drone, and chamber music to create something both rooted and urgently modern (Even 15 years after its release). The mostly acoustic band features violinist Jessica Moss (also of Silver Mt. Zion) and upright bassist Thierry Amar (asmz, GY!BE) in addition to singer/multi-instrumentalist Scott Levine Gilmore and Clarinetist/Guitarist Gabe Levine.

Godspeed You Black Emperor! – Slow Riot For New Zero Kanada EP

“Side A is cut at 45rpm and features “Moya”, a broiling cascade of upward scales that repeatedly explodes beyond its own threshold. “BBF3” on Side B clocks in at 18 minutes, and was the band’s most lyrical, multi-movement music to date — more elaborated melodic figures wind around an angry spoken-word field recording (infamously culminating in the recital of the speaker’s poem — verses lifted straight from Iron Maiden)”

lojii – lofeye

Categorization and comparison are the least of lojii’s worries, instead prioritizing creative expression and finding spiritual truth and power in this dimly lit dystopia. He delivers his prophetic words with a focused, unwavering determination, while the beats are gritty and nocturnal with their open percussion, eerie synths, and negative space. Don’t miss out on this one.

Irreversible Entanglements – Irreversible Entanglements

“Four relentless bouts of inspired fire music forged from the true spirit of free jazz, driven by searing poetic narrations of Black trauma, survival and power” (from press release)

Click for review

Poliça – United Crushers

The brooding, atmospheric synth-pop of Poliça’s third LP finds Channy Leaneagh’s passionate vocals once again supported by prominent bass grooves, driving dual drummers, and occasional string and horn arrangements, all mapped into intricate, quantized webs of programmed beats and synthesizers by co-leader/producer Ryan Olsen. Lyrically, the album centers around themes of isolation, fading love, and as well as more political topics such as police violence.

For fans of Portishead, The Knife

Joan Baez – Come From the Shadows

“What I’m asking you to do is take some risks. Stop paying war taxes, refuse the armed forces, organize against the air war, support the strikes and boycotts of farmers, workers and poor people, analyze the flag salute, give up the nation state, share your money, refuse to hate, be willing to work…in short, sisters and brothers, arm up with love and come from the shadows”

Kendrick Lamar – To Pimp a Butterfly

Kendrick travels through the history of African-American music and into the future, taking inspiration from P-Funk, G-Funk, jazz, trap and everything in between. His lyrics display an acute awareness of someone battling with the weight of fame, institutional racism, and his own depression. This album is simultaneously personal and universal, and nothing short of revolutionary.

Charlie Haden – Liberation Music Orchestra

“The music in this album is dedicated to creating a better world; a world without war and killing, without racism, without poverty and exploitation; a world where men of all governments realize the vital importance of life and strive to protect it rather than destroy it. We hope to see a new society of enlightenment and wisdom where creative thought becomes the dominant force in all people’s lives” – Charlie Haden

Godspeed You! Black Emperor – Yanqui U.X.O.

Godspeed’s last album before their 10 year hiatus was produced by the legendary Steve Albini, resulting in what might be their heaviest and most direct album to date. Coming off the heels of September 11th, Yanqui U.X.O. seems to be a reaction against the ramped up military-industrial complex and its promotion of fear and xenophobia, as well as protesting Israel’s treatment of Palestinians. The back cover even goes as far as connecting each major record label to some type of weapons manufacturer.