Author name: Ash

Senyawa – Sujud

Style: Doom-Folk, Indonesian Folk Music, Avant-Folk

Moods: Apocalyptic, Spiritual, Earthy, Dark, Ominous, Nocturnal, Ritualistic, Tribal, Hypnotic

Musical Qualities: Throat Singing, Homemade Instruments, Droney, Noisy, Electro-Acoustic, Repetitive, Dense, Heavy

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Mike Oldfield – Ommadawn

Style: Celtic New Age, Symphonic Prog

Vibe: Ethereal, Medieval, Spring, Mellow, Meditative, Rainy, Soothing, Cinematic, Eclectic, Epic, Pastoral

Musical Qualities: Suite, Orchestral, Lush, Atmospheric, Progressive, Studio-as-an-Instrument

Instrumentation: harp, electric guitar, acoustic bass, electric bass, bagpipe, uilleann pipes, acoustic guitar, 12-string guitar, classical guitar, mandolin, bodhran, bouzouki, banjo, spinet, piano, Organ, synthesizer, glockenspiel, percussion, choral vocals, brass, tympani, drums, percussion

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Fly Pan Am – N’Ecoutez Pas

Released in 2004 on Constellation Records Format: LP Style: Experimental Rock, Post-Rock, Noise Rock Influences: Kosmische Musik, Shoegaze, Post-Punk Vibe: Chaotic, Noisy, Anxious, Messy, Spacey, Exploratory, Abstract Musical Attributes: Repetitive, Dense, Rhythmic, Studio-as-an-instrument, Sound Collage

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Anthony Braxton – Five Pieces 1975

Released in 1975 on Arista Records Format: LP Syle:  Avant-Garde Jazz Vibe: Cerebral, Complex, Exploratory, Impressionistic Musical Attributes: Improvisation, Innovative, Melodic, Technical Personell: Anthony Braxton (Saxophone, Clarinet, Bass Clarinet, Flute), Kenny Wheeler (Trumpet, Flugelhorn), Dave Holland (Upright Bass), Barry Altschul (Drums)

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Outkast – Aquemini

Released in 1998 on LaFace Records Format: LPx3 Style: Southern Hip-Hop, Conscious Hip-Hop, Boom-Bap Influences: Soul, Synth-Funk, Gangsta Rap, Experimental Hip-Hop Vibe: Uplifting, Confident, Groovy, Warm, Conscious, Urban, Epic, Storytelling Musical Attributes: Rhythmic, Lush, Melodic, Technical

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The Clandestine Quartet – One for the Fossa, Two for the Wolverine

Released in 2019 on 33-33 Records Format: LP Style: Free-Rock, Psychedelic Rock, Experimental Rock Influences: Arabic Folk Music, Free Improvisation, Drone, Indian Classical Music Vibe: Exploratory, Cathartic, Ritualistic, Psychedelic, Spiritual Musical Attributes: Improvisation Members: Sir Richard Bishop (Guitar, Piano), Chris Corsano (Drums), Alvarius Bishop (Bass, Vocals), Michael Flower (Japanese Banjo)

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Fontanelle – Vitamin F

Fontanelle’s Vitamin F feels heavily indebted to the dense, psychedelic grooves of Bitches Brew and the Mwandishi albums, and while it doesn’t quite reach the majestic heights of those legendary records, it’s definitely a worthwhile slab of wax for fans of polyrhythmic funk, winding improvisations, and spacey keyboard atmospheres.

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Gong – Angel’s Egg (Radio Gnome Invisible Part 2)

The second Radio Gnome transmission finds Zero the Hero astral projecting to PlanetGong where he meets with Selene the Moon Goddess and the Octave Doctors to learn the infinite powers of their lovewisdom vibrations. This psychedelic journey brings together fantastical imagery of pothead pixies and flying teapots (and a dose of hippy hedonism) with heady spiritual concepts delivered in a quite fun and silly way, but even before digging into the concept I was immediately grabbed by their unique style spacey jazz-rock with its propulsive bass lines, immersive synthesizer atmospheres and serpentine soprano sax soloing.

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Ulver – ATGCLVLSSCAP

This heavy drone rock feels like a journey through some haunted terrains and forests in ancient Europe. Monolithic fogs of synths and electronic soundscapes drone on for minutes at a time, occasionally being infiltrated by psychedelic guitars and pummeling marches of drums and bass. Given the cohesive ark, determined focus, and fluidity of the album (without as much as a pause between tracks until track 7), it was surprising to find that most of the songs are studio-enchanced improvisations pulled from 2014 tour recordings.

Recommended for fans of motorik drums, the thick drone of early Earth or Sunn O))), psychedelic guitar noises and fuzzy stoner rock riffs.

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Anthony Davis – Epist?m?

Style: Poly-Free Improvisation, Modern Classical, Avant-Garde Big Band

Vibe: Complex, Hypnotic, Intense, Suspenseful, Cerebral

Musical Attributes: Polyrhythmic, Polyphonic, Odd Time Signatures, Acoustic, Poly-Free Improvisation, Repetitive

Instrumentation: Orchestral, Mallet Percussion (Marimba, Vibraphone, etc) Violin, Cello, Piano, Trombone, Drums, Flute, Bass Clarinet

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Cecil Taylor – Unit Structures

Album Information: Originally released in 1966 on Blue Note Records Recorded May 19, 1966 1973 Reissue Format: LP Personnel: Cecil Taylor – Piano Alan Silva – Upright Bass Henry Grimes – Upright Bass Andrew Cyrille – Drums Jimmy Lyons – Alto Saxophone Eddy Gale Stevens, Jr. – Trumpet Ken McIntyre – Alto Saxophone, Oboe, Bass

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